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In this second edition of William Wordsworth: A Life, Stephen Gill draws on knowledge of the poet's creative practices and his reputation and influence in his life-time and beyond. Refusing to treat the poet's later years as of little interest, this biography presents a narrative of the whole of Wordsworth's long life--1770 to 1850--tracing the development from the adventurous youth who alone of the great Romantic poets saw life in revolutionary France to the old man who became Queen Victoria's Poet Laureate. The various phases of Wordsworth's life are explored with a not uncritical sympathy; the narrative brings out the courage he and his wife and family were called upon to show as they crafted the life they wanted to lead. While the emphasis is on Wordsworth the writer, the personal relationships that nourished his creativity are fully treated, as are the historical circumstances that affected the production of his poetry. Wordsworth, it is widely believed, valued poetic spontaneity. He did, but he also took pains over every detail of the process of publication. The foundation of this second edition of the biography remains, as it was of the first, a conviction that Wordsworth's poetry, which has given pleasure and comfort to generations of readers in the past, will continue to do so in the years to come.
"The classic Wordsworth poem is depicted in vibrant illustrations, perfect for pint-sized poetry fans."
More than any other poet, Wordsworth was his own biographer, and told his story through his verse. This work on the poet's entire life and times remains the only full-length popular biography. It draws upon the letters and diaries of Wordsworth and his sister, Dorothy, and of their contemporaries Coleridge and Southey. Hunter Davies also draws upon his own knowledge of the Lake District, which featured so strongly in Wordsworth's life, to present a complete portrait of England's best known poet. Book jacket.
On the 250th anniversary of Wordsworth’s birth comes a highly imaginative and vivid portrait of a revolutionary poet who embodied the spirit of his age Published in time for the 250th anniversary of William Wordsworth’s birth, this is the biography of a great poetic genius, a revolutionary who changed the world. Wordsworth rejoiced in the French Revolution and played a central role in the cultural upheaval that we call the Romantic Revolution. He and his fellow Romantics changed forever the way we think about childhood, the sense of the self, our connection to the natural environment, and the purpose of poetry. But his was also a revolutionary life in the old sense of the word, insofar as his art was of memory, the return of the past, the circling back to childhood and youth. This beautifully written biography is purposefully fragmentary, momentary, and selective, opening up what Wordsworth called "the hiding-places of my power."
A “thorough and painstaking” biography of the nineteenth-century poet who helped launch the Romantic movement in England (The Daily Mail, UK). Together with Samuel Taylor Coleridge, William Wordsworth pioneered a new poetic form that celebrated nature and prized freedom, emotion, and individuality. The force of his aesthetic and intellectual influence was pervasive, reaching from music and art to science, politics, and history. Drawing on the published letters and diaries of Wordsworth and his sister, Dorothy, and of their contemporaries Coleridge and Southey, this full-length biography of the poet’s life and times also draws on the author’s own knowledge of the Lake District, which was central to Wordsworth’s life. Hunter Davies discusses Wordsworth’s much-debated relationship with his sister; tells the story of his affair with Annette Vallon; and describes in detail William’s life with his wife, Mary. Readers will also learn of the poet’s family life at Grasmere and Rydal, his political activities, his formative meeting with Coleridge in the West Country, and his other travels.
From the earliest reviews of his poetry, readers were deeply divided on the merits of William Wordsworth's work. John Williams looks in detail at the major poems and discusses the critical issues that have dominated discussions of Wordsworth's compositions since they first began to appear in print after 1798. Beginning with a fresh assessment of the controversies that developed around Lyrical Ballads, the chapters trace the evolution of both Wordsworth's poetry and his reputation through to his death in 1850. At each stage, Williams investigates the possible reasons why critics and readers responded as they did: enraged by his revolutionary 'Jacobinism' at the turn of the eighteenth century; insulted by the 'simplicity' of the Poems in Two Volumes of 1807; reassured by his commitment to Nature and his reverence for Church and State in the early Victorian period. In the twentieth century, Wordsworth has been subjected to a series of extensive critical reappraisals. With reference to a wide range of the poetry, Williams goes on to discuss the way Wordsworth has been variously reconstructed as a consequence of the main critical and theoretical initiatives of the last one hundred years. He also examines the Wordsworth we have inherited for the twenty-first century: a poet many still feel has important things to say to the contemporary reader about human relationships, nature, the environment, and our imaginative life.
Written by his collateral descendant, the sculptor Andrew Wordsworth, this insightful biography weaves life and poetry together to create an utterly revelatory account of the man who was arguably the greatest Romantic poet of them all. Radical in his youth, and father to a love-child in revolutiontorn France, Wordsworth later retreated into reaction and nationalism. His early writings transformed English poetry, but the greatest achievement was his epic The Prelude, which he squirreled away and which was not published until after his death. After 1805 he outwardly produced little that was of note, and his project with Coleridge, The Recluse, remained a literary pipe-dream, or perhaps a smoke-screen. He himself became something of a recluse, increasingly isolated in his bucolic corner of the Lake District, surrounded only by his close family circle (the harem, as Coleridge called it): his sister Dorothy, and later his wife Mary and his daughters. Wordsworth's complex and aloof personality has always been an enigma, but by combining close readings of the poems with a detailed examination of his life, Andrew Wordsworth is able to unlock the secrets of one of the most fascinating and influential writers in English. As Dr David Whitley notes, Well-Kept Secrets intersperses the narrative exploring Wordsworth's life with a wealth of verse. This structure clearly shows how Wordsworth's art was intimately linked to his existence and how it was a means - more or less conscious - to come to terms with the world, himself and the many contradictions running like chasms across his personality. It also enables Andrew Wordsworth to shed some new light on the interpretation of the poetry, to better understand the poet as a man.