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Emily Carr (1871--1945) is one of Canada's most beloved artists. An independent woman and a Westerner who gained prominence at a time when female painters were not recognized internationally, her life and work reflect a profound commitment to the land she knew and loved. Carr's sensitive evocations reveal an artist grappling with spiritual questions inspired by the Canadian sea, land, and people. Although more than half a century has passed since her death, any artist who engages with the West Coast must contend with her legacy. Her paintings continue to inspire generations of artists. Along with the Group of Seven, Carr became a leading figure in Canadian modern art in the early twentieth century. Emily Carr: Life & Work traces the artist's trajectory from her life in Victoria, where she struggled to receive acceptance, to her status as one of Canada's most influential painters. With insight and intelligence, author Lisa Baldissera explores how although during Carr's life she endured hardship, personal isolation, and rejection, she persevered to create an iconic vision for the nation. This book explores how Carr travelled extensively, learning from European, American, and Indigenous forms and receiving formal training at art academies as well as from private tutors. In doing so, she continued to grow in artistic power as a result of her own intense observation and of her vigorous experimentation with a variety of methods and media, reflecting the fusion of wide-ranging influences. Baldissera reveals why Carr's art remains relevant today and its legacy interests many contemporary West Coast artists.
DigiCat Publishing presents to you this special edition of "Klee Wyck" by Emily Carr. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This autobiography by Emily has been called "probably the finest... in a literary sense, ever written in Canada." Completed just before Emily Carr died in 1945, Growing Pains tells the story of Carr’s life, beginning with her girlhood in pioneer Victoria and going on to her training as an artist in San Francisco, England and France. Also here is the frustration she felt at the rejection of her art by Canadians, of the years of despair when she stopped painting. She had to earn a living, and did so by running a small apartment-house, and her painful years of landladying and more joyful times raising dogs for sale, claimed all her time and energy. Then, towards the end of her life, came unexpected vindication and triumph when the Group of Seven accepted her as one of them. Throughout, the book is informed with Carr’s passionatate love of and connection with nature. Carr is a natural storyteller whose writing is vivid and vital, informed by wit, nostalgic charm, an artist’s eye for description, a deep feeling for creatures and the foibles of humanity--all the things that made her previous books Klee Wyck and Book of Small so popular and critically acclaimed.
Emily Carr was primarily a painter, but she first gained recognition as an author for her seven books about her journeys to remote Native communities and stories about life as an artist, as a small child in Victoria at the turn of the last century—and as a reluctant landlady. Before winning recognition for her painting and writing, Carr built a small apartment building with four suites (she lived in one of them) that she hoped would earn her a living. But things turned out worse than expected, and in her forties, the gifted artist found herself shoveling coal and cleaning up after people for 23 years. The House of All Sorts is a collection of 41 stories of those hard-working days and the parade of tenants- young couples, widows, sad bachelors and rent evaders— all the tears and travails of being a landlady confronted with the startling foibles of humanity. Carr is at her most acerbic and rueful, but filled with energy and inextinguishable hope. Carr’s writing is vital and direct, aware and poignant, and as well regarded today as when The House of All Sorts was first published in 1944 to critical and popular acclaim. The book has been in print ever since.
The Book of Small by Emily Carr is a captivating memoir that takes readers on a journey through the author's childhood and her deep connection with the natural world. Carr's vivid descriptions and evocative storytelling transport us to the rugged landscapes of British Columbia, where she finds solace and inspiration in the wilderness. The Book of Small is not only a personal account of Carr's experiences but also a reflection on the power of art and nature to shape our lives. With its lyrical prose and intimate revelations, Carr's memoir invites readers to discover the beauty and wonder that exist within and around us.
Carr, a Canadian, O'Keeffe, an American, and Kahlo, a Mexican, were not close during their lives, but Udall (an independent art historian in Santa Fe, New Mexico), in this carefully reasoned and illuminating study, effectively brings many aspects of the artists' works together to demonstrate a kind of zeitgeist they shared as women developing often surprisingly similar, non-traditional themes in the 1920s. Links between their works are developed in the areas of nationalism, identity, gender, nature, and self through discussion of their paintings, psychology, and artistic influences. Annotation copyrighted by Book News Inc., Portland, OR
While studying art in London, Emily Carr seriously undermined her health and was sent to a sanatorium for a complete rest cure. Bridling at the hospital’s rules, which prohibited excitement of any kind, the always rebellious Carr proceeded to make friends, raise birds, and cause trouble. In words and enchanting sketches, Carr presents a funny, poignant account of her 18-month convalescence.
Collected from Emily Carr’s private and public writings, these previously unpublished pieces reveal the outspoken artist at her most forthright. Expurgated sections from Carr’s journals detail her anguished meditations on her spiritual mission, musings about Native culture and the white community’s reaction to it, and thoughts about her family. Her groundbreaking 1913 “Lecture on Totems”, her first recorded writing on Native art and people, is also included, as are some of her most fascinating letters to friends and colleagues.
Shortlisted for the 2005-2006 Red Cedar Book Award, Nonfiction Selected as Honour Book by the Children's Literature Roundtable Information Book of the Year The brilliant artist Emily Carr lived at the edge. When she was born, in 1871, Victoria, British Columbia was a small, insular place. She was at the edge of a society that expected well-bred young ladies to marry. For years, she was at the edge of the world of artists she longed to join. Emily Carr’s life was not an easy one. She struggled against a family that did not approve of her art and against poor health. She found her pleasures in her many pets – a Javanese monkey named Woo, parrots, and many beloved dogs. Later, she would meet the artists of the Group of Seven and among them find her soul mates. When illness put a stop to her painting, she found expression and comfort in her writing. Her book Klee Wyck received Canada’s highest literary honor – the Governor General’s Award. Emily Carr: At the Edge of the World is an introduction to this remarkable artist and her paintings.
One of Canada's best known and best loved artists, Emily Carr's passionate nature paintings have been compared to those of Georgia O'Keeffe, Edvard Munch and Vincent van Gogh. She was also a popular writer whose engaging books are still widely read. The 40 full-colour paintings chosen for Beloved Land: The World of Emily Carr from the collection of the Vancouver Art Gallery are among Emily Carr's most popular, and they are accompanied by short quotations from her writing. The introduction by Robin Laurence presents revealing insights into the life of this unconventional and gifted woman.