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The observations of a 16th-century Habsburg ambassador to Constantinople.
The Life and Letters of Ogier Ghiselin de Busbecq is a tell-all of de Busbecq's experiences as an ambassador. Ogier Ghiselin de Busbecq, sometimes Augier Ghislain de Busbecq, was a 16th-century Flemish writer, herbalist, and diplomat in the employ of three generations of Austrian monarchs. He served as ambassador to the Ottoman Empire in Constantinople and in 1581 published a book about his time there, Itinera Constantinopolitanum et Amasianum, re-published in 1595 under the title of Turcicae epistolae or Turkish Letters.
The Life and Letters of Ogier Ghiselin de Busbecq is a tell-all of de Busbecq's experiences as an ambassador. Ogier Ghiselin de Busbecq, sometimes Augier Ghislain de Busbecq, was a 16th-century Flemish writer, herbalist, and diplomat in the employ of three generations of Austrian monarchs. He served as ambassador to the Ottoman Empire in Constantinople and in 1581 published a book about his time there, Itinera Constantinopolitanum et Amasianum, re-published in 1595 under the title of Turcicae epistolae or Turkish Letters.
A collection of primary source documents in world history covering the events before 1500.
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This early work on Suleiman the Magnificent is both expensive and hard to find in its first edition. It details the life of a sixteenth century Sultan and is a fascinating work thoroughly recommended anyone interested in the history of the Ottoman Empire. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
Patterns of World History offers a distinct framework for understanding the global past through the study of origins, interactions, and adaptations. Authors Peter von Sivers, Charles A. Desnoyers, and George Stow--each specialists in their respective fields--examine the full range of human ingenuity over time and space in a comprehensive, even-handed, and critical fashion. The book helps students to see and understand patterns through: ORIGINS - INTERACTIONS - ADAPTATIONS These key features show the O-I-A framework in action: * Seeing Patterns, a list of key questions at the beginning of each chapter, focuses students on the 3-5 over-arching patterns, which are revisited, considered, and synthesized at the end of the chapter in Thinking Through Patterns. * Each chapter includes a Patterns Up Close case study that brings into sharp relief the O-I-A pattern using a specific idea or thing that has developed in human history (and helped, in turn, develop human history), like the innovation of the Chinese writing system or religious syncretism in India. Each case study clearly shows how an innovation originated either in one geographical center or independently in several different centers. It demonstrates how, as people in the centers interacted with their neighbors, the neighbors adapted to--and in many cases were transformed by--the idea, object, or event. Adaptations include the entire spectrum of human responses, ranging from outright rejection to creative borrowing and, at times, forced acceptance. * Concept Maps at the end of each chapter use compelling graphical representations of ideas and information to help students remember and relate the big patterns of the chapter.