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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The award-winning author’s “fearless” debut novel chronicles the life of a legendary Texas outlaw with “a ruthless sensibility . . . spare and tough” (Publishers Weekly). Some called him a Texas hero. Some called him the Devil himself. But on one point they all agreed. While he was alive, John Wesley Hardin was the deadliest man in Texas. A killer at fifteen, in the next few years he became skilled enough with his pistols to back down Wild Bill Hickok in the street. The law finally caught up with him when he was twenty-five. By then, he had killed as many as forty men and been shot so many times that, it was said, he carried a pound of lead in his flesh. In jail he became a scholar, studying law books until he won himself freedom, and afterwards he tried to lead an upright life. It was not to be. By the time he was killed in 1895, Hardin was an anachronism—the last true gunfighter of the Old West. With each chapter told from a different character’s perspective, The Pistoleer is “a genuine tour-de-force” of Western historical fiction from the Los Angeles Times Book Prize–winning author of In the Rogue Blood (Rocky Mountain News). “Astonishing.” —Kirkus Reviews “Detailed and cinematic.” —Publishers Weekly “An achievement by any standards, but as a first novel is simply astounding.” —Roundup Magazine
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Tracking the Texas Rangers: The Twentieth Century is an anthology of fifteen previously published articles and chapter excerpts covering key topics of the Texas Rangers during the twentieth century. The task of determining the role of the Rangers as the state evolved and what they actually accomplished for the benefit of the state is a difficult challenge. The actions of the Rangers fit no easy description. There is a dark side to the story of the Rangers; during the Mexican Revolution, for example, some murdered with impunity. Others sought to restore order in the border communities as well as in the remainder of Texas. It is not lack of interest that complicates the unveiling of the mythical force. With the possible exception of the Alamo, probably more has been written about the Texas Rangers than any other aspect of Texas history. Tracking the Texas Rangers covers leaders such as Captains Bill McDonald, "Lone Wolf" Gonzaullas, and Barry Caver, accomplished Rangers like Joaquin Jackson and Arthur Hill, and the use of Rangers in the Mexican Revolution. Chapters discuss their role in the oil fields, in riots, and in capturing outlaws. Most important, the Rangers of the twentieth century experienced changes in investigative techniques, strategy, and intelligence gathering. Tracking looks at the use of Rangers in labor disputes, in race issues, and in the Tejano civil rights movement. The selections cover critical aspects of those experiences--organization, leadership, cultural implications, rural and urban life, and violence. In their introduction, editors Bruce A. Glasrud and Harold J. Weiss, Jr., discuss various themes and controversies surrounding the twentieth-century Rangers and their treatment by historians over the years. They also have added annotations to the essays to explain where new research has shed additional light on an event to update or correct the original article text.
Los Tejanos is the story of the Texas-Mexican conflict between 1835 and 1875 as seen through the eyes of tejano (literally Texan of Mexican, as distinct from anglo, heritage) Juan Seguín. It is through Seguín, a pivotal and tragic figure, that Jackson humanizes Texas’ fight for independence and provides a human scale for this vast and complex story. Lost Cause documents the violent reaction to Reconstruction by Texans. As Jackson wrote, “Texas reaped a bitter harvest from the War Between the States. Part of this dark legacy was the great unrest that plagued the beaten but unbowed populace.” The tensions caused by Reconstruction are told through the Taylor-Sutton feud, which raged across South Texas, embracing two generations and causing untold grief, and the gunslinger John Wesley Hardin, who swept across Texas killing Carpetbaggers, Federal soldiers, and Indians.
Lord Loveall, heretofore heirless lord of the sprawling Love Hall, is the richest man in England. He arrives home one morning with a most unusual package - a baby that he presents as the inheritor to the family name and fortune. In honor of his beloved sister, who died young, Loveall names the baby Rose. The household, relieved at the continuation of the Loveall line, ignores the fact that this Rose has a thorn...that she is, in fact, a boy. Rose grows up with the two servant children who are her only friends, blissfully unaware of her own gender, casually hitting boundaries at Love Hall's yearly cricket game and learning to shave even as she continues to wear more and more elaborate dresses. Until, of course, the fateful day when Rose's world comes crashing down around her, and she is banished from Love Hall as an impostor by those who would claim her place as heir.
History, Rangers, Quarrels, Trials.