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The first full length biography of Australia's most enigmatic prime minister.
A revelatory biography of Harold Holt, the prime minister who helped create modern Australia Harold Holt was a pivotal prime minister in Australian history. Ambitious, modern and telegenic, he helped bring his party and nation into the late twentieth century, following the Menzies years. Nowhere was Holt's legacy more significant than in the 1967 referendum, and in helping to end the White Australia policy. At the same time, as the Vietnam War raged, Holt dramatically increased Australian troops, telling President Lyndon B. Johnson in 1966 that Australia was 'all the way with LBJ'. In this evocative, intimate and deeply researched biography, Ross Walker captures the worlds in which Holt moved and the people who were close to him. He reveals a popular, gentle, yet at times self-destructive man, whose tendency to always go one step further would have fatal consequences. This is a strikingly original portrait of Australia's seventeenth prime minister. 'A beautifully told story of a fascinating Australian life and a tragic prime ministership – not only in its bizarre end, but in the entanglement of an amiable, easygoing man in poisonous political rivalry, and a brutal and contentious war in Vietnam.' —Frank Bongiorno
A meditation on dying by a writer who has been compared to Proust, was much praised by Salman Rushdie and is perhaps most famous for producing very little.
Winner of the 2020 Australian National Biography Award and the 2020 NSW Premier’s Non-Fiction Award. The oddly compelling story of a man regarded as Australia’s worst prime minister. William McMahon was a significant, if widely derided and disliked, figure in Australian politics in the second half of the twentieth century. This biography tells the story of his life, his career, and his doomed attempts to recast views of his much-maligned time as Australia’s prime minister. After a long ministerial career under Menzies, McMahon became treasurer under Harold Holt, and fought a fierce, bitter war over protectionism with John McEwen. Following Holt’s death in 1967, McEwen had his revenge by vetoing McMahon’s candidature for the Liberal Party’s leadership, and thus paved the way for John Gorton to become prime minister. But almost three years later, amid acrimony and division, McMahon would topple Gorton and fulfill his life’s ambition to become Australia’s prime minister. In office, McMahon worked furiously to enact an agenda that grappled with the profound changes reshaping Australia. He withdrew combat forces from Vietnam, legislated for Commonwealth government involvement in childcare, established the National Urban and Regional Development Authority and the first Department of the Environment, began phasing out the means test on pensions, sought to control foreign investments, and accelerated the timetable for the independence of Papua New Guinea. But his failures would overshadow his successes, and by the time of the 1972 election McMahon would lead a divided, tired, and rancorous party to defeat. A man whose life was coloured by tragedy, comedy, persistence, courage, farce, and failure, McMahon’s story has never been told at length. Tiberius with a Telephone fills that gap, using deep archival research and extensive interviews with McMahon’s contemporaries and colleagues. It is a tour de force — an authoritative and colourful account of a unique politician and a vital period in Australia’s history.
National Book Award Finalist A heartstrong story of family and romance, tribulation and tenacity, set on the High Plains east of Denver. In the small town of Holt, Colorado, a high school teacher is confronted with raising his two boys alone after their mother retreats first to the bedroom, then altogether. A teenage girl—her father long since disappeared, her mother unwilling to have her in the house—is pregnant, alone herself, with nowhere to go. And out in the country, two brothers, elderly bachelors, work the family homestead, the only world they've ever known. From these unsettled lives emerges a vision of life, and of the town and landscape that bind them together—their fates somehow overcoming the powerful circumstances of place and station, their confusion, curiosity, dignity and humor intact and resonant. As the milieu widens to embrace fully four generations, Kent Haruf displays an emotional and aesthetic authority to rival the past masters of a classic American tradition.
Andrew Tink’s superb book tells the story of Australia in the twentieth century, from Federation to the Sydney 2000 Olympics. A century marked by the trauma of war and the despair of the depression, balanced by extraordinary achievements in sport, science and the arts. A country underpinned by a political system that worked most of the time and the emergence of a mainly harmonious society. Australians at the start of the century could hardly have imagined the prosperity enjoyed by their diverse countrymen and women one hundred years later. Tink’s story is driven by people, whether they be prime ministers, soldiers, shop-keepers, singers, footballers or farmers; a mix of men or women, Australian-born, immigrants and Aborigines. He brings the decades to life, writing with empathy, humour and insight to create a narrative that is as entertaining as it is illuminating.
A wise and entertaining guide to writing English the proper way by one of the greatest newspaper editors of our time. Harry Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger. He's even been knighted for his services to journalism. In Do I Make Myself Clear?, he brings his indispensable insight to us all in his definite guide to writing well. The right words are oxygen to our ideas, but the digital era, with all of its TTYL, LMK, and WTF, has been cutting off that oxygen flow. The compulsion to be precise has vanished from our culture, and in writing of every kind we see a trend towards more -- more speed and more information but far less clarity. Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age. Do I Make Myself Clear? is an essential text, and one that will provide every writer an editor at his shoulder.
In the last ten years, television has reinvented itself in numerous ways. The demise of the U.S. three-network system, the rise of multi-channel cable and global satellite delivery, changes in regulation policies and ownership rules, technological innovations in screen design, and the development of digital systems like TiVo have combined to transform the practice we call watching tv. If tv refers to the technologies, program forms, government policies, and practices of looking associated with the medium in its classic public service and three-network age, it appears that we are now entering a new phase of television. Exploring these changes, the essays in this collection consider the future of television in the United States and Europe and the scholarship and activism focused on it. With historical, critical, and speculative essays by some of the leading television and media scholars, Television after TV examines both commercial and public service traditions and evaluates their dual (and some say merging) fates in our global, digital culture of convergence. The essays explore a broad range of topics, including contemporary programming and advertising strategies, the use of television and the Internet among diasporic and minority populations, the innovations of new technologies like TiVo, the rise of program forms from reality tv to lifestyle programs, television’s changing role in public places and at home, the Internet’s use as a means of social activism, and television’s role in education and the arts. In dialogue with previous media theorists and historians, the contributors collectively rethink the goals of media scholarship, pointing toward new ways of accounting for television’s past, present, and future. Contributors. William Boddy, Charlotte Brunsdon, John T. Caldwell, Michael Curtin, Julie D’Acci, Anna Everett, Jostein Gripsrud, John Hartley, Anna McCarthy, David Morley, Jan Olsson, Priscilla Peña Ovalle, Lisa Parks, Jeffrey Sconce, Lynn Spigel, William Uricchio