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This study of the life and writings of a 16th-century exile from Spain, one of many victims of the Second Diaspora, presents a new view of the genesis of the novel, particularly the Byzantine and the pastoral."
"After her arrival in 1553, she became the most prominent businesswoman of the community and a patron of Jewish causes. Her life exemplifies the perseverance of the Jewish culture to survive and triumph even in extremely adverse conditions."--BOOK JACKET.
The ancient Greek romances of Achilles Tatius and Heliodorus were widely imitated by early modern writers such as Miguel de Cervantes, Philip Sidney, and Mary Wroth. Like their Greek models, Renaissance romances used ekphrasis, or verbal descriptions of visual representation, as a tool for characterization. The Emblematics of the Self shows how the women, foreigners, and non-Christians of these tales reveal their identities and desires in their responses to the ‘verbal pictures’ of romance. Elizabeth B. Bearden illuminates how ‘verbal pictures’ enliven characterization in English, Spanish, and Neolatin romances from 1552 to 1621. She notes the capacity for change among characters — such as cross-dressed Amazons, shepherdish princesses, and white Mauritanians — who traverse transnational cultural and aesthetic environments. Engaging and rigorous, The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the ‘other,’ as well as new possibilities for early modern identities, in an increasingly global Renaissance.
Multidimensional characters, contrasting perspectives and ironic manipulations produce a kind of 'generic hybridisation' which exposes the fallacies of this type of romance fiction."--Jacket.
This study of Góngora's Soledades is intended to summarize and discuss some of the problems which seemed important for a better understanding of these poems. Special attention is paid to the two opposing 'camps' that developed over time; one mainly focussing on the form and the other on the content of Soledades. In this volume the authors tries to integrate the methods and results of both of the 'camps'.
Selected works of three Marrano poets, together with translations into English and explanatory notes, are presented in this volume. In a general introduction the editor explains the historical and literary background of their works and examines the interrelationship between the Jewish and Christian cultural elements.
Etude de l'écriture de l'exil à la Renaissance, avec une typologie basée sur les écrits de Pétrarque, de Marot et Joannes Sambucus ; un examen de la tradition allégorique du voyage de la vie ; et enfin, une lecture des écrits d'exil de Petrus Alcyonius, de deux marranes portugais, D. Pires et Amatus Lusitanus, et de Joachim Du Bellay.