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Contains alphabetically arranged entries that describe major characters from significant American novels, arranged chronologically from 1789 through 1960.
Gathers Poe's essays on the theory of poetry, the art of fiction, the role of the critic, leading nineteenth-century writers, and the New York literary world.
The American theorists: Henry James, Lionel Trilling and Wayne C. Booth have revolutionized our understanding of narrative and have each championed the novel as an art form. Concepts from their work have become part of the fabric of novel criticism today, influencing theorists, authors and readers alike. Emphasizing the crucial relationship between the works of these three critics, Peter Rawlings explores their understanding of the novel form, and investigates their ideas on: realism and representation authors and narration point of view and centres of consciousness readers, reading and interpretation moral intelligence. Rawlings demonstrates the importance of James, Trilling and Booth for contemporary literary theory and clearly introduces critical concepts that underlie any study of narrative. American Theorists of the Novel is invaluable reading for anyone with an interest in American critical theory, or the genre of the novel.
Henry James, renowned as one of the world’s great novelists, was also one of the most illuminating, audacious, and masterly critics of modern times. This Library of America volume is one of two volumes of the most extensive collection of his critical writings ever assembled, with many pieces never before available in book form. It includes reviews of a great number of European writers, especially French writers, along with more general essays and the Prefaces Henry James wrote for the New York Edition of his works, published between 1907 and 1909. More than one hundred reviews and essays are gathered by author, so that readers can trace the development of James’s complex, meditative, and highly volatile attitudes toward a wide spectrum of literature. James reviews the formidable Honoré de Balzac (with his “huge, all compassing, all desiring, all devouring love of reality”), Gustave Flaubert (“a pearl-diver, breathless in the thick element while he groped for the priceless word”), and Ivan Turgenev, the Russian visitor in Paris, with whom James felt great personal affinity, even though Tugenev “lacked the immense charm of absorbed inventiveness.” James delivers his critical judgments with great elegance and point, especially when he discusses the performance of other critics like Hippolyte Taine and Augustin Sainte-Beuve, and, of course, he can be wonderfully acerbic. An early moralistic essay on Baudelaire finds Poe “vastly the greater charlatan of the two, and the greater genius.” James brings his critical zest, exhilaration, and independence of judgment to bear on writers as diverse as Alphonse Daudet, George Sand, Victor Hugo, Guy de Maupassant, Théophile Gautier, J. W. von Goethe, and Gabriele D’Annunzio. Readers will find, in the complete collection of the Prefaces, one of literature’s most revealing artistic autobiographies, a wholly absorbing account of how writing gets written, and a vision of the possibilities for fiction which critics and novelists of later times will find immensely instructive and liberating. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.