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Volume 1 of A History of the Book in America encompasses seventeenth and eighteenth century book history.
Volume 1 of A History of the Book in America, The Colonial Book in the Atlantic World, encompasses the seventeenth and eighteenth centuries. It is organized around three major themes: the persisting colonial relationship between European settlements and the Old World; the gradual emergence of a pluralistic book trade that differentiated printers from booksellers; and the transition from a 'culture of the Word', organized around an understanding of print as a vehicle of the sacred, to the culture of republicanism, epitomized by Benjamin Franklin, and culminating in the uses of print during the Revolutionary era. The volume will also describe nascent forms of literary and learned culture (including the circulation of manuscripts), literacy and censorship, orality, and the efforts by Europeans to introduce written literary to Native Americans and African Americans.
Scholars and arm-chair historians of eighteenth-century America will take great pleasure in reading this exceptionally well-researched slice of colonial history. In The Baylors of Newmarket, author Thomas Katheder has meticulously researched one of the wealthiest and most socially prominent yet least known families in colonial Virginia. Drawing on mostly unpublished sources, including British and French archives and Virginia court documents, The Baylors of Newmarket is the fascinating and tragic story of Col. John Baylor III and his son John IV, including Col. Baylor's relentless pursuit of equine perfection and his son's delusional quest for the perfect Virginia mansion. The Baylors of Newmarket places the family in the larger context of a pre-Revolutionary Anglo-Virginian elite that sought to emulate the British gentry in culture, education, books and reading, dress, furnishings, and behavior. After the Revolution, the Baylors struggled to maintain what was becoming an increasingly outmoded lifestyle. This extensively referenced history also describes in rich detail the library begun by Col. Baylor III and expanded by his son John IV within the context of a strong book culture among the pre-Revolutionary Virginia gentry that has been largely underappreciated by scholars.
"The Encyclopedia of Library and Information Science provides an outstanding resource in 33 published volumes with 2 helpful indexes. This thorough reference set--written by 1300 eminent, international experts--offers librarians, information/computer scientists, bibliographers, documentalists, systems analysts, and students, convenient access to the techniques and tools of both library and information science. Impeccably researched, cross referenced, alphabetized by subject, and generously illustrated, the Encyclopedia of Library and Information Science integrates the essential theoretical and practical information accumulating in this rapidly growing field."
Over the past thirty years, composition has flowered as a discipline in the academy. Doctoral programs in composition abound, and its position in the pantheon of academic fields seems assured. There is plenty of work in composition. But what is the nature of that work now, and what should it be? James Slevin asks such probing, primary questions in Introducing English, an overdue assessment of the state of composition by one of its most respected practitioners. Too often, Slevin claims, representations of composition take the form of promoting the field and its specialists, rather than explaining the fundamental work of composition and its important consequences. In thirteen thematically and methodologically linked essays, Slevin argues toward a view of the discipline as a set of activities, not as an enclosed field of knowledge. Such a view broadens the meaning of the work of composition to include teaching and learning, a two-way process, creating alliances across conventional educational boundaries, even beyond educational institutions.Slevin traces how composition emerged for him not as a vehicle for improving student writing, but rather as a way of working collaboratively with students to interpret educational practices and work for educational reform. He demonstrates the kind of classroom practice—in reading accounts of the Anglicization of Pocahontas—that reveals the social and cultural consequences of language and language education. "For good or ill," writes Slevin, "composition has always been at the center of the reproduction of social inequality, or of the resistance to that process." He asks those in the discipline to consider such history in the reading and writing they ask students to do and the reasons they give for asking them to do it. A much-anthologized essay by E. B. White from The New Yorker is the site for an examination of genre as social institution, introducing the ways in which the discourses of the academy can be understood as both obstacle and opportunity. Ultimately, Introducing English is concerned with the importance of writing and the teaching of writing to the core values of higher education. "Composition is always a metonym for something else," Slevin concludes. "Usually, it has figured the impossibility of the student body—their lacks that require supplement, their ill-health that requires remedy." Introducing English introduces a new figure—a two-way process of inquiry—that better serves the intellectual culture of the university. Chapters on writing across the curriculum, university management, and faculty assessment (the tenure system) put this new model to practical, innovative use. Introducing English will be necessary reading for all those who work with composition, as well as those engaged in learning theory, critical theory, and education reform.
...a leaping departure in comprehensiveness, organizational format, and accessibility through indexing...A magnificent contribution to the study of American library history. --LIBRARIES & CULTURE ...a work of enormous and painstaking scholarship. --LIBRARY ASSOCIATION RECORD (UK)