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The true story and raw exposition of a Baby Boomer's life growing up in a decadent sub culture of society. It's an autobiographical account of a child-man growing up as an impoverished elder son of seven. With his father in prison and his mother fighting alcoholism, he discovers that humor is the panacea for pain. The Life and Times of a Hollywood Bad Boy has some very funny anecdotes about the New York night life in the 70's, the Hollywood scene of the 80's and the Vegas explosion during the 90's. There are great stories about celebrities such as Robert DeNiro, Andy Garcia, Robin Williams and other comics who have been in the limelight for over 20 years. " an entertaining and funny read." Tress Wright, Producer/Writer/Director. "It's an honest, unabashed and candid account of a life lived in the fast lane of the Autobahn!" Ron Stevens, CEO of All Star Radio Networks.
Eddie Haskell was the bad kid who never went away. When child actor Ken Osmond stepped onto the set of Leave it to Beaver in 1957, he not only entered our living rooms, he homesteaded a permanant place in American pop culture. The poster child for sneaky, rotten kids everywhere, he was the reference point for cautious mothers to warn their children about. And every one in America knew an Eddie Haskell at some point in his or her life. The amazing phenomenon of Ken Osmond's character is still going strong, over half a century after the show's cancellation. Even today, the name Eddie Haskell remains firmly entrenched in the American lexicon. Political foes from both sides of the ideological spectrum love to accuse their opponents of 'acting like Eddie Haskell, ' and when Kobe Bryant argues a referee's call, tweets go out labeling him and 'Eddie Haskell'. Psychology Today Magazine has published articles about recognizing and treatin the 'Eddie Haskell Syndrome' and Matt Groening created Bart Simpson as his own version of the 'son of Eddie Haskell.' Now it's time to meet Ken Osmond, the man behind America's preeminent bad boy. A man who, as co-star Jerry Mathers said, 'Was the best actor on the program, because he was so diametrically opposed to the character he played.' A devoted husband, father, and patriot, he's a man who's been forever shadowed by Eddie Haskell, but whose own life, was even more amazing than the character he portrayed (from Amazon website)
From Rudolph Valentino to Kelsey Grammer, bestselling showbiz author Parish provides a roadmap to the stormy and sometimes wacky lives of Hollywood's most notorious leading men. 50 photos.
At the dawn of sound, he wrote the story for the Academy Award-winning musical The Broadway Melody and collaborated memorably with Gloria Swanson and Joseph Kennedy for The Trespasser. He excelled at anti-war drama (White Banners, The Dawn Patrol, We Are Not Alone), fantastic Bette Davis weepies (Dark Victory, The Old Maid, The Great Lie), lilting romantic dramas (The Constant Nymph, Claudia), big-budgeted literary adaptations (The Razor's Edge), and even film noir (Nightmare Alley).
An irresistible roller coaster of a high school romance, perfect for fans of Beth Reekles and Jenny Han. Macy Anderson is a seventeen-year-old tomboy and captain of her school's soccer team. Sam Cahill is a rich bad boy with a British accent and cocky attitude. Macy tells herself she won't fall for his charm. But as the two get to know each other, and Macy starts uncovering Sam's secrets, she begins to realise keeping that promise to herself is going to be harder than she thought . . .
Frank Bank's story is a sometimes wild, sometimes bawdy, often poignant, always funny account of a real-life Louie Louie who led a nation to California-dreamin'.
“I don’t know what people expect when they meet me. They seem to be afraid that I’m going to piss in the potted palm and slap them on the ass.”—Marlon Brando “I should have been dead ten times over. I believe in miracles. It’s an absolute miracle that I’m still around.”—Dennis Hopper “You only lie to two people in your life: your girlfriend and the police.”—Jack Nicholson “The best time to get married is noon. That way, if things don’t work out, you haven’t blown the whole day.”—Warren Beatty They’re the baddest bad-asses Hollywood as ever seen: Marlon Brando, Dennis Hopper, Warren Beatty, and Jack Nicholson. They are men to whom rules did not apply; normal standards of behavior were simply too wearisome to worry about. These are men who brawled, boozed, snorted, and screwed their way into legendhood—but along the way they changed acting and the way movies were made forever. Hollywood Hellraisers is a whistle-stop tour of jaw-dropping sexual activity, misbehavior of an Olympic standard, all-out excess, and genuine madness. It’s a wonder Hollywood survived.
