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Excerpt from The Life and Adventures of Edmund Kean Tragedian, Vol. 2 of 2: 1787 1833 Amsterdam, Antwerp, Ghent, and Brussels. Privations awaited the company in a foreign land, and after a year's absence Junius Brutus Booth returned to his native country a more experienced youth. He then played at Worthing and Brighton, where his remark able likeness to Kean in person and? Manner created a sensation, and finally procured him an invitation to play in London. At this time he had not reached his twenty-first year. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Life and Adventures of Edmund Kean, Tragedian, Vol. 1 of 2: 1787-1833 Edmund Kean goes to Windsor - Appears before George III. At Oxford - With Richardson's show - Delights of the fair With Saunders' circus - Reciting in public - Joins a strolling company - Varied fortunes of a Commonwealth Hardships and hunger - Studying dictionaries - A born Bohemian - Plays small parts at the Haymarket Theatre Master Betty, the infant Roscius - He would be a player. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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This gripping biography details the life of Edmund Kean, one of the most acclaimed and celebrated actors of the 19th century. Molloy explores Kean's early life and career, his meteoric rise to fame, and his notable performances in plays such as Richard III and Othello. He also delves into Kean's personal life, including his relationships with family, friends, and colleagues, and provides a fascinating look at the world of 19th century theater. This book is a must-read for anyone interested in the history of acting or theater. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Excerpt from The Life and Adventures of Edmund Kean, Tragedian: 1787-1833 Now little Edmund Carey, amongst a crowd of other lads, represented an attendant spirit on the sisters three. His personation was, however, limited to a single night, for whilst he and his fellow-demons stood in a row one before the other at the mouth of a cave, preparatory to scampering round the cauldron, he either accidentally or intentionally made a forward step which he was unable to recover. He therefore fell against the demon in front of him, who in turn knocked down his next neighbour, and he doing likewise, they tumbled one upon the other until the whole wicked company lay prostrate. Confusion followed this unrehearsed action; the audience tittered, and the scene was spoiled. Hippen, who narrates the anecdote, says Kemble te garded the occurrence as a breach of discipline. At the conclusion of the act the chief offender was brought before him, and little Carey answered his reproaches by merely remarking, This was the first time he had performed in tragedy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.