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In her later years Miss Edgeworth was often asked to write a biographical preface to her novels. She refused. "As a woman," she said, "my life, wholly domestic, can offer nothing of interest to the public." Incidents indeed, in that quiet happy home existence, there were none to narrate, nothing but the ordinary joys and sorrows which attend every human life. Yet the letters of one so clear-sighted and sagacious—one whom Macaulay considered to be the second woman of her age—are valuable, not only as a record of her times, and of many who were prominent figures in them: but from the picture they naturally give of a simple, honest, generous, high-minded character, filled from youth to age with love and goodwill to her fellow-creatures, and a desire for their highest good. An admirable collection of Miss Edgeworth's letters was printed after her death by her stepmOther and lifelong friend, but only for private circulation. As all her generation has long since passed away, Mr. Edgeworth of Edgeworthstown now permits that these letters should be read beyond the limits of the family circle. An editor has had little more to do than to make a selection, and to write such a thread of biography as might unite the links of the chain. AUGUSTUS J.C. HARE. In the flats of the featureless county of Longford stands the large and handsome but unpretentious house of Edgeworthstown. The scenery here has few natural attractions, but the loving care of several generations has gradually beautified the surroundings of the house, and few homes have been more valued or more the centre round which a large family circle has gathered in unusual sympathy and love. In his Memoirs, Mr. Edgeworth tells us how his family, which had given a name to Edgeworth, now Edgeware, near London, came to settle in Ireland more than three hundred years ago. Roger Edgeworth, a monk, having taken advantage of the religious changes under Henry VIII., had married and left two sons, who, about 1583, established themselves in Ireland. Of these, Edward, the elder, became Bishop of Down and Connor, and died without children; but the younger, Francis, became the founder of the family of Edgeworthstown. Always intensely Protestant, often intensely extravagant, each generation of the Edgeworth family afterwards had its own picturesque story, till Richard Edgeworth repaired the broken fortunes of his house, partly by success as a lawyer, partly by his marriage, in 1732, with Jane Lovell, daughter of a Welsh judge. Their eldest son, Richard Lovell Edgeworth, was born in 1744, and educated in his boyhood at Drogheda School and Dublin University. Strong, handsome, clever, ingenious, and devoted to sports of every kind, he was a general favourite. But his high spirits often led him into scrapes. The most serious of these occurred during the festivities attendant on his eldest sister's marriage with Mr. Fox of Fox Hall, at which he played at being married to a young lady who was present, by one of the guests dressed up in a white cloak, with a door-key for a ring. This foolish escapade would not deserve the faintest notice, if it had not been seriously treated as an actual marriage by a writer in the Quarterly Review.
Reproduction of the original: The Life and Letters of Maria Edgeworth by Maria Edgeworth
The Life and Letters of Maria Edgeworth Volume 2 Maria Edgeworth
This volume contains Edgeworth's best courtship novel belinda, which replaces mercenary fortune-hunting with a deeper quest for marital compatibility, valorising irrationality and love over reason and duty. MARIA EDGEWORTH was born in 1768. Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849. Edited with an introduction and notes by Marilyn Butler.
Presents scholars, students and general readers with the major fiction for adults, much of the best of juvenile fiction, and a selection of the educational and occasional writings of Maria Edgeworth.
Maria Edgeworth's first published work (1795), presenting a staunch defence of women's education in a dramatic series of fictionalised letters.
Excerpt from The Life and Letters of Maria Edgeworth, Vol. 2 of 2 I AM sure that you have heard of us, and of all we have done and seen from Edgeworthstown as far as Berne; from thence we went to Thun; there we took char-manes, little low carriages, like half an Irish jaunting-car, with four wheels, and a square tarpaulin awning over our heads. J olting along on these vehicles, which would go over a house, I am sure, without being overturned or without being surprised, we went - the Swiss postilion jolting along at the same round rate up and down, without ever looking back to see whether the carriages and passengers follow, yet now and then turn ing to point to mountains, glaciers, and cascades. The valley of Lauterbrunn is beautiful: 3. Clear, rushing, cas cady stream rushes through it; fine chestnuts, walnuts, and sycamores scattered through; the verdure on the mountains between the woods fresh and bright. Pointed mountains covered with snow in the midst of every sign of flowery summer strike us with a sense of the sublime which never grows familiar. The height of the Stan bach waterfall, which we saw early in the morning. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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