The legendary icon tells his story—a tale of art, passion, commitment, addiction, as intense and hypnotic as the man himself. In a career spanning five decades, Nick Nolte has endured the rites of Hollywood celebrity. Rising from obscurity to leading roles and Oscar nominations, he has been both celebrated and vilified in the media; survived marriages, divorces, and a string of romances; was named the “Sexiest Man Alive” by People magazine; and suffered public humiliation over his drug and alcohol issues, including a drug-fueled trip down a “long road of nothingness” that ended in arrest. Despite these ups and downs, Nolte has remained true to the craft he loves, portraying a diverse range of characters with his trademark physicality and indelible gravelly voice. Already 35 when his performance in the 1976 miniseries Rich Man, Poor Man launched him to stardom, Nolte never learned to play by Hollywood’s rules. A rebel who defies expectations, an obsessive method actor who will go to extremes for a role (he lived among the homeless to prepare for Down and Out in Beverly Hills), Nolte is motivated more by edgier, more personal projects than by box office success. Today he is clean yet still driven, juggling a number of upcoming works and raising his young daughter. A man who refuses to hide his mistakes, Nolte now delivers his most revealing performance yet. His revealing memoir, filled with sixteen pages of color photos, offers a candid, unvarnished close-up look at the man, the career, the loves, and the life.
INSTANT NEW YORK TIMES BESTSELLER “This extraordinary book is not only a chronicle of Ron’s and Clint’s early careers and their wild adventures, but also a primer on so many topics—how an actor prepares, how to survive as a kid working in Hollywood, and how to be the best parents in the world! The Boys will surprise every reader with its humanity.” — Tom Hanks "I have read dozens of Hollywood memoirs. But The Boys stands alone. A delightful, warm and fascinating story of a good life in show business.” — Malcolm Gladwell Happy Days, The Andy Griffith Show, Gentle Ben—these shows captivated millions of TV viewers in the ’60s and ’70s. Join award-winning filmmaker Ron Howard and audience-favorite actor Clint Howard as they frankly and fondly share their unusual family story of navigating and surviving life as sibling child actors. “What was it like to grow up on TV?” Ron Howard has been asked this question throughout his adult life. in The Boys, he and his younger brother, Clint, examine their childhoods in detail for the first time. For Ron, playing Opie on The Andy Griffith Show and Richie Cunningham on Happy Days offered fame, joy, and opportunity—but also invited stress and bullying. For Clint, a fast start on such programs as Gentle Ben and Star Trek petered out in adolescence, with some tough consequences and lessons. With the perspective of time and success—Ron as a filmmaker, producer, and Hollywood A-lister, Clint as a busy character actor—the Howard brothers delve deep into an upbringing that seemed normal to them yet was anything but. Their Midwestern parents, Rance and Jean, moved to California to pursue their own showbiz dreams. But it was their young sons who found steady employment as actors. Rance put aside his ego and ambition to become Ron and Clint’s teacher, sage, and moral compass. Jean became their loving protector—sometimes over-protector—from the snares and traps of Hollywood. By turns confessional, nostalgic, heartwarming, and harrowing, THE BOYS is a dual narrative that lifts the lid on the Howard brothers’ closely held lives. It’s the journey of a tight four-person family unit that held fast in an unforgiving business and of two brothers who survived “child-actor syndrome” to become fulfilled adults.
A profile of the late film star River Phoenix chronicles his high-pressure childhood, personal endeavors for environmental causes, rejection of his heartthrob image, and tragic death due to a drug overdose. Reprint.