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Dan Rice had many lives. He was a pig presenter, a strongman, a lecturer, and a comic singer, all before joining the dazzling world of the circus. In 1855, he created Dan Rice's Great Show. Labeling himself the "Great American Humorist," he toured the country and spoke out on issues of the day before large crowds. Swept up in a new cult of celebrity, he rose to become one of the most famous—and infamous—men in America. He even ran for president. So why have so few people ever heard of Dan Rice? Propelled by an urge toward "refinement," American amusements began to stratify in the mid-19th century. The raucous antebellum jumble of performers, audiences, and forms split along a new performance hierarchy of high and low. Circus, though still vastly popular, became seen as lowbrow. In that changed world, Rice's aggressive humor and robust connection with a noisy, participatory audience became seen as crude—and worse—a civic threat. David Carlyon weaves a remarkably rich portrait of turbulent times that raised one ambitious, creative man to glorious heights and then, embarrassed by its enthusiasm, buried him in sentimentality and finally oblivion.
Shutterbug Allison Lee is trying to survive high school while suffering the popular girl's abuse. Her life is often abysmal, but at least her green hair is savage. Her talent for photography is recognized by the school paper and the judges of a photo contest. While visiting her friend Joe, a homeless vet, Allison's life irrevocably changes after an attack leaves her blind. All her dreams as a photojournalist are dashed as she realizes she'll never see again. Despair sets in until she is offered an experimental procedure to restore her vision. But there are side effects, or are they hallucinations? She now sees dragons accompanying some of the people she meets. Can she trust her eyes, or has the procedure affected her more than she can see?
Dan Rice was one of the most famous and controversial entertainers of the 19th century, a clown, circus performer, and political activist who rubbed shoulders with presidents and common folk alike. In this lively biography, Maria Ward Brown captures the spirit and energy of Rice's life and times, from his humble beginnings to his global fame, from his patriotic performances to his scandals and setbacks. With colorful anecdotes and historic context, this book is a must-read for anyone interested in American popular culture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Some dog lovers wonÂ't consider owning anything other than a big dog—and here is the book written especially for them. Big dogs come in a great variety of colors, appearances, and coat types, and have many different kinds of personality. Veterinarian Dan Rice discusses Great Danes, Irish Wolfhounds, St. Bernards, and many others—40 breeds in total. He advises on health problems related to size, discusses breeding idiosyncrasies, and gives expert information on special nutrition and feeding schedules for rapidly growing breeds. Each of these profiles includes a full-color photo of the dog that is being described. There is also detailed information on the traits, origins, and lineage of many large breeds, some of them dating back thousands of years in historical records. Additional color photos complement the authorÂ's information and advice throughout the book.
Daniel Littlefield's investigation of colonial South Carolinianss preference for some African ethnic groups over others as slaves reveals how the Africans' diversity and capabilities inhibited the development of racial stereotypes and influenced their masters' perceptions of slaves. It also highlights how South Carolina, perhaps more than anywhere else in North America, exemplifies the common effort of Africans and Europeans in molding American civilization.
By the time he was twenty-two, Dan Eldon had led a relief mission across Africa; worked as a graphic designer in New York; studied (intermittently) at four colleges; travelled through Europe, Africa, Japan, and the United States; founded a charity for Mozambiquan refugees; directed a film; written a book; started up his own photography business; and become a photojournalist for Reuters news agency, covering the famine and civil war in Somalia. There, in 1993, he was killed in an eruption of mob violence while on assignment. In a world of rules and regularity, Eldon was a renegade, a risk-taker, and an adventurer. His is no ordinary journal; it is an astonishing collage of photos, drawings, words, maps, and clippings that reveals his strange and vivid life. The Journey is the Destination is at once the vision of an artist in his prime and the unrestrained outpourings of a young man just beginning to live.