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NEW YORK TIMES Editors’ Choice • THE TIMES BIOGRAPHY OF THE YEAR • WINNER OF THE HAWTHORNDEN PRIZE A groundbreaking new biography of philosophy’s greatest iconoclast Friedrich Nietzsche is one of the most enigmatic figures in philosophy, and his concepts—the Übermensch, the will to power, slave morality—have fundamentally reshaped our understanding of the human condition. But what do most people really know of Nietzsche—beyond the mustache, the scowl, and the lingering association with nihilism and fascism? Where do we place a thinker who was equally beloved by Albert Camus, Ayn Rand, Martin Buber, and Adolf Hitler? Nietzsche wrote that all philosophy is autobiographical, and in this vividly compelling, myth-shattering biography, Sue Prideaux brings readers into the world of this brilliant, eccentric, and deeply troubled man, illuminating the events and people that shaped his life and work. From his placid, devoutly Christian upbringing—overshadowed by the mysterious death of his father—through his teaching career, lonely philosophizing on high mountains, and heart-breaking descent into madness, Prideaux documents Nietzsche’s intellectual and emotional life with a novelist’s insight and sensitivity. She also produces unforgettable portraits of the people who were most important to him, including Richard and Cosima Wagner, Lou Salomé, the femme fatale who broke his heart; and his sister Elizabeth, a rabid German nationalist and anti-Semite who manipulated his texts and turned the Nietzsche archive into a destination for Nazi ideologues. I Am Dynamite! is the essential biography for anyone seeking to understand history's most misunderstood philosopher.
More than eighty years after his death, Nietzsche's writings and his career remain disquieting, disturbing, obscure. His most famous views--the will to power, the eternal recurrence, the bermensch, the master morality--often seem incomprehensible or, worse, repugnant. Yet he remains a thinker of singular importance, a great opponent of Hegel and Kant, and the source of much that is powerful in figures as diverse as Wittgenstein, Derrida, Heidegger, and many recent American philosophers. Alexander Nehamas provides the best possible guide for the perplexed. He reveals the single thread running through Nietzsche's views: his thinking of the world on the model of a literary text, of people as if they were literary characters, and of knowledge and science as if they were literary interpretation. Beyond this, he advances the clarity of the concept of textuality, making explicit some of the forces that hold texts together and so hold us together. Nehamas finally allows us to see that Nietzsche is creating a literary character out of himself, that he is, in effect, playing the role of Plato to his own Socrates. Nehamas discusses a number of opposing views, both American and European, of Nietzsche's texts and general project, and reaches a climactic solving of the main problems of Nietzsche interpretation in a step-by-step argument. In the process he takes up a set of very interesting questions in contemporary philosophy, such as moral relativism and scientific realism. This is a book of considerable breadth and elegance that will appeal to all curious readers of philosophy and literature.
“An accessible, anecdotally rich” biography of the profoundly influential 19th century philosopher, author of Beyond Good and Evil and The Will to Power (Kirkus Reviews). Friedrich Nietzsche was the most fearlessly provocative and original thinker in Western history. The protean diversity of his writings make him one of the most influential of modern philosophers, yet his often paradoxical statements can be properly understood only within the context of his restless, tragic life. Physically handicapped by weak eyesight, violent headaches and bouts of nausea, this Nietzsche made short shrift of self-pity and ostentatious displays of compassion. The son of a Lutheran clergyman, whom he adored, he became a fearless agnostic who proclaimed, in Thus Spake Zarathustra that “God is dead!” Curtis Cate’s refreshingly accessible new biography brilliantly distills and clarifies Nietzsche’s ideas and the reactions they elicited. This book explores the musical and philosophical influences that inspired his thought, the subtle workings of his creative process, and the acute physical suffering he combated from his adolescence until his final mental collapse of January 1889. Cutting through the academic jargon and clearing away the prejudices that have become associated with Nietzsche’s name, Cate reveals a man whose ideas continue to have prophetic relevance and incredible vibrancy today.
Nietzsche's friend, the philosopher Paul Rée, once said that Nietzsche was more important for his letters than for his books, and even more important for his conversations than for his letters. In Conversations with Nietzsche, Sander Gilman and David Parent present a fascinating selection of eighty-seven memoirs, anecdotes, and informal recollections by friends and acquaintances of Nietzsche. Translated from the definitive German collection, Begegnungen mit Nietzsche, these biographical pieces--some of which have never before appeared in English--cover the entire span of Nietzsche's life: his boyhood friendships, his arrival at the University of Bonn, his appointment to professor at Basel at age twenty-four, the impact of The Birth of Tragedy, his friendship with Wagner, his life in Italy, his confinement at the Jena Sanatorium, and his death. They present the philosopher in dialogue with friends and acquaintances, and provide new insights into him as a thinker and as a commentator on his times, recounting his views on some of the greats of history, including Burckhardt, Goethe, Kant, Dostoevsky, Napoleon, and numerous others. In his selections, Gilman has carefully balanced documents concerning Nietzsche's personal life with others on his intellectual development, resulting in an entertaining and informative book that will appeal to a wide audience of educated readers.
In this groundbreaking biography, the author seeks to understand Nietzsche's philosophy through a reconstruction of his inner life. "Briskly written . . . almost a philosophical detective story."--"Volksblatt." 43 illustrations.
No other modern philosopher has proved as influential as Friedrich Nietzsche (1844-1900) and none is as poorly understood. In the first new biography in decades, Rüdiger Safranski, one of the foremost living Nietzsche scholars, re-creates the anguished life of Nietzsche while simultaneously assessing the philosophical implications of his morality, religion, and art. Struggling to break away from the oppressive burdens of the past, Nietzsche invented a unique philosophy based on compulsive self-consciousness and constant self-revision. As groundbreaking as it will be long-lasting, this biography offers a brilliant, multifaceted portrait of a towering figure.
Radically reconceives Friedrich Nietzsche's early life, offering an alternative approach and new insights into the early development of Nietzsche's philosophy.
This classic work of creative criticism from German philosopher Friedrich Nietzsche argues that ancient Greek drama represents the highest form of art ever produced. In the first section of the book, Nietzsche presents an in-depth analysis of Athenian tragedy and its many merits. In the second section, Nietzsche contrasts the refinement of classical tragedy with what he regards as the cultural wasteland of the nineteenth-century.
Nietzsche had a particular interest in the relationship between art and life, and in art's contribution to his philosophical aims—to identify the conditions of the affirmation of life, cultural renewal, and exemplary human living. These new essays demonstrate that understanding his engagement with art is essential for understanding his philosophy.