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Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race.
Historians traditionally claim to be myth-breakers, but national history since the nineteenth century shows quite a record in myth-making. This exciting new volume compares how national historians in Europe have handled the opposing pulls of fact and fiction and shows which narrative strategies have contributed to the success of national histories.
Marked by names such as W. B. Yeats, James Joyce and Patrick Pearse, the decade 1910–1920 was a period of revolutionary change in Ireland, in literature, politics and public opinion. What fed the creative and reformist urge besides the circumstances of the moment and a vision of the future? The leading experts in Irish history, literature and culture assembled in this volume argue that the shadow of the past was also a driving factor: the traumatic, undigested memory of the defeat and death of the charismatic national leader Charles Stewart Parnell (1846-1891). The authors reassess Parnell's impact on the Ireland of his time, its cultural, religious, political and intellectual life, in order to trace his posthumous influence into the early twentieth century in fields such as political activism, memory culture, history-writing, and literature.
`A study of both Tudor Anglo-Irish relations and the 16th century, Morgan's work is first rate, thoughtful, well-researched and subtle.' ARCHIVES As a study of both Tudor Anglo-Irish relations and the sixteenth-century, Morgan's work is first rate, thoughtful, well-researched and subtle. ARCHIVES Fascinating piece of detective work... No serious student of late Tudor Ireland can afford to ignore this rigorous and painstaking analysis. HISTORY Between 1594-1603 Elizabeth I faced her most dangerous challenge - the insurrection in Ireland known to British historians as the rebellion of the earl of Tyrone, and to their Irish counterparts in the Nine Years War. This study examines the causes of the conflict in the developing policy of the Crown, which climaxed in the Monaghan settlement of 1591, and the continuing resilience of the Gaelic system which brought to power Hugh Roe O'Donnell and Hugh O'Neill. The role of Hugh O'Neill, the earl of Tyrone, was pivotal in the conspiracies leading up to the war and in the leadership ofthe Irish cause thereafter. O'Neill's acceptance of an alliance with Spain rather than a fragile compromise with England is the terminal point of the study. By exploiting all the available source material, Dr Morgan has not only provided a critical reassessment of the early career of Hugh O'Neill but also made an original and lasting contribution to both Irish and Tudor historiography. HIRAM MORGAN is lecturer in history, University College, Cork.