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Reproduction of the original: The Life of George Cruikshank by Blanchard Jerrold
One of the most important British graphic artists of the nineteenth century, George Cruikshank (1792-1878) illustrated over 860 books, including several by Charles Dickens, and produced a vast number of etchings, paintings, and caricatures. The ten essays collected here first appeared in a special limited edition. In a new preface written for this paperback edition, Robert Patten shows how the insights of these seminal essays have been amplified by recent exhibitions and scholarship. The introduction by John Fowles has been retained and an index has been added. In addition to the many Cruikshank illustrations reproduced in the volume, there are original drawings by contemporary artists David Levine and Ronald Searle.
Best known today as the illustrator of Lewis Carroll's Alice books, John Tenniel was one of the Victorian era's chief political cartoonists. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books. In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm for sports, theatre, and medievalism to his flirtation with high art and his fifty years with the London journal Punch, Tenniel is shown to have been the sociable and urbane humorist revealed in his drawings. Tenniel's countrymen thought his work would embody for future historians the 'trend and character' of Victorian thought and life. Morris assesses to what extent that prediction has been fulfilled. The biography is followed by three sections on Tenniel's work, consisting of thirteen independent essays in which the author examines Tenniel's methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. For lovers of Alice, Morris offers six chapters on Tenniel's work for Carroll. These reveal demonstrable links with Christmas pantomimes, Punch and Judy shows, nursery toys, magic lanterns, nineteenth-century grotesques, Gothic revivalism, and social caricatures. Morris also demonstrates how Tenniel's cartoons depicted the key political questions of his day, from the Eastern Question to Lincoln and the American Civil War, examining their assumptions, devices, and evolving strategies. The definitive study of both the man and the work, Artist of Wonderland gives an unprecedented view of the cartoonist who mythologized the world for generations of Britons.
Although 150 years have passed since Princess Victoria became Queen, the first twelve months of her reign remain relatively unexplored. In the first literary history to focus specifically on the year 1837-1838, Richard L. Stein examines a wide variety of cultural products--in visual art and architecture, statistics and maps, scientific writing and popular journalism, and literature itself--to reconstruct the thought and experience of England in "Victoria's Year." Surveying such figures as Carlyle, Cruikshank, Darwin, Dickens, Martineau, Ruskin, Tennyson, and Turner, this wide-ranging volume examines the connections and discontinuities within the values, beliefs, and modes of representation of this brief cultural moment, describing how various arts struggled to produce new, legible, and stable signs to reflect unprecedented modes of experience in a rapidly changing culture. Stein shows how this quest for legibility and certainty was often undermined from inside and out, and the ways in which "the order of things," in Foucault's sense of the phrase, was constantly being reasserted or broken down. Revealing how this particular historical moment was understood by those who lived it, and how an array of cultural products served to mediate the most radically new and unfamiliar aspects of the age, Victoria's Year offers new insights into the process that created the myth of Victorianism.