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The compelling story of over 5,000 years of Scottish art, told by Lachlan Goudie, renowned contemporary Scottish artist, broadcaster and presenter of BBC Four's 'The Story of Scottish Art'. This is the story of how Scotland has defined itself through its art over the past 5000 years, from the earliest enigmatic Neolithic symbols etched onto the landscape of Kilmartin Glen to Glasgow's fame as a centre of artistic innovation today. Lachlan Goudie brings his perspective and passion as a practising artist and broadcaster to narrate the joys and struggles of artists across the millennia striving to fulfil their vision and the dramatic transformations of Scottish society reflected in their art. The Story of Scottish Art is beautifully illustrated with the diverse artworks that form Scotland's long tradition of bold creativity: Pictish carved stones and Celtic metalwork; Renaissance palaces and chapels; paintings of Scottish life and landscapes by Horatio McCulloch, David Wilkie and Joan Eardley; designs by master architect Charles Rennie Mackintosh; and collage and sculpture by Pop Art pioneer Eduardo Paolozzi. Lachlan tells the compelling story of how and why these and many other Scottish masterpieces were created, and the impact they have had on the world.
From aesthetic promenades in noble palaces to the performativity of religious apparatus, this edited volume reconsiders some of the events, habits and spaces that contributed to defining exhibition practices and shaping the imagery of the exhibition space in the early modern period. The contributors encourage connections between art history, exhibition studies, and architectural history, and explore micro-histories and long-term changes in order to open new perspectives for studying these pioneering exhibition-making practices. Aiming to understand what spaces have done and still do to art, the book explores an underdeveloped area in the field that has yet to trace its interdisciplinary nature and understand its place in the history of art. The book will be of interest to scholars working in art history, museum studies, exhibition history, and architectural history.
This volume, the earlier of the two-volume official History of Aberdeen, provides a comprehensive picture of the development of the two historic burghs of Old Aberdeen and New Aberdeen over their first seven centuries, from 1100 to 1800. As early as the 14th century, Aberdeen was: recognized as one of the 'four great towns of Scotland'. Early settlement, the growing townscape and social change over the centuries are all traced. Aberdeen's contacts with the sea and other towns overseas and its economy and politics, both local and national, are assessed. And Aberdonians themselves, the vital forces behind the history of the two burghs, are highlighted: their faith and culture, homes and health, and their education and pastimes are all rediscovered.
Denys Hay is one of the best known British historians of the Renaissance. His work is marked by a judicious and readable style, an equal interest in the affairs of England and Italy, and an ability to hold in balance the claims of political and cultural history. This collection brings together the important part of Professor Hay's work that has appeared as essays and represents all his major interests.
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
The field covered by this volume includes the work and influence of foreign-born painters such as Holbein and Van Dyck as well as native masters from Gower and Milliard to Gainsborough, Stubbs, and Sandby. We can follow step by step the development and flowering of British painting, and can compare, for example, the work of the English Sir Joshua Reynolds with the Scottish Allan Ramsay. Portrait and landscape, history piece, miniature, watercolour, there is a record of them all. The text is both scholarly and readable and the illustrations include well known examples of British painting and others seldom or never before reproduced between the covers of a book. This is the fifth edition of this work, newly enhanced with colour illustrations.