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This book is suitable for children age 9 and above. Napoleon Bonaparte was the first emperor of France. He was a very successful military general and he led his army into many victorious battles. This is the story of how a lawyer's son rose to become a powerful emperor.
“History is a Set of Lies Agreed Upon” is a collection of biographical sketches of the French military and political leader Napoléon Bonaparte, by various authors. Napoléon Bonaparte (1769–1821) was a French political and military leader during the Revolutionary Wars who ruled as Emperor of the French from 1804 until 1814, and again in 1815. Winning the vast amount of battles against a series of coalitions in the Napoleonic Wars, he was able to establish a large empire covering continental Europe that lasted until its collapse in 1815. Napoléon is regarded as being among the greatest military commanders in history, and is still a celebrated yet controversial political figure. These fascinating biographical sketches offer details on various aspects of Napoléon's life, from his early military campaigns to the women who had most influence of his life. Highly recommended for those with an interest in the life of Napoléon Bonaparte and European history in general. Contents include: “The Death of Napoleon, by Isaac Mclellan”, “Napoleon I (Bonaparte), by Pierre-Louis-Théophile-Georges Goyau”, “Biographical Sketch, by Ida M. Tarbell”, “Napoleon — Man of the World, by Ralph Waldo Emerson”, “Napoleon Bonaparte, by Sarah Knowles Bolton”, “Napoleon and Marie Walewska, by Lyndon Orr”, “The Story of Pauline Bonaparte, by Lyndon Orr”, “Napoleon's Will”, and “Historic Doubts Relative to Napoleon Buonaparte, by Richard Whately”. Read & Co. History is proudly publishing this brand new collection complete with the poem “The Death of Napoleon” by Isaac Mclellan.
Sir Walter Scott infuriated the more jingoistic of the British when his biography of Napoleon first appeared. The biography is of course coloured by the fact that it was written by a novelist but this only adds to its freshness and analytical features.
"First published in Great Britain by Allan Lane"--Title page verso.
From the award-winning historian and author of Revolutionary Mothers (“Incisive, thoughtful, spiced with vivid anecdotes. Don’t miss it.”—Thomas Fleming) and Civil War Wives (“Utterly fresh . . . Sensitive, poignant, thoroughly fascinating.”—Jay Winik), here is the remarkable life of Elizabeth Patterson Bonaparte, renowned as the most beautiful woman of nineteenth-century Baltimore, whose marriage in 1803 to Jérôme Bonaparte, the youngest brother of Napoleon Bonaparte, became inextricably bound to the diplomatic and political histories of the United States, France, and England. In Wondrous Beauty, Carol Berkin tells the story of this audacious, outsized life. We see how the news of the union infuriated Napoleon and resulted in his banning the then ­pregnant Betsy Bonaparte from disembarking in any European port, offering his brother the threat of remaining married to that “American girl” and forfeiting all wealth and power—or renouncing her, marrying a woman of Napoleon’s choice, and reaping the benefits. Jérôme ended the marriage posthaste and was made king of Westphalia; Betsy fled to England, gave birth to her son and only child, Jérôme’s namesake, and was embraced by the English press, who boasted that their nation had opened its arms to the cruelly abandoned young wife. Berkin writes that this naïve, headstrong American girl returned to Baltimore a wiser, independent woman, refusing to seek social redemption or a return to obscurity through a quiet marriage to a member of Baltimore’s merchant class. Instead she was courted by many, indifferent to all, and initiated a dangerous game of politics—a battle for a pension from Napoleon—which she won: her pension from the French government arrived each month until Napoleon’s exile. Using Betsy Bonaparte’s extensive letters, the author makes clear that the “belle of Baltimore” disdained America’s obsession with moneymaking, its growing ethos of democracy, and its rigid gender roles that confined women to the parlor and the nursery; that she sought instead a European society where women created salons devoted to intellectual life—where she was embraced by many who took into their confidence, such as Madame de Staël, Madame Récamier, the aging Marquise de Villette (goddaughter of Voltaire), among others—and where aristocracy, based on birth and breeding rather than commerce, dominated society. Wondrous Beauty is a riveting portrait of a woman torn between two worlds, unable to find peace in either—one a provincial, convention-bound new America; the other a sophisticated, extravagant Old World Europe that embraced freedoms, a Europe ultimately swallowed up by decadence and idleness. A stunning revelation of an extraordinary age.