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Published to mark the display of library of exile at the British Museum, this beautifully produced new book reflects on the themes raised by de Waal's thought-provoking work of art. A preface by Booker Prize-nominated author Elif Shafak reflects on the importance of literature and its capacity to transcend language and borders. The introduction from Hartwig Fischer, Director of the British Museum, positions the artwork within the wider context of the Museum's collection, highlighting the dialogue between objects from across time and throughout history and the contemporary. Finally, de Waal concentrates on the work itself, its journey to the British Museum via Venice and Dresden, and its future role in the foundation of the New University Library in Mosul.
The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.
"Dispersed along the shelves of the British Library today are many volumes that once stood side by side in private libraries. These essays explore some of the most important printed collections which were brought together to form the British Museum Library and cast new light on the individuals whose personal interests and taste they reflect.--Dust jacket.
The first comprehensive history of a world-renowned repository of knowledge and scholarship, this volume deals primarily with the growth of the library's collections, their cataloguing, and the reading rooms in which they are housed. The appendices includes a list of some of the better known persons who have used the reading rooms. 100 illustrations.
There is little point in conserving an object if the storage conditions to which it is to be returned contributed to its deterioration. This book presents the full range of tests, for materials used in constructing storage and display areas, which are used at the British museum and describes standard procedures for carrying them out. It is a valuable source of information for curators, conservators and designers and will enable those with access to relatively basic equipment to carry out their own tests.
The British Museum is the oldest publicly funded museum in the world. This volume tells the story of the collections, the buildings that house them, and the people who have administered and curated them since its foundation in 1753.
An annotated bibliography of the Tamil-language books held in the collection of the British Museum. Pope and Barnett provide detailed descriptions of each book, as well as historical and cultural context for the Tamil literary tradition. This book is an essential reference work for scholars of South Asian literature and Tamil studies. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.