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This biography of James Roberston Justice celebrates the secret life and glittering career of one of British cinema's finest and most recognisable screen personalities. James Robertson Justice made a treasure chest of classic British movies. He is best remembered as the bombastic Sir Lancelot Spratt in Doctor in the House (1954), but also starred in many wonderful films, both comedies and drama, often portrayed as a domineering (if frequently soft-centred) ogre. This book unravels for the first time, through detailed research and original interviews with those close to him, the myriad complexities of one of Britain's finest actors. The book is fully illustrated with many rare photos. A must buy for fans of classic British films. The book features a foreword by Prince Philip.
132 untold stories and 475 rare illustrations offer a completely new perspective on the Civil War.
A critical success on both sides of the Atlantic, this darkly imaginative novel from Scottish author James Robertson takes a tantalizing trip into the spiritual by way of a haunting paranormal mystery. When Reverend Gideon Mack, a good minister despite his atheism, tumbles into a deep ravine called the Black Jaws, he is presumed dead. Three days later, however, he emerges bruised but alive-and insistent that his rescuer was Satan himself. Against the background of an incredulous world, Mack's disturbing odyssey and the tortuous life that led to it create a mesmerizing meditation on faith, mortality, and the power of the unknown.
It is the age of the bomb, the Cold War, Margaret Thatcher and North Sea Oil. As nationalism becomes a credible force in Scotland, a gay photographer, a feminist journalist, a war veteran and a guilt-ridden Conservative MP find their private lives entangled with the ideological conflicts of the times.
‘A book of such quality as to persuade you that historical novels are the true business of the writer.’ Daily Telegraph
E.D. Thompson chronicles the many changes that Nashville has gone through during the past 50 years. He writes a weekly column on Nashville Nostalgia and also does a weekly radio broadcast.
The republic of the mind... It might have been a drug, it might have been something you scored in pub toilets, but it wasn't. It was better than that... One day everybody was going to be there. In this new edition of James Robertson's shorter fiction, nothing is quite what it seems. From a dysfunctional safari park to an abandoned mental hospital, from a flat overrun by frogs to a South Dakota reservation or a future Scotland riven by ethnic cleansing, the settings of these stories are both nightmarish and real, and the characters who inhabit them often heroic even in defeat. Angry, philosophical, funny and humane, James Robertson's stories explore the friendships strong in adversity, marriages heading for the rocks, and the lonely truths of everyday life, with the same deftness of touch that has brought critical acclaim for novels such as And the Land Lay Still and The Testament of Gideon Mack. This is a collection that will live long in your mind.
LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 'To tell the story of a country or a continent is surely a great and complex undertaking; but the story of a quiet, unnoticed place where there are few people, fewer memories and almost no reliable records - a place such as Glen Conach - may actually be harder to piece together. The hazier everything becomes, the more whatever facts there are become entangled with myth and legend. . .' Deep in the mountains of north-east Scotland lies Glen Conach, a place of secrets and memories, fable and history. In particular, it holds the stories of three different eras, separated by centuries yet linked by location, by an ancient manuscript and by echoes that travel across time. In ancient Pictland, the Christian hermit Conach contemplates God and nature, performs miracles and prepares himself for sacrifice. Long after his death, legends about him are set down by an unknown hand in the Book of Conach. Generations later, in the early nineteenth century, self-promoting antiquarian Charles Kirkliston Gibb is drawn to the Glen, and into the big house at the heart of its fragile community. In the present day, young Lachie whispers to Maja of a ghost he thinks he has seen. Reflecting on her long life, Maja believes him, for she is haunted by ghosts of her own. News of the Dead is a captivating exploration of refuge, retreat and the reception of strangers. It measures the space between the stories people tell of themselves - what they forget and what they invent - and the stories through which they may, or may not, be remembered.