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A traveling librarian ventures into the mining towns of Kentucky on horseback—and learns to trust the One who truly pens her story—in this powerful novel from the best-selling author of A Silken Thread. During the Great Depression, city-dweller Addie Cowherd dreams of becoming a novelist and offering readers the escape that books had given her during her tragic childhood. When her father loses his job, she is forced to take the only employment she can find—delivering books on horseback to poor coal-mining families in the hills of Kentucky. But turning a new page will be nearly impossible in Boone's Hollow, where residents are steeped in superstitions and deeply suspicious of outsiders. Even local Emmett Tharp feels the sting of rejection after returning to the tiny mountain hamlet as the first in his family to graduate college. And as the crippled economy leaves many men jobless, he fears his degree won’t be worth much in a place where most men either work the coal mine or run moonshine. As Addie also struggles to find her place, she’ll unearth the truth about a decades-old rivalry. But when someone sets out to sabotage the town’s library program, will the culprit chase Addie away or straight into the arms of the only person who can help her put a broken community back together?
"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America
In his youth Daniel Trabue (1760–1840) served as a Virginia soldier in the Revolutionary War. After three years of service on the Kentucky frontier, he returned home to participate as a sutler in the Yorktown campaign. Following the war he settled in the Piedmont, but by 1785 his yearning to return westward led him to take his family to Kentucky, where they settled for a few years in the upper Green River country. He recorded his narrative in 1827, in the town of Columbia, of which he was a founder. A keen observer of people and events, Trabue captures experiences of everyday life in both the Piedmont and frontier Kentucky. His notes on the settling of Kentucky touch on many important moments in the opening of the Bluegrass region.
What constitutes historical truth is often subject to change. Through ingenious detection, the accepted wisdom of one generation may become the discredited legend of another—or vice versa. In this wide- ranging study of historical investigation, former detective Joe Nickell allows the reader to look over his shoulder as he demonstrates the use of varied techniques in solving some of the world's most perplexing mysteries. All the major categories of historical mystery are here—ancient riddles, biographical enigmas, hidden identity, "fakelore," questioned artifacts, suspect documents, lost texts, obscured sources, and scientific challenges. Each is then illustrated by a complete case from the author's own files. Nickell's investigation of the giant Nazca drawings in Peru, for example—thought by some to provide proof of ancient extraterrestrial visitations—uses innovative techniques to reveal a very different origin. Other cases concern the 1913 disappearance of writer and journalist Ambrose Bierce, the authenticity of the Shroud of Turin, the truth about the identity of John Demjanjuk ("Ivan the Terrible" to Polish death camp victims), the fate of a lost colonial American text, the authenticity of Abraham Lincoln's celebrated Bixby letter, and the apparent real-life model for a mysterious character in a novel by Nathaniel Hawthorne. In reaching his solutions, Nickell demonstrates a wide variety of investigative techniques—chemical and instrumental analyses, physical experimentation, a "psychological autopsy," forensic identification, archival research, linguistic analysis, folklore study, and many others. His highly readable book will intrigue the scholar and the history buff no less than the mystery lover.
For readers who love a heartwarming romance and a rich historical setting comes a tale of a young woman with a heavy burden, the International Cotton Exposition, and the pursuit of true love. Eighteen-year-old Laurel Millard, youngest of seven children, is expected to stay home and "take care of Mama" by her older siblings, but Laurel has dreams of starting her own family. Operating a silk loom at the Atlanta Exposition will give her the chance to capture the heart of a man wealthy enough to take care of Laurel and any children she might bear, as well as her mother. Langdon Rochester's parents have given him an ultimatum: settle down with a wife or lose his family inheritance. At the Exposition, Langdon meets Laurel. Marrying her would satisfy his parents's command, she would look lovely on his arm for social events, and in her besotted state, he believes she would overlook him continuing pursuing rowdy adventures with his unmarried buddies. Langdon decides to woo Laurel. Willie Sharp is not well-off and must take on an extra job at the Atlanta Exposition as a security guard. When mischief-makers cause trouble in the Women's Building, Willie is put in charge of keeping the building secure. He enjoys visiting with Laurel, who seems like the little sister he never had, but his feelings for Laurel change to something much deeper. Can Willie convince Laurel that he can give her better life--even with so little to offer?
With Genealogy as Found in Early Dutch Church Records, State and Government Documents, Together with Sketches of Colonial Times, Old Log Cabin Days, Indian Wars, Pioneer Hardships, Social Customs, Dress and Mode of Living of the Early Forefathers