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Jonathan Jefferson Whitlaw was born to a Mississippi squatter family that got ahead and bought better land far from their squatter site. There the neighbors are a family German immigrants, who have worked their land in the Louisiana forest without using slaves. The Whitlaws promptly purchase two slaves and send Jonathan to school in Natchez where he gets the training he needs to work as a confidential clerk for Colonel Dart, owner of the largest plantation in the area. Whitlaw is soon in charge of punishment of the slaves. He is also scheming fo acquire some land of his own but after some frustration, concentrates on exposing the Blighs, who hide runaway slaves, in the hope of buying their land on the cheap after they've been ruined.
The writings of Frances Trollope have been subject to increasing academic interest in recent years, and are now widely studied. This four-volume set includes scholarly editions of her four novels, in which her comical, yet subversive, treatment of Victorian marriage is an interesting contrast to some of the more earnest but conventional fiction of the time. At the time of their reception all four novels were considered to be the most hilarious and beloved of Trollope’s works. In their satire of Victorian marriage, they challenged and complicated the normative practices of getting married, being married, and getting married again. Trollope’s creation of strong, independent, older women is an antidote to other Victorian novelists’ portrayal of widows and spinsters, and her novels challenge our understanding of the characteristics of the novels of the 1830s and 1840s, especially in their depiction of Victorian gender dynamics as well as their influence on succeeding novels.
With contributions from Great Britain, Ireland, America, Canada, Australia, India, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey.
Transatlantic approach: This project explores British and American texts in conversation together. Use of archival materials, which is relatively unusual within Gothic studies, and even in literary studies more generally. A focus on poetry, drama, and periodical writing, genres that are often ignored in the study of the Gothic. A focus on women’s work (both on the labor of women and on texts by women). A focus on local Gothic (especially in Lowell and Manchester), with a connection to larger international trends of the genre.
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
This eight-volume set in two parts gives voice to some intrepid women travellers touring post-Napoleonic France. The volumes are facsimile editions and are introduced and edited by experts in their field.