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ONE OF THE BEST BOOKS OF THE YEAR: THE WASHINGTON POST, CHICAGO TRIBUNE, LOS ANGELES TIMES, ST. LOUIS POST-DISPATCH. Politician, evangelist, and reformer William Jennings Bryan was the most popular public speaker of his time. In this acclaimed biography—the first major reconsideration of Bryan’s life in forty years–award-winning historian Michael Kazin illuminates his astonishing career and the richly diverse and volatile landscape of religion and politics in which he rose to fame. Kazin vividly re-creates Bryan’s tremendous appeal, showing how he won a passionate following among both rural and urban Americans, who saw in him not only the practical vision of a reform politician but also the righteousness of a pastor. Bryan did more than anyone to transform the Democratic Party from a bulwark of laissez-faire to the citadel of liberalism we identify with Franklin D. Roosevelt. In 1896, 1900, and 1908, Bryan was nominated for president, and though he fell short each time, his legacy–a subject of great debate after his death–remains monumental. This nuanced and brilliantly crafted portrait restores Bryan to an esteemed place in American history.
Looks at how William Jennings Bryan's attempts to reach the White House invigorated conservatives across the United States and changed approaches to constitutional law.
The chapters forming the content of this volume appeared, primarily, as a series of articles in the columns of The Sunday School Times, and are not written from a sectarian or denominational standpoint. The principles and propositions discussed are fundamental. The differences which raise the issues considered, show a line of cleavage that runs through all denominations. As modernism attacks all that is vital in the Christian religion, the real issue presented is: Shall Christianity remain Christian? - Preface.
A unique history of Nebraska is presented in these pages, drawing on fifty-eight short topical chapters and a rich gallery of illustrations. Professor Frederick C. Luebke?s lifelong commitment to the study of his state informs the book in every detail, as does his concern for clear and readable narrative. The treasure trove of images, many never published before, cast new light on many aspects of Nebraska?s history. These include the culture of the state?s Native peoples and their lives today, the building of the transcontinental railroad, the hardship endured by European immigrants, and the contributions of women, African Americans, Hispanic Americans, and Asian Americans to the state. This is a book that every Nebraskan will want to own, read, and enjoy. ø This second edition includes updated chapters on the current social, economic, and political climate of Nebraska and some new illustrations.
In 1896 William Jennings Bryan represented free-silver and the farm tradition of the Jeffersonian Democrats; McKinley represented, as a Republican, big business and industry. Professor Glad analyzes the campaign and the implications of McKinley's triumph.
Winner of the 2006 Barnard Hewitt Award for Excellence in Theatre History Between 1904 and the Great Depression, Circuit Chautauquas toured the rural United States, reflecting and reinforcing its citizens’ ideas, attitudes, and politics every summer through music (the Jubilee Singers, an African American group, were not always welcome in a time when millions of Americans belonged to the KKK), lectures (“Civic Revivalist” Charles Zueblin speaking on “Militancy and Morals”), elocutionary readers (Lucille Adams reading from Little Lord Fauntleroy), dramas (the Ben Greet Players’ cleaned-up version of She Stoops to Conquer), orations (William Jennings Bryan speaking about the dangers of greed), and special programs for children (parades and mock weddings). Theatre historians have largely ignored Circuit Chautauquas since they did not meet the conventional conditions of theatrical performance: they were not urban; they produced no innovative performance techniques, stage material, design effects, or dramatic literature. In this beautifully written and illustrated book, Charlotte Canning establishes an analytical framework to reveal the Circuit Chautauquas as unique performances that both created and unified small-town America. One of the last strongholds of the American traditions of rhetoric and oratory, the Circuits created complex intersections of community, American democracy, and performance. Canning does not celebrate the Circuit Chautauquas wholeheartedly, nor does she describe them with the same cynicism offered by Sinclair Lewis. She acknowledges their goals of community support, informed public thinking, and popular education but also focuses on the reactionary and regressive ideals they sometimes embraced. In the true interdisciplinary spirit of Circuit Chautauquas, she reveals the Circuit platforms as places where Americans performed what it meant to be American.
The Pulitzer Prize-winning history of the Scopes Trial and the battle over evolution and creation in America's schools In the summer of 1925, the sleepy hamlet of Dayton, Tennessee, became the setting for one of the twentieth century's most contentious courtroom dramas, pitting William Jennings Bryan and the anti-Darwinists against a teacher named John Scopes, represented by Clarence Darrow and the ACLU, in a famous debate over science, religion, and their place in public education. That trial marked the start of a battle that continues to this day-in cities and states throughout the country. Edward Larson's classic Summer for the Gods -- winner of the Pulitzer Prize in History -- is the single most authoritative account of this pivotal event. An afterword assesses the state of the battle between creationism and evolution, and points the way to how it might potentially be resolved.
Why the election of 1896 still matters.