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Blending biography with fiction, this portrait of the famed French playwright is written by a kindred spirit: the author of The Master and Margarita. Mikhail Bulgakov and Jean-Baptiste Poquelin—more commonly known as Molière—had much in common. The twentieth-century Russian satirist and dramatist and the seventeenth-century French playwright known for Tartuffe and The Misanthrope shared a love for finding material in the shortcomings and follies of the human condition. They both created their art under unpredictable and often repressive regimes—Bulgakov under the Bolsheviks and Molière under King Louis XIV—and often saw their work censored or banned. Both were also favored by influential men: King Louis was Molière’s patron, and Stalin, despite his oppressive rule, was a fan of Bulgakov’s work. Perhaps it is not surprising that Bulgakov penned such a vibrant, affectionate biography of one of the greatest masters of comedy in the Western canon. Written between 1932 and 1933 and eventually published posthumously in 1963, Bulgakov’s portrait of the famed French playwright and actor goes beyond the usual boundaries of biography—the two men at times seem to be communicating with each other across the centuries through Bulgakov’s lively prose and inspired interpretations of the life of a literary kindred spirit. Sliding delightfully between fiction and meticulous fact, The Life of Monsieur de Molière is not to be missed. “In its playfulness and hybridity, this book looks forward to contemporary 'faction' that fuses fiction and biography.” —John Dugdale, The Guardian Book Review
Two plays deal with the efforts of a group of white officers to survive after the end of the Civil War, and an engineer who travels into the past in a time machine and returns with Ivan the Terrible.
From the author of The Master and Margarita comes this short and tragic masterpiece about drug addiction Young Dr. Bromgard has come to a small country town to assume a new practice. No sooner has he arrived than he receives word that a colleague, Dr. Polyakov, has fallen gravely ill. Before Bromgard can go to his friend’s aid, Polyakov is brought to his practice in the middle of the night with a self-inflicted gunshot wound, and, barely conscious, gives Bromgard his journal before dying. What Bromgard uncovers in the entries is Polyakov’s uncontrollable and merciless descent into morphine addiction — his first injection to ease his back pain, the thrill of the drug as it overtakes him, the looming signs of addiction, and the feverish final entries before his death.
This biography of Molière was first published in 2000 and will appeal to general reader and specialists in French and Theatre Studies.
The career of Mikhail Bulgakov, the author of The Master and Margarita - now regarded as one of the masterpieces of twentieth-century literature - was characterized by a constant and largely unsuccessful struggle against state censorship. This suppression did not only apply to his art: in 1926 his personal diaries were seized by the authorities. From then on he confined his thoughts to letters to his friends and family, as well as to public figures such as Stalin and his fellow Soviet writer Gorky.This ample selection from the diaries and letters of Mikhail Bulgakov, mostly translated for the first time into English, provides an insightful glimpse into the author's world and into a fascinating period of Russian history and literature, telling the tragic tale of the fate of an artist under a totalitarian regime.
The life of Moliere, Born Jean-Baptiste Poquelin, is a story of struggle and dedication, and Bulgakov tells it with warmth and compassion.
Seven plays by the genius of French theater. Including The Ridiculous Precieuses, The School for Husbands, The School for Wives, Don Juan, The Versailles Impromptu, and The Critique of the School for Wives, this collection showcases the talent of perhaps the greatest and best-loved French playwright. Translated and with an Introduction by Donald M. Frame With a Foreword by Virginia Scott And a New Afterword by Charles Newell
WITH AN INTRODUCTION BY TERRY GILLIAM When Maxudov's bid to take his own life fails, he dramatises the novel whose failure provoked the suicide attempt. To the resentment of literary Moscow, his play is accepted by the legendary Independent Theatre and Maxudov plunges into a vortex of inflated egos. With each rehearsal more sparks fly and the chances of the play being ready to perform recede. Black Snow is the ultimate back-stage novel and a brilliant satire by the author of The Master and Margarita on his ten-year love-hate relationship with Stanislavsky, Method-acting and the Moscow Arts Theatre.
Reissued to tie-in with a new production of Flight at the Royal National Theatre, this volume contains six plays by Mikhail Bulgakov, a Soviet playwright whose work often brought him into conflict with the Soviet authorities.