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A Displaced Person follows a series of random events that brings Chonkin to the United States, where he becomes a farmer and, eventually, a member of a congressional delegation sent to the Soviet Union in 1989, during perestroika, to discuss agriculture with the Soviet leader Mikhail Gorbachev.
Ivan Chonkin is a simple, bumbling peasant who has been drafted into the Red Army. Shortly before the outbreak of World War II, he is sent to an obscure village with one week's ration of canned meat and orders to guard a downed plane. Apparently forgotten by his unit, Chonkin resumes his life as a peasant and passes the war peacefully tending the village postmistress's garden. Just after the German invasion, the secret police discover this mysterious soldier lurking behind the front line. Their pursuit of Chonkin and his determined resistance lead to wild skirmishes and slapstick encounters. Vladimir Voinovich's hilarious satire ridicules everything that was sacred in the Soviet Union, from agricultural reform to the Red Army to Stalin, in a refreshing combination of dissident conscience and universal humor.
In this satire of Soviet life, novelist Yefim Rakhlin, learns that the Writers' Union is goiving out fur hats to its members according to their importance.
The first state in history to be based explicitly on atheism, the Soviet Union endowed itself with the attributes of God. In this book, David Satter shows through individual stories what it meant to construct an entire state on the basis of a false idea, how people were forced to act out this fictitious reality, and the tragic human cost of the Soviet attempt to remake reality by force. “I had almost given up hope that any American could depict the true face of Russia and Soviet rule. In David Satter’s Age of Delirium, the world has received a chronicle of the calvary of the Russian people under communism that will last for generations.†?—Vladimir Voinovich, author of The Life and Extraordinary Adventures of Private Ivan Chonkin “Spellbinding. . . . Gives one a visceral feel for what it was like to be trapped by the communist system.†?—Jack Matlock, Washington Post “Satter deserves our gratitude. . . . He is an astute observer of people, with an eye for essential detail and for human behavior in a universe wholly different from his own experience in America.†?—Walter Laqueur, Wall Street Journal “Every page of this splendid and eloquent and impassioned book reflects an extraordinarily acute understanding of the Soviet system.†?—Jacob Heilbrunn, Washington Times
The year is 1982, just two years before that made famous by Orwell. An exiled Soviet writer discovers that a German travel agency is booking flights through a time warp to a variety of tempting sites and dates in the future. Moscow? The year 2042? How can he resist? Afterword by the Author. Translated by Richard Lourie.
**** Reprint of the Farrar, Strauss and Giroux translation of 1977. Cited in BCL3. Annotation copyright by Book News, Inc., Portland, OR
From Vladimir Voinovich, one of the great satirists of contemporary Russian literature, comes a new comic novel about the absurdity of politics and the place of the individual in the sweep of human events. Monumental Propaganda, Voinovich’s first novel in twelve years, centers on Aglaya Stepanovna Revkina, a true believer in Stalin, who finds herself bewildered and beleaguered in the relative openness of the Khrushchev era. She believes her greatest achievement was to have browbeaten her community into building an iron statue of the supreme leader, which she moves into her apartment after his death. And despite the ebb and flow of political ideology in her provincial town, she stubbornly, and at all costs, centers her life on her private icon. Voinovich’s humanely comic vision has never been sharper than it is in this hilarious but deeply moving tale–equally all-seeing about Stalinism, the era of Khrushchev, and glasnost in the final years of Soviet rule. The New York Times Book Review called his classic work, The Life & Extraordinary Adventures of Private Ivan Chonkin, “a masterpiece of a new form–socialist surrealism . . . the Soviet Catch-22 written by a latter-day Gogol." In Monumental Propaganda we have the welcome return of a truly singular voice in world literature.