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First published in 1682, The Life of an Amorous Man depicts the pursuits and follies of the glorious age of old Japan, when the new bourgeoisie, unfettered by the societal constraints of the traditional aristocracy, indulged in the free and easy life of Japan’s celebrated pleasure houses. The hero of this fascinating novel is a composite of the many daijin (men of wealth) who spent their time in these flourishing establishments. The novel follows the hero, Yonosuke, or “Man of the World,” from precocious childhood to the close of his amatory career. Along the way, Saikaku exploits the full gamut of his sexual indulgence, always the frankness, often with humor, and occasionally with pathos — chronicling the erotic escapades of his hero and providing vivid character sketches of the women (and sometimes men) with whom Yonosuke dallied.
Ihara Saikaku "wrote of the lowest class in the Tokugawa world -- the townsmen who were rising in wealth and power but not in official status."--Back cover.
An American woman's sexual awakening in Japan, testing the limits of love and sensual pleasure
"Five charming novellas … which have astonishing freshness, color, and warmth."-- The New Yorker First published in 1686, this collection of five novellas by Ihara Saikaku was an immediate bestseller in the bawdy world of Genroku Japan. The book's popularity has only increased with age, making it a literary classic like Boccaccio's Decameron, or the works of Rabelais. Each of the five stories follows a determined woman on her quest for amorous adventure: The Story of Seijuro in Himeji -- Onatsu, already wise in the ways of love the tender age of sixteen. The Barrelmaker Brimful of Love -- Osen, a faithful wife until unjustly accused of adultery. What the Seasons Brought the Almanac Maker-- Osan, a Kyoto beauty who falls asleep in the wrong bed. The Greengrocer's Daughter with a Bundle of Love -- Oshichi, willing to burn down a city to meet her samurai lover. Gengobei, the Mountain of Love -- Oman, who has to compete with handsome boys to win her lover's affections. But the book is more than a collection of skillfully told erotic tales, for "Saikaku …could not delve into the inmost secrets of human life only to expose them to ridicule or snickering prurience. Obviously fascinated by the variety and complexity of human love, but always retaining a sense of its intrinsic dignity … he is both a discriminating and compassionate judge of his fellow man." Saikaku's style, as allusive as it is witty, is a challenge that few translators have dared to face, and certainly never before with the success here. Accentuated by gorgeous 17th-century illustrations. Theodore de Bary's translation manages to recapture the heady flavor of the original in this sumptuous collection of romantic tales.
This tale of a Russian immigrant is a “gripping and gritty memoir [and] a eulogy for a combative, self-conscious, often violent American working class” (Los Angeles Times). Jennie Persily, with her fiery red hair, buxom figure, and bohemian spirit, is a strong-willed fighter for justice and a passionate lover. A Russian-Jewish émigré who organizes unions in the sweatshops and on the mean streets of Chicago during the thirties and forties, Jennie frequently brings her son—the book’s author, Clancy Sigal—along to rallies and on dangerous missions, often eluding union-busting hit men. As unsentimental, intelligent, and brazen as its subject, A Woman of Uncertain Character is a candid look into a childhood shaped by a feverishly brave, sexually open, and very complex mother. Sigal gains a deep, satisfying understanding of the woman who made him, and the world that made her.
"A cool, comic survey of the sexual education of a young Hungarian, from his first encounter, as a twelve-year-old refugee with the American forces, to his unsatisfactory liaison with a reporter's wife in Canada at the belated end of his youth, when he was twenty-three . . . elegantly erotic, with masses of that indefinable quality, style . . . this has the real stuff of immortality."—B. A. Young, Punch "A pleasure. Vizinczey writes of women beautifully, with sympathy, tact and delight, and he writes about sex with more lucidity and grace than most writers ever acquire."—Larry McMurtry, Houston Post "Like James Joyce, who was as far from being a writer of erotica as Dostoevsky, Vizinczey has a refreshing message to deliver: Life is not about sex, sex is about life."—John Podhoretz, Washington Times "The gracefully written story of a young man growing up among older women . . . although some passages may well arouse the reader, this novel brims with what the courts have termed "redeeming literary merit."—Clarence Petersen, Chicago Tribune "A funny novel about sex, or rather (which is rarer) a novel which is funny as well as touching about sex . . . elegant, exact and melodious—has style, presence and individuality."—Isabel Quigly, Sunday Telegraph "The delicious adventures of a young Casanova who appreciates maturity while acquiring it himself. In turn naive, sophisticated, arrogant, disarming, the narrator woos his women and his tale wins the reader."—Polly Devlin, Vogue
Winner of the Nero Wolfe Award It is 1921 and Mary Russell--Sherlock Holmes's brilliant apprentice, now an Oxford graduate with a degree in theology--is on the verge of acquiring a sizable inheritance. Independent at last, with a passion for divinity and detective work, her most baffling mystery may now involve Holmes and the burgeoning of a deeper affection between herself and the retired detective. Russell's attentions turn to the New Temple of God and its leader, Margery Childe, a charismatic suffragette and a mystic, whose draw on the young theology scholar is irresistible. But when four bluestockings from the Temple turn up dead shortly after changing their wills, could sins of a capital nature be afoot? Holmes and Russell investigate, as their partnership takes a surprising turn in A Monstrous Regiment of Women by Laurie R. King.
First published in 1686, Five Women Who Loved Love was an immediate bestseller in the bawdy, life-loving world that was Genroku Japan.
An entirely original portrait of a young writer shutting out the din in order to find her own voice