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Self-revelations of tormented great composer; musical life in Paris, Wagner and other contemporaries, musical opinions, much more. 11 plates.
In this delightful and now classic narrative, written by the brilliant composer and critic Hector Berlioz, readers are made privy to 25 highly entertaining evenings with a fascinating group of distracted performers.
A captivating and sumptuously illustrated biography, Berlioz is not only a complete account of the Romantic era composer, but also an acute analysis of his compositions and a description of his work as a conductor and critic. 139 halftones, 3 maps, 160 musical examples.
French composer Hector Berlioz believed in love at first sight. When he was 23, he attended a performance of Shakespeare's play Hamlet and fell head over heels in love with Harriet Smithson, an English actress who had a leading role. Harriet didn't show any interest in him. She ignored his letters. When he tried to meet her backstage she ordered the guard to throw him out. Berlioz was hurt and angry. He wanted revenge. He got it by murdering Harriet-musically. She inspired Symphonie fantastique, his most famous work. The hero kills his beloved, is executed for the crime, and the symphony ends with a bizare dance of ghosts, goblins and other monsters. In real life, Berlioz met Harriet several years later. He put on a special concert for her that included a performance of Symphonie fantastique. Harriet was impressed. Soon she fell in love with him and they were married. Did they live happily ever after? Book jacket.
In this masterpiece of "program" music — a genre invented by the composer — an obsessed musician is overcome by increasingly bizarre visions of his lover. This miniature score version is handy, inexpensive, and perfect for use in the classroom or concert hall.
Berlioz, Volume I, previously published only in Britain, is now available to American readers in a revised edition, together with the eagerly awaited, new Volume II. These two volumes together comprise a monumental biographical achievement, sure to stand as the definitive Berlioz biography.
This is the first complete translation into English of Berlioz's second collection of musical articles, originally published in 1859. The work is a uniquely Berliozian combination of light-hearted journalism and serious musical comment and analysis. Hector Berlioz's Les Grotesques de la musique is the only one of his books that has never been translated into English in its entirety. It is by far the funniest of all his works, and consists of a number of short anecdotes, witticisms, open letters, and comments on the absurdities of concert life. Alastair Bruce's fluid translation brings to life this important composer and bon vivant. He does a wonderful job of conveying all the puns, jokes, and invective of Berlioz's prose as well as the nuances of his stories. He even imitates a Tahitian accent in the translation, as Berlioz does in the original. The notes will give the reader insight into the innuendos and in-jokes that fill the pages. This translation will take its place among other translations of Berlioz's prose writings, bringing to the reader more lively examples of a still misunderstood composer caught up in the musical life of mid-nineteenth century Paris. Alastair Bruce is a London-based management consultant and former treasurer of the Berlioz Society. Hugh Macdonald is General Editor of New Berlioz Edition.
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!