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Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
John Wilkes remains one of the most colourful and intriguing characters of eighteenth-century Britain. Born in 1725, the son of a prosperous London distiller, he was given the classical education of a gentleman, before entering politics as a Whig. Finding his party in opposition following the accession of George III in 1760 he took up his pen with sensational effect, and made a career out of excoriating the new administration and promoting the Whig interest. His charismatic style and vicious wit soon ensured that he became a figurehead for the radical cause, earning him many admirers and many enemies. Amongst the latter were the king, and the artist William Hogarth who famously depicted Wilkes as a grinning, squint-eyed, pug-nosed agent of misrule. Whilst Wilkes's political career has been much explored, particularly the period between 1763 and 1774, much less has been written about his remarkable private life. This biography provides a more comprehensive examination of Wilkes throughout his long life than has hitherto been available. Taking a thematic, rather than chronological approach it is divided into six main chapters covering family, ambition, sex, religion, class and money, which allows a much more rounded picture of Wilkes to emerge. In so doing it provides a fascinating insight, not only into one of the most intriguing characters of the Georgian period, but also into wider eighteenth-century British society and its shifting attitudes to morality, politics and gender.
Previously unpublished research sheds new light on how Bram Stoker researched and wrote Dracula and the people who inspired his characters. Bram Stoker: Author of Dracula is an affectionate and revealing biography of the man who created the vampire novel that would define the genre and lead to a new age in Gothic horror literature. Based on decades of painstaking research in libraries, museums, and university archives and privileged access to private collections on both sides of the Atlantic, the private letters of Bram and the reminiscences of those who knew him not only shed new light on Stoker's ancestry, his life, loves and friendships they also reveal more about the places and people who inspired him and how he researched and wrote his books. Bram wrote numerous articles, short stories and poetry for newspapers and magazines, he had a total of eleven novels and two collections of short stories published in his lifetime, but he would only become known for one of them – Dracula. Tragically, he did not live long enough to see it as a huge success. In his heyday as Acting Manager for Sir Henry Irving at the Lyceum Theatre in the West End of London, Bram was a well-known figure in a golden age of British theater. He was a big-framed, ebullient, genial, gentleman, with red hair and beard, who never lost his soft Irish brogue, was blessed with wit, and a host of entertaining stories fit for every occasion. Described as having the paw of Hercules and the smile of Machiavelli, above all he knew what it meant to be a loyal friend.
The colourful, salacious and sumptuously illustrated story of Covent Garden - the creative heart of Georgian London - from Wolfson Prize-winning author Vic Gatrell SHORT-LISTED FOR THE HESSELL TILTMAN PRIZE 2014 In the teeming, disordered, and sexually charged square half-mile centred on London's Covent Garden something extraordinary evolved in the 18th century. It was the world's first creative 'Bohemia'. The nation's most significant artists, actors, poets, novelists, and dramatists lived here. From Soho and Leicester Square across Covent Garden's Piazza to Drury Lane, and down from Long Acre to the Strand, they rubbed shoulders with rakes, prostitutes, market people, craftsmen, and shopkeepers. It was an often brutal world full of criminality, poverty and feuds, but also of high spirits, and was as culturally creative as any other in history. Virtually everything that we associate with Georgian culture was produced here. Vic Gatrell's spectacular new book recreates this time and place by drawing on a vast range of sources, showing the deepening fascination with 'real life' that resulted in the work of artists like Hogarth, Blake, and Rowlandson, or in great literary works like The Beggar's Opera and Moll Flanders. The First Bohemians is illustrated by over two hundred extraordinary pictures, many rarely seen, for Gatrell celebrates above all one of the most fertile eras in Britain's artistic history. He writes about Joshua Reynolds and J. M. W. Turner as well as the forgotten figures who contributed to what was a true golden age: the men and women who briefly dazzled their contemporaries before being destroyed - or made - by this magical but also ferocious world. About the author: Vic Gatrell's last book, City of Laughter, won both the Wolfson Prize for History and the PEN Hessell-Tiltman Prize; his The Hanging Tree won the Whitfield Prize of the Royal Historical Society. He is a Life Fellow of Caius College, Cambridge.
Since the first publication of Dracula in 1897, there have been suggestions that the book's protagonist is more closely associated with Jack the Ripper than a Transylvanian count. In The Dracula Secrets, historian Neil R. Storey undertakes an in-depth investigation of the sources used by Stoker during the writing of his seminal masterpiece. Painting an evocative portrait of Stoker, his influences, his friends and the London he frequented in the late nineteenth century, Storey explores how Stoker created Dracula out of the climate of fear that was created by the Whitechapel murders in 1888. Indeed he asks, did Stoker know Jack the Ripper personally and hide the clues to this terrible knowledge in his book? Having gained unprecedented access to the unique archive of one of Stoker's most respected friends and the dedicatee of Dracula, Storey sheds new light on both Stoker and Dracula, and reveals startling new links between Stoker's creation and the most infamous serial killer of all time.