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This is a new release of the original 1949 edition.
This is a new release of the original 1949 edition.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
First published in 1949. This book gives the biographical background to the many poems of Po Chü-I (A.D 772-846) and traces the connection between his literary career and the disturbed political life of the time. The volume also provides new translations in whole or in part of about a hundred poems by Po Chü-i.
Po Chu-i (772-846 C.E.) is the quintessential Chinese poet. For although clear thought and depth of wisdom inform the work of all major Chinese poets (as opposed to the complexity and virtuosity often valued in the West), Po makes clarity itself his particular vision.
This compilation of Buddhist biographies, teaching and transmission stories of Indian and Chinese Chan (Japanese ‘Zen’) masters from antiquity up to about the year 1008 CE is the first mature fruit of an already thousand year-long spiritual marriage between two great world cultures with quite different ways of viewing the world. The fertilisation of Chinese spirituality by Indian Buddhism fructified the whole of Asian culture. The message of this work, that Chan practice can enable a free participation in life’s open-ended play, seems as necessary to our own time as it was to the restless times of 11th century Song China. This is the second volume of a full translation of this work in thirty books.
A sweeping, richly detailed history that tells the fascinating story of how paper—the simple Chinese invention of two thousand years ago—wrapped itself around our world, humankind’s most momentous ideas imprinted on its surface. The emergence of paper in the imperial court of Han China brought about a revolution in the transmission of knowledge and ideas, allowing religions, philosophies and propaganda to spread with ever greater ease. The first writing surface sufficiently cheap, portable and printable for books, pamphlets and journals to be mass-produced and distributed widely, paper opened the way for an unprecedented, ongoing dialogue between individuals and between communities across continents, oceans and time. The Paper Trail explores how the new substance was used to solidify social and political systems that influenced China even into our own time. We see how paper made possible the spread of the then new religions of Buddhism and Manichaeism into Japan, Korea and Vietnam . . . how it enabled theologians, scientists and artists to build the vast and signally intellectual empire of the Abbasid Caliphate and embed the Koran in popular culture . . . how paper was carried along the Silk Road by merchants and missionaries, finally reaching Europe in the late thirteenth century . . . and how, once established in Europe, along with the printing press, paper played an essential role in the three great foundations of Western modernity: the Renaissance, the Reformation and the Scientific Revolution. Here is a dramatic, comprehensively researched, vividly written story populated by holy men and scholars, warriors and poets, rulers and ordinary men and women—an essential story brilliantly told in this luminous work of history.
The Song of Everlasting Sorrow follows the adventures of Wang Qiyao, a girl born of the crowded, labyrinthine alleys of Shanghai's working-class neighborhoods. Infatuated with the glitz and glamour of 1940s Hollywood, Wang Qiyao seeks fame in the Miss Shanghai beauty pageant, and this fleeting moment of stardom becomes the pinnacle of her life. After the Communist victory, Wang Qiyao continues to indulge in the decadent pleasures of the Shanghai bourgeoisie, secretly playing mahjong during the antirightist campaign and exchanging lovers on the eve of the Cultural Revolution. She reemerges in the 1980s as a purveyor of "old Shanghai," only to become embroiled in a tragedy that echoes the Hollywood noirs of her youth.
This compilation of Buddhist biographies, teaching and transmission stories of Indian and Chinese Chan (Japanese ‘Zen’) masters from antiquity up to about the year 1008 CE is the first mature fruit of an already thousand year-long spiritual marriage between two great world cultures with quite different ways of viewing the world. The fertilisation of Chinese spirituality by Indian Buddhism fructified the whole of Asian culture. The message of this work, that Chan practice can enable a free participation in life’s open-ended play, seems as necessary to our own time as it was to the restless times of 11th century Song China. This is the fifth volume of a full translation of this work in thirty books. Records of the Transmission of the Lamp translated by randolph s. whitfield jingde chuandeng lu by daoyuan