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Nicholas Rowe (1674-1718) was an English dramatist, poet and miscellaneous writer. The future English poet was educated first at Highgate School, and then at Westminster School under the guidance of a Dr. Busby. In 1688, he became a King's scholar, which was followed by his entrance into Middle Temple in 1691. Rowe acted as under-secretary (1709-1711) to the duke of Queensberry when he was principal secretary of state for Scotland. On the accession of George I he was made a surveyor of customs, and in 1715 he succeeded Nahum Tate as poet laureate. He was also appointed clerk of the council to the Prince of Wales, and in 1718 was nominated by Lord Chancellor Parker as clerk of the presentations in Chancery. He wrote occasional verses addressed to Godolphin and Halifax, adapted some of the odes of Horace to fit contemporary events, and translated the Caractres of Jean de La Bruyere and the Callipaedia of Claude Quillet. He also wrote a memoir of Boileau prefixed to a translation of the Lutrin. His other works include: The Ambitious Stepmother (1700), Tamerlane (1702), The Fair Penitent (1703) and Jane Shore: A Tragedy (1714).
A collection of poetry spanning five decades chronicles the author's childhood as the daughter of dressmakers in Bergen, New Jersey, as well as the everyday experiences in her adult life. By the author of Music Minus One.
From the author of A Rose for the Crown and Daughter of York comes another engrossing historical novel of the York family in the Wars of the Roses, telling the fascinating story of the rise and fall of the final and favorite mistress of Edward IV. Jane Lambert, the quick-witted and alluring daughter of a silk merchant, is twenty-two and still unmarried. When Jane’s father finally finds her a match, she’s married off to the dull, older silk merchant William Shore. Marriage doesn’t stop Jane from flirtation, however, and when the king’s chamberlain, Will Hastings, comes to her husband’s shop, Will knows King Edward will find her irresistible. Edward IV has everything: power, majestic bearing, superior military leadership, a sensual nature, and charisma. And with Jane as his mistress, he also finds true happiness. But when his hedonistic tendencies get in the way of being the strong leader England needs, his life, as well as those of Jane and Will Hastings, hangs in the balance. Jane must rely on her talents to survive as the new monarch, Richard III, bent on reforming his brother’s licentious court, ascends the throne. This dramatic tale has been an inspiration to poets and playwrights for five hundred years, and, as told through the unique perspective of a woman plucked from obscurity and thrust into a life of notoriety, Royal Mistress is sure to enthrall today’s historical fiction lovers as well.
Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this third volume the late plays, The Tragedy of Jane Shore and The Tragedy of the Lady Jane Grey are presented, along with a newly written explanatory introduction by Claudine van Hensbergen which precedes the full edited text. Appendices covering performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.