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This book examines the widespread response in British artistic media to the death in childbirth in 1817 of Princess Charlotte Augusta of Wales, daughter of the Prince Regent and heiress to the throne, showing how both in print materials like poetry and sermons and extra-literary artifacts like visual art, ceramics, metalwork, and textiles her life and death were invested with the qualities of myth even as her memorialists appropriated her experiences in the process of producing consumer commodities for an emerging mass audience.
This lively history of Europe’s royal families through the 18th and early 19th centuries reveals the decadence and danger of court life. As the glittering Hanoverian court gives birth to the British Georgian era, a golden age of royalty dawns in Europe. Houses rise and fall, births, marriages and scandals change the course of history. Meanwhile, in France, Revolution stalks the land. Life in the Georgian Court pulls back the curtain on the opulent court of the doomed Bourbons, the absolutist powerhouse of Romanov Russia, and the epoch-defining royal family whose kings gave their name to the era, the House of Hanover. Beneath the powdered wigs and robes of state were real people living lives of romance, tragedy, intrigue and eccentricity. Historian Catherine Curzon reveals the private lives of these very public figures, vividly recounting the arranged marriages that turned to love or hate and the scandals that rocked polite society. Here the former wife of a king spends three decades in lonely captivity, King George IV makes scandalous eyes at the toast of the London stage, and Marie Antoinette begins her final journey through Paris as her son sits alone in a forgotten prison cell. Life in the Georgian Court is a privileged peek into the glamorous, tragic and iconic courts of the Georgian world, where even a king could take nothing for granted.
This royal historian’s “lively study of the four Georges who sat on the English throne for over a century is a joy” (Jane Austen’s Regency World). For over one hundred years of turmoil, upheaval, and scandal, Great Britain was a Georgian land. From the day the German-speaking George I stepped off the boat from Hanover to the night that George IV, bloated and diseased, breathed his last at Windsor, the four kings had presided over a changing nation. Kings of Georgian Britain offers a fresh perspective on the lives of the four Georges and the events that shaped their characters and reigns. From love affairs to family feuds, political wrangling, and beyond, it is a chance to peer behind the pomp and follow these iconic figures from cradle to grave. After all, being a king isn’t always about grand parties and jaw-dropping jewels, and sometimes following in a father’s footsteps can be the hardest job around. Take a step back in time and meet the wives, mistresses, friends, and foes of these remarkable kings who shaped the nation, and find out what really went on behind closed palace doors. Whether dodging assassins, marrying for money, digging up their ancestors, or sparking domestic disputes that echoed down the generations, the kings of Georgian Britain were never short on drama. “[A] chronological series of amusing anecdotes. [Curzon is] often whimsical, has a good sense of pace and you can imagine her stifling a smirk while writing this unusual biography.” —History of Royals
An account of four royal women that’s “as inherently fascinating as it is exceptionally informative . . . an extraordinary read from beginning to end” (Midwest Book Review). Once upon a time there were four kings called George who, thanks to a quirk of fate, ruled Great Britain for over a century. Hailing from Germany, these occasionally mad, bad, and infamous sovereigns presided over a land in turmoil. Yet what of the remarkable women who were crowned alongside them? From the forgotten princess locked in a tower to an illustrious regent, a devoted consort, and a notorious party girl, the queens of Georgian Britain lived lives of scandal, romance, and turbulent drama. Whether dipping into politics or carousing on the shores of Italy, Caroline of Ansbach, Charlotte of Mecklenburg-Strelitz, and Caroline of Brunswick refused to fade into the background. Queens of Georgian Britain offers a chance to step back in time and meet the women who ruled alongside the Georgian monarchs, not forgetting Sophia Dorothea of Celle, the passionate princess who never made it as far as the throne. From lonely childhoods to glittering palaces, via family feuds, smallpox, strapping soldiers, and plenty of scheming, these are the queens who shaped an era. “A lively deep dive into the lives of four women regularly overshadowed by their husbands . . . Curzon is a captivating writer and this book is an impressive addition to her existing Georgian books.” —The Lazy Historian “Curzon has a breezy, colloquial style . . . an easy and informative read.” —Historical Novels Review
A look at the tragically short life of the only daughter of Britain’s King George IV who won the heart of a nation. As the only child of the Prince Regent and Caroline of Brunswick, Princess Charlotte of Wales (1796-1817) was the heiress presumptive to the throne. Her parents’ marriage had already broken up by the time she was born. She had a difficult childhood and a turbulent adolescence, but she was popular with the public, who looked to her to restore the good name of the monarchy. When she broke off her engagement to a Dutch prince, her father put her under virtual imprisonment, and she endured a period of profound unhappiness. But she held out for the freedom to choose her husband, and when she married Prince Leopold of Saxe-Coburg, she finally achieved contentment. Her happiness was cruelly cut short when she died in childbirth at the age of twenty-one, only eighteen months later. A shocked nation went into mourning for its “people’s princess,” the queen who never was. “This perspicacious study of Charlotte’s short life is superb. Anne Stott is an accomplished and highly readable biographer whose earlier subjects have included William Wilberforce and Hannah More. She wears her research lightly—which is not to say that the book is anything less than scholastic (quite the opposite). Highly recommended.” —Naomi Clifford, author of The Murder of Mary Ashford