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LARGE PRINT EDITIONTHE Author, thinking an account of his life and experience would be of service to persons into whose hands it might fall, has, by the advice of some of his friends, come to the conclusion to narrate, as correctly as possible, things that he encountered and that came under his notice during a period of some forty-five years. He hopes, after a perusal of his first attempt, the reader will pardon him for any errors which may have been committed; and if I can only think that any good may have grown out of my adventures, I shall then consider that I have commenced to answer the end I and all human beings were created for--having lived that the world may be bettered by me.
Argues that human freedom is threatened by systems of intelligent persuasion developed by tech giants who compete for our time and attention. This title is also available as Open Access.
In a feat of remarkable research and timely reclamation, Eric K. Washington uncovers the nearly forgotten life of James H. Williams (1878–1948), the chief porter of Grand Central Terminal’s Red Caps—a multitude of Harlem-based black men whom he organized into the essential labor force of America’s most august railroad station. Washington reveals that despite the highly racialized and often exploitative nature of the work, the Red Cap was a highly coveted job for college-bound black men determined to join New York’s bourgeoning middle class. Examining the deeply intertwined subjects of class, labor, and African American history, Washington chronicles Williams’s life, showing how the enterprising son of freed slaves successfully navigated the segregated world of the northern metropolis, and in so doing ultimately achieved financial and social influence. With this biography, Williams must now be considered, along with Cornelius Vanderbilt and Jacqueline Onassis, one of the great heroes of Grand Central’s storied past.
The American Anti-Slavery Society originally published Narrative of James Williams, an American Slave in 1838 to much fanfare, describing it as a rare slave autobiography. Soon thereafter, however, southerners challenged the authenticity of the work and the society retracted it. Abolitionists at the time were unable to defend the book; and, until now, historians could not verify Williams's identity or find the Alabama slave owners he named in the book. As a result, most scholars characterized the author as a fraud, perhaps never even a slave, or at least not under the circumstances described in the book. In this annotated edition of Narrative of James Williams, an American Slave, Hank Trent provides newly discovered biographical information about the true author of the book -- an African American man enslaved in Alabama and Virginia. Trent identifies Williams's owners in those states as well as in Maryland and Louisiana. He explains how Williams escaped from slavery and then altered his life story to throw investigators off his track. Through meticulous and extensive research, Trent also reveals unknown details of James Williams's real life, drawing upon runaway ads, court cases, census records, and estate inventories never before linked to him or to the narrative. In the end, Trent proves that the author of the book was truly an enslaved man, albeit one who wrote a romanticized, fictionalized story based on his real life, which proved even more complex and remarkable than the story he told.
DIVScholarly edition of a slave narrative that tells of life as an "apprentice" under the British gradual emancipation plan./div
This biography follows the military career of General James Monroe Williams, which spanned both the Civil War and the Indian Wars in the West.
NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.
Jack Lack is a mainstreamed eleven-year-old with high-functioning autism. Because he can "talk and did well on spelling tests," he doesn't qualify for the sanctuary of the autism classroom, but instead has been thrown into the BD/JD [behavior-disordered/juvenile delinquent] classroom, which is full of wise-cracking malcontents. Jack is the only one who doesn't constantly misbehave, but because he lacks social skills, he is the one who is invariably blamed for everyone else's misdeeds. After a "typical" school day, Jack returns home to find out that he and his parents will be spending a month with his extended family, to help plan his eccentric Aunt Eva's second wedding. The good news is that he will be taken out of school; the bad news is that he will have to spend that month with his scheming, nefarious cousins, who have always been "out to get him." And in fact, as the month progresses, mysterious things happen, things that (of course) Jack is always blamed for. Determined to prove his innocence, Jack becomes a self-styled detective, hunting for clues to find the real villain. In the process, he ends up finding out things about himself and his extended family that surprise everyone. Cover art by Lauren Williams. Learn more at www.outtogetjack.com