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A “humdinging page-turner of a book” (The Spectator) that will “give great pleasure” (Country Life). The Old Rectory examines the history of the English parsonage through the centuries, and their many and varied styles of architecture. Explore the lives of famous inhabitants and discover the scandals of neglect.
A brilliant, ambitious follow–up to The Secret Lives of Buildings, in which Hollis turns his focus from the great architectural constructions of the past to the now–vanished chambers they once contained. The rooms we live in are always more than just four walls. As we decorate these spaces and fill them with objects and friends, they shape our lives and become the backdrop to our sense of self. one day, the structures will be gone, but even then, traces of the stories and the memories they contained will persist. In this dazzling work of imaginative reconstruction, edward Hollis takes us to the sites of great abodes now lost to history and piecing together the fragments that remain, re–creates their vanished chambers. From Rome's palatine to the old palace of Westminster and the petit Trianon at Versailles, from the sets of MGM studios in Hollywood to the pavilions of the Crystal palace and the author's own grandmother's sitting room, The Memory Palace is a glittering treasure trove of luminous forgotten places and the alluring people who lived in them.
Every built structure has an interior: whether it takes the rough form of a rudimentary shelter, the grey walls of a hospital or the finessed decoration of a one-off residence. We spend most of our time inside buildings. Shut your eyes and you will find yourself in your own interior. You will always be inside. Mastering the language, thinking and history of the interior is critical to understanding and designing spaces. This essential primer transcends the boundaries and genres that often define interiors, providing a comprehensive view of the concepts and vocabulary of interior design. Written as an accessible ‘treasury’ of principal terms and ideas, Inside Information engages with the past, uncovering the future potential of the interior, and its design. Introduces the reader to 26 key terms, from ante- to zeitgeist. Covers areas of study from the very practical – structures, decoration and sustainability – to the philosophical – gender, space and light. Features sources, ranging from: Le Corbusier to Norman Foster; Jacques Derrida to Noam Chomsky; Virginia Woolf to George Orwell. Highly illustrated with over 100 photographs and drawings.
This book looks at the variety of Britons who became residents of Florence between the end of the Napoleonic wars and the absorption of Tuscany into the kingdom of Italy. Many of them were leisured, and some aristocratic; a few were writers or artists; the British clergy and physicians who ministered to them were gentlemen. Many others were shopkeepers, merchants and even engineers. Some achieved a more profound knowledge of the country (and its language) than others, but all were affected to some degree by the momentous events which led to Italian unification.
Around 1800, one of the most influential architectural concepts of the last 250 years emerged—that of built spaces as technical devices. Climate, morality, and comfort are the three main themes of this study, and each is vividly examined in separate chapters through synchronous comparison and with the help of examples. The emergence of corresponding metaphors, knowledge, and construction forms is traced over a period of about 70 years. The author focuses particularly on the operative dimension of architecture. Thus, the book provides a historical perspective on a key topic for the future of architecture. The book is aimed at readers interested in architecture, technology or the cultural history of building and living.
Since its emergence in the mid-nineteenth century as the nation's "metropolis," New York has faced the most challenging housing problems of any American city, but it has also led the nation in innovation and reform. Plunz traces New York's housing development from 1850 to the present, exploring the housing of all classes, discussing the development of types ranging from the single-family house to the high-rise apartment tower.
In Making Dystopia, distinguished architectural historian James Stevens Curl tells the story of the advent of architectural Modernism in the aftermath of the First World War, its protagonists, and its astonishing, almost global acceptance after 1945. He argues forcefully that the triumph of architectural Modernism in the second half of the twentieth century led to massive destruction, the creation of alien urban landscapes, and a huge waste of resources. Moreover, the coming of Modernism was not an inevitable, seamless evolution, as many have insisted, but a massive, unparalled disruption that demanded a clean slate and the elimination of all ornament, decoration, and choice. Tracing the effects of the Modernist revolution in architecture to the present, Stevens Curl argues that, with each passing year, so-called 'iconic' architecture by supposed 'star' architects has become more and more bizarre, unsettling, and expensive, ignoring established contexts and proving to be stratospherically remote from the aspirations and needs of humanity. In the elite world of contemporary architecture, form increasingly follows finance, and in a society in which the 'haves' have more and more, and the 'have-nots' are ever more marginalized, he warns that contemporary architecture continues to stack up huge potential problems for the future, as housing costs spiral out of control, resources are squandered on architectural bling, and society fractures. This courageous, passionate, deeply researched, and profoundly argued book should be read by everyone concerned with what is around us. Its combative critique of the entire Modernist architectural project and its apologists will be highly controversial to many. But it contains salutary warnings that we ignore at our peril. And it asks awkward questions to which answers are long overdue.
This selection of groundbreaking essays offers a significant and long overdue reassessment of the aims and intentions of European architecture and urbanism over the period 1880-1960.