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This book is the first comprehensive survey of aristocratic art collecting and patronage in Elizabethan England, as seen through the activities of Robert Dudley, Earl of Leicester (ca. 1532-1588). One of the most fascinating and controversial people of his day, Leicester was also the most important patron of painters at the Elizabethan court. He amassed a substantial art collection, including commissioned works by Nicholas Hilliard, Paolo Veronese, and Federico Zuccaro; helped foster the birth of an English vernacular discourse on the visual arts; and was an early exponent, in England, of the Italian Renaissance view of the painter as the practitioner of a liberal art and, thus, fit company for the educated and well-born. Although Leicester’s picture collection and personal papers were widely dispersed after his death, this volume’s pioneering research reconstructs his lost world and, with it, a turning point in the history of British art. Some of the paintings featured here are little-known images from private collections, never before reproduced in color.
One of the greatest loves of all time-between Elizabeth I and Robert Dudley-comes to life in this vivid novel. They were playmates as children, impetuous lovers as adults-and for thirty years were the center of each others' lives. Astute to the dangers of choosing any one man, the Virgin Queen could never give her "Sweet Robin" what he wanted most-marriage- yet she insisted he stay close by her side. Possessive and jealous, their love survived quarrels, his two disastrous marriages to other women, her constant flirtations, and political machinations with foreign princes. His Last Letter tells the story of this great love... and especially of the last three years Elizabeth and Dudley spent together, the most dangerous of her rule, when their passion was tempered by a bittersweet recognition of all that they shared-and all that would remain unfulfilled.
View our feature on Sarah Gristwood’s Elizabeth & Leicester.Though the story has been told on film—and whispered in historic gossip—this is the first book in almost fifty years to solely explore the great queen’s attachment to her beloved Robert Dudley, the Earl of Leicester. Fueled by scandal and intrigue, their relationship set the explosive connection between public and private life in sixteenth-century England in bold relief. Why did they never marry? How much of what seemed a passionate obsession was actually political convenience? Elizabeth and Leicester reignites this 400- year-old love story in a book for anyone interested in Elizabethan literature.
During the past 25 years Elizabethan history has been transformed by the work of Simon Adams. Famous for the depth and breadth of his research in libraries and archives throughout Britain, Western Europe and the USA, he has brought to life the most enigmatic of the greater Elizabethans: Robert Dudley, Earl of Leicester. Together with his edition of Leicester's accounts and his reconstruction of Leicester's papers, Adams has published numerous essays and articles on Leicester's influence and activities. They have reshaped our knowledge of Elizabeth and her Court, Parliament, the localities from Wales to Warwickshire and such subjects of recent debate as the power of the nobility and the noble affinity, the politics of faction and the role of patronage. Sixteen of Simon Adams' essays are found in this collection, organized into three groups: the Court, Leicester and his affinity, and Leicester and the regions. The collection ranges from much-cited essays in standard textbooks to papers at international conferences, as well as articles in a variety of journals.
"Robert Sidney, 1st Earl of Leicester (19 November 1563? 13 July 1626), second son of Sir Henry Sidney, was a statesman of Elizabethan and Jacobean England. He was also a patron of the arts and an interesting poet. His mother, Mary Sidney née Dudley, was a lady-in-waiting to Queen Elizabeth I and a sister of Robert Dudley, 1st Earl of Leicester, an advisor and favourite of the Queen."--Wikipedia.
This book combines a study of Waleran of Meulan and Robert of Leicester with an exploration of the exercise of power in twelfth-century Normandy and England.
For a decade, beginning in 1660, an ambitious young London civil servant kept an astonishingly candid account of his life during one of the most defining periods in British history. In Samuel Pepys, Claire Tomalin offers us a fully realized and richly nuanced portrait of this man, whose inadvertent masterpiece would establish him as the greatest diarist in the English language. Against the backdrop of plague, civil war, and regicide, with John Milton composing diplomatic correspondence for Oliver Cromwell, Christopher Wren drawing up plans to rebuild London, and Isaac Newton advancing the empirical study of the world around us, Tomalin weaves a breathtaking account of a figure who has passed on to us much of what we know about seventeenth-century London. We witness Pepys’s early life and education, see him advising King Charles II before running to watch the great fire consume London, learn about the great events of the day as well as the most intimate personal details that Pepys encrypted in the Diary, follow him through his later years as a powerful naval administrator, and come to appreciate how Pepys’s singular literary enterprise would in many ways prefigure our modern selves. With exquisite insight and compassion, Samuel Pepys captures the uniquely fascinating figure whose legacy lives on more than three hundred years after his death.