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Robert Levine tells the story of Carolina Maria de Jesus (1914-1977), Brazilian, Black, illegitimate, extremely poor, and Brazil's best-selling author upon the publication of her journals.
Carolina Maria de Jesus (1914-1977), nicknamed Bitita, was a destitute black Brazilian woman born in the rural interior who migrated to the industrial city of Sao Paulo. This is her autobiography, which includes details about her experiences of race relations and sexual intimidation.
"Never before published in English, Carolina's second diary, written in 1960-61, describes her life in the first year after the sudden (and, as it turned out, temporary) fame of Quarto de despejo (see HLAS 25:4741). Translated faithfully into English, evokes the often awkward style adopted by Carolina. Excellent afterword and notes"--Handbook of Latin American Studies, v. 58.
Assisted by her daughter, Daisy Rubiera Castillo, the author recounts her life as a black woman struggling with prejudice and change in Cuba over the span of 90 years. Known as "Reyita", Maria de Los Reyes Castillo Bueno starts her story with the abduction of her grandmother by slave traders and shares her own experiences as a mother, laborer, and revolutionary.
Navigate the darkest corridors of humanity with Machete Season–a harrowing saga that dusts off the grim truths of the Rwandan Genocide. Rewind to April-May 1994, as the Tutsis face the unimaginable horror of annihilation under their fellow Hutu's brutal reign. The author, Jean Hatzfeld, painstakingly pieces together the chilling accounts shared by nine Hutu executioners. Recounted are not just tales of horror, but a frightening display of the dehumanizing banality of evil. This revelation doubles as a probing exploration of the mechanisms of mass murders and their remorseless orchestrators. Delve into their candid confessions about the dreadful slaughter of approximately 50,000 Tutsis, their neighbors. As you navigate through their stories, one piercing, unsettling theme stands out: “Killing is easier than farming." Echoes of their unsettling ambivalence towards their heinous actions fill the pages, raising alarming questions about human morality and ethics. Machete Season isn’t just a chronicle of genocide. It's an insightful contemplation on the extraordinary horrors that ordinary human beings are capable of under certain circumstances. By starkly positioning the Rwandan Genocide alongside historical war crimes and genocidal episodes, this book raises a mirror to the darkest corners of human nature, forcing you to reconsider the pylons of morality, humanity, and guilt when survival is at stake.
Argentina’s coup d’état in 1976 led to one of the bloodiest dictatorships in its history—thirty thousand people were abducted, tortured, and subsequently “disappeared.” And hundreds of babies born to pregnant political prisoners were stolen from their doomed mothers and “given” to families with military ties or who were collaborators of the regime. Analía was one of these children, raised without suspecting that she was adopted. At twenty seven, she learned that her name wasn’t what she believed it to be, that her parents weren’t her real parents, and that the farce conceived by the dictatorship had managed to survive through more than two decades of democracy. In My Name is Victoria, it is no longer Analía, but Victoria who tells us her story, in her own words: the life of a young and thriving middleclass woman from the outskirts of Buenos Aires with strong political convictions. Growing up, she thought she was the black sheep of the family with ideas diametrically opposed to her parents’. It wasn’t until she discovered the truth about her origins and the shocking revelation of her uncle’s involvement in her parents’ murder and in her kidnapping and adoption that she was able to fully embrace her legacy. Today, as the youngest member of congress in Argentina, she has reclaimed her identity and her real name: Victoria Donda. This is Victoria’s story, from the moment her parents were abducted to the day she was elected to parliament.
Carolina Maria de Jesus' book, Quarto de Despejo (The Trash Room), depicted the harsh life of the slums, but it also spoke of the author's pride in her blackness, her high moral standards, and her patriotism. More than a million copies of her diary are believed to have been sold worldwide. Yet many Brazilians refused to believe that someone like de Jesus could have written such a diary, with its complicated words (some of them misused) and often lyrical phrasing as she discussed world events. Doubters prefer to believe the book was either written by Audáulio Dantas, the enterprising newspaper reporter who discovered her, or that Dantas rewrote it so substantially that her book is a fraud. With the cooperation of de Jesus' daughter, recent research shows that although Dantas deleted considerable portions of the diary (as well as a second one), every word was de Jesus'. But Dantas did "create" a different Carolina from the woman who coped with her harsh life by putting things down on paper. This book sets the record straight by providing detailed translations of de Jesus' unedited diaries and explains why Brazilian elites were motivated to obscure her true personality and present her as something she was not. It is not only about the writer but about Brazil as recorded by her sarcastic pen. The diary entries in this book span from 1958 to 1966, five years beyond text previously known to exist. They show de Jesus as she was, preserving her Joycean stream-of-consciousness language and her pithy characterizations.
After 2,000 years of flawed history, here at last is a magnificent new biography of Mary Magdalene that draws her out of the shadows of history and restores her to her rightful place of importance in Christianity. Throughout history, Mary Magdalene has been both revered and reviled, a woman who has taken on many forms—witch, whore, the incarnation of the eternal feminine, the devoted companion (and perhaps even the wife) of Jesus. In this brilliant new biography, Bruce Chilton, a renowned biblical scholar, offers the first complete and authoritative portrait of this fascinating woman. Through groundbreaking interpretations of ancient texts, Chilton shows that Mary played a central role in Jesus’ ministry and was a seminal figure in the creation of Christianity. Chilton traces the evolving images of Mary Magdalene and the legends surrounding her. He explains why, despite her prominence, the Gospels actually say so little about her and why the Catholic Church for thousands of years has sought to marginalize her importance. In a probing look at the Church’s attitudes toward women, he investigates Christian misogyny in the ancient world, including the suppression of women priests who patterned their activities on Mary’s; explores the impact of Gnostic ambivalence toward women on its depictions of Mary; and shows that these traditions still influence modern portrayals of her. Chilton’s descriptions of who Mary Magdalene was and what she did challenge the male-dominated history of Christianity familiar to most readers. Placing Mary within the traditions of Jewish female savants, Chilton presents a visionary figure who was fully immersed in the mystical teachings that shaped Jesus’ own teachings and a woman who was a religious master in her own right.
From the Publisher: Bart Ehrman, author of the bestsellers Misquoting Jesus and Truth and Fiction in The Da Vinci Code, here takes readers on another engaging tour of the early Christian church, illuminating the lives of three of Jesus' most intriguing followers: Simon Peter, Paul of Tarsus, and Mary Magdalene.