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The great Victorian novelist's complete surviving journals - first publication of new George Eliot text.
Lewes--consort of George Eliot, biographer of Robespierre and Goethe, novelist, editor, and critic--was also a scientist and philosopher. Tjoa not only reconstructs Lewes' theory of criticism and his social and political opinions but also evaluates his contributions to Darwinian science both as original thinker and as popularizer.
Sundays at the Priory, the salons that George Eliot and George Henry Lewes conducted throughout the winter seasons during their later years in the 1870s, have generally earned descriptions as at once scandalous and dull, with few women in attendance, and guests approaching the Sibyl one by one to express their almost pious devotion. But both the guest lists of the salons--which include significant numbers of women, a substantial gay and lesbian contingent, and a group of singers who performed repeatedly--together with the couple's frequent travels to European spas, where they encountered many of the guests likely to visit the Priory, revise the conclusion that George Eliot lived her entire life as an ostracized recluse. Instead, newly mined sources reveal George Eliot as a member of a large and elite, if slightly Bohemian, international social circle in which she moved as a literary celebrity and through which she stimulated her creative imagination as she composed her later poetry and fiction. George Eliot in Society: Travels Abroad and Sundays at the Priory by Kathleen McCormack draws attention to the survival of the literary/musical/artistic salon in the Victorian era, at a time in which social interactions coexisted with rising tensions that would soon obliterate the European spa/salon culture in which the Leweses participated, both as they traveled abroad and at Sundays at the Priory.
In this essay, originally published anonymously in The Westminster Review (1856), George Eliot examines the state of women's fiction in her time. She lamentingly argues that absurd and banal novels, written by well-to-do women of her time, do great disservice for the overall appreciation of women's intellectual capacities. Eliot divides 'silly novels by lady novelists' into several distinct categories: the mind-and-millinery species, the oracular type and the white-neck-cloth variety. She writes with characteristic sharp wit and insightful intellect in this scathing (but not unfeeling) feminist critique of 'Silly Novels by Lady Novelists'. This edition includes illustrations from the books critiqued by Eliot, along with annotations. George Eliot (Marian/Mary Ann Evans) was born in Warwickshire England in 1819. She went on to become one of England's most astute nineteenth century writers. Eliot is the author of celebrated novels including Adam Bede (1859), Middlemarch (1871-1872) and Daniel Deronda (1876). She also published non-fiction essays, poems and short stories, and was a skilled translator of German-language philosophy, including works by Strauss, Feuerbach and Spinoza. Eliot's writing is characterised by gritty realism entwined with deep empathy and keen insight into human life and ethics. Sarah Bacaller is a writer, researcher and audiobook producer from Melbourne, Australia.
Examining the personal library and the making of self When writer Edith Wharton died in 1937, without any children, her library of more than five thousand volumes was divided and subsequently sold. Decades later, it was reassembled and returned to The Mount, her historic Massachusetts estate. What a Library Means to a Woman examines personal libraries as technologies of self-creation in modern America, focusing on Wharton and her remarkable collection of books. Sheila Liming explores the connection between libraries and self-making in late nineteenth- and early twentieth-century American culture, from the 1860s to the 1930s. She tells the story of Wharton’s library in concert with Wharton scholarship and treatises from this era concerning the wider fields of book history, material and print culture, and the histories (and pathologies) of collecting. Liming’s study blends literary and historical analysis while engaging with modern discussions about gender, inheritance, and hoarding. It offers a review of the many meanings of a library collection, while reading one specific collection in light of its owner’s literary celebrity. What a Library Means to a Woman was born from Liming’s ongoing work digitizing the Wharton library collection. It ultimately argues for a multifaceted understanding of authorship by linking Wharton’s literary persona to her library, which was, as she saw it, the site of her self-making.
A fascinating account of the emergence of the writer's house museum over the course of the nineteenth century in Britain, Europe, and North America. It considers the museum as a cultural form and asks why it appeared and how it has constructed authorial afterlife for readers individually and collectively.