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Jonathan Jefferson Whitlaw was born to a Mississippi squatter family that got ahead and bought better land far from their squatter site. There the neighbors are a family German immigrants, who have worked their land in the Louisiana forest without using slaves. The Whitlaws promptly purchase two slaves and send Jonathan to school in Natchez where he gets the training he needs to work as a confidential clerk for Colonel Dart, owner of the largest plantation in the area. Whitlaw is soon in charge of punishment of the slaves. He is also scheming fo acquire some land of his own but after some frustration, concentrates on exposing the Blighs, who hide runaway slaves, in the hope of buying their land on the cheap after they've been ruined.
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Jonathan Jefferson Whitlaw was born to a Mississippi squatter family that got ahead and bought better land far from their squatter site. There the neighbors are a family German immigrants, who have worked their land in the Louisiana forest without using slaves. The Whitlaws promptly purchase two slaves and send Jonathan to school in Natchez where he gets the training he needs to work as a confidential clerk for Colonel Dart, owner of the largest plantation in the area. Whitlaw is soon in charge of punishment of the slaves. He is also scheming fo acquire some land of his own but after some frustration, concentrates on exposing the Blighs, who hide runaway slaves, in the hope of buying their land on the cheap after they've been ruined.
Excerpt from The Life and Adventures of Jonathan Jefferson Whitlaw, or Scenes on the Mississippi Under twenty, and of the very lowest order Of society. Their garments were Scanty and sordid, and they had much the look and air of that poorly-paid class known in every manufacturing town in the United States as the gals Of the factory. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Thomas Chandler Haliburton (1796–1865) was one of pre-confederation Canada's best-known authors. His popular 'Sam Slick the Clockmaker' character was a household name not only in his home country, but also in England and the United States. Born in Windsor, Nova Scotia, Haliburton was not only a writer, but also a lawyer, judge, politician, and historian. He gained fame for his writing in 1836 with The Clockmaker: or, the Sayings and Doings of Samuel Slick of Slickville for a Halifax newspaper. It became a hit in England and was followed by six sequels. Although Haliburton tried to put Sam Slick aside and work in other genres, he found himself invariably returning to the character in his later books. This commitment to Slick resulted in a curious effacement of Haliburton's own personal gentlemanly identity, which he spent the second half of his life affirming by fostering links with socially well connected family in England. In the public imagination, however, he remained linked with Sam Slick. Based on over ten years of archival research, Richard A. Davies's scholarly biography of Haliburton is the first since 1924. It is an engaging examination of a controversial and contradictory Canadian writer and significant figure in the history of pre-confederation Nova Scotia.
Offering a compelling intervention in studies of antebellum writing, Katharine A. Burnett’s Cavaliers and Economists: Global Capitalism and the Development of Southern Literature, 1820–1860 examines how popular modes of literary production in the South emerged in tandem with the region’s economic modernization. In a series of deeply historicized readings, Burnett positions southern literary form and genre as existing in dialogue with the plantation economy’s evolving position in the transatlantic market before the Civil War. The antebellum southern economy comprised part of a global network of international commerce driven by a version of laissez-faire liberal capitalism that championed unrestricted trade and individual freedom to pursue profit. Yet the economy of the U.S. South consisted of large-scale plantations that used slave labor to cultivate staple crops, including cotton. Each individual plantation functioned as a racially and socially repressive community, a space that seemingly stood apart from the international economic networks that fueled southern capitalism. For writers from the South, fiction became a way to imagine the region as socially and culturally progressive, while still retaining hallmarks of “traditional” southern culture—namely plantation slavery—in the context of a rapidly changing global economy. Burnett excavates an elaborate network of transatlantic literary exchange, operating concurrently with the region’s economic expansion, in which southern writers adopted popular British genres, such as the historical romance and the seduction novel, as models for their own representations of the U.S. South. Each chapter focuses on a different genre, pairing largely under-studied southern texts with well-known British works. Ranging from the humorous sketch to the imperial adventure tale and the social problem novel, Cavaliers and Economists reveals how southern writers like Augusta Jane Evans, Johnson Jones Hooper, Maria McIntosh, William Gilmore Simms, and George Tucker reworked familiar literary forms to reinvent the South through fiction. By considering the intersection of economic history and literary genre, Cavaliers and Economists provides an expansive study of the means by which authors created southern literature in relation to global free market capitalism, showing that, in the process, they renegotiated and rejustified the institution of slavery.