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An enthralling work of history about the Libertine generation that came up during—and was eventually destroyed by—the French Revolution. The Last Libertines, as Benedetta Craveri writes in her preface to the book, is the story of a group of “seven aristocrats whose youth coincided with the French monarchy’s final moment of grace—a moment when it seemed to the nation’s elite that a style of life based on privilege and the spirit of caste might acknowledge the widespread demand for change, and in doing so reconcile itself with Enlightenment ideals of justice, tolerance, and citizenship.” Here we meet seven emblematic characters, whom Craveri has singled out not only for “the romantic character of their exploits and amours—but also by the keenness with which they experienced this crisis in the civilization of the ancien régime, of which they themselves were the emblem.” Displaying the aristocratic virtues of “dignity, courage, refinement of manners, culture, [and] wit,” the Duc de Lauzun, the Vicomte de Ségur, the Duc de Brissac, the Comte de Narbonne, the Chevalier de Boufflers, the Comte de Ségur, and the Comte de Vaudreuil were at the same time “irreducible individualists” and true “sons of the Enlightenment,” all of them ambitious to play their part in bringing around the great changes that were in the air. When the French Revolution came, however, they found themselves condemned to poverty, exile, and in some cases execution. Telling the parallel lives of these seven dazzling but little-remembered historical figures, Craveri brings the past to life, powerfully dramatizing a turbulent time that was at once the last act of a now-vanished world and the first act of our own.
In the short time they existed, The Libertines accomplished the impossible: they kick-started the new British music renaissance. They erased the barrier with fans, they inspired thousands, they gave away entire albums of material free on the internet. Yet on the whole the media failed to grasp what the band really stood for, preferring live-fast-die-young-cliches and headlines screaming for Kate Moss to abandon 'Junkie Pete' Doherty. Award-winning journalist Anthony Thornton and celebrated photographer Roger Sargent witnessed the whole messy story of The Libertines, and have remained on good terms with the two battling creative geniuses of Pete Doherty and Carl Barat. THE LIBERTINES: BOUND TOGETHER documents their extraordinary highs and lows, and the fallout from the breakup. Anthony Thornton is the only journalist to have interviewed the band at every critical stage, and witnessed every major gig. Roger Sargent was their photographer of choice; responsible for the iconic second album photograph and artwork. This is the definitive representation of the band in words and pictures - a unique, beautifully produced record of the most important British band of this generation.
Tracts on the Anabaptists and the Libertines, containing some of Calvin's most significant ethical and theological reflections.
What would happen if pleasure were made the organizing principle for social relations and sexual pleasure ruled over all? Radical French libertines experimented clandestinely with this idea during the Enlightenment. In explicit novels, dialogues, poems, and engravings, they wrenched pleasure free from religion and morality, from politics, aesthetics, anatomy, and finally reason itself, and imagined how such a world would be desirable, legitimate, rapturous—and potentially horrific. Laying out the logic and willful illogic of radical libertinage, this book ties the Enlightenment engagement with sexual license to the expansion of print, empiricism, the revival of skepticism, the fashionable arts and lifestyles of the Ancien Régime, and the rise and decline of absolutism. It examines the consequences of imagining sexual pleasure as sovereign power and a law unto itself across a range of topics, including sodomy, the science of sexual difference, political philosophy, aesthetics, and race. It also analyzes the roots of radical claims for pleasure in earlier licentious satire and their echoes in appeals for sexual liberation in the 1960s and beyond.
In the final years of the last millennium, Carl Barat and Pete Doherty forged a deep musical bond, formed The Libertines and set sail for Arcadia in the good ship Albion; a decade later, Carl would emerge from his second band, the Dirty Pretty Things, after one of the most significant - and turbulent - rock 'n' roll trajectories of recent times. An inside look at life in the eye of the storm, chronicling how a pair of romantics armed with little more than poetry and a punk attitude inspired adoration in millions worldwide - and proceeded to tear apart everything they had.
When Pete Doherty was imprisoned for burgling his best friend and bandmate Carl Barat in August 2003 it seemed the light had gone out on Britain's most exciting new band. Released early and reconciled with Barat, The Libertines confounded the critics by rounding off 2003 with three triumphant sold-out shows at London's Forum, and kicking off 2004 with the prestigious Best UK Band gong at the NME Awards. By the time their eponymous second album entered the charts at No. 1, Doherty was once more exiled from the band - kicked out by Barat for his continued drug use - his side-project Babyshambles going from strength to strength, leaving The Libertines facing an uncertain future just as they are feted as THE saviours of British rock. Now for the first time the full, extraordinary story of the most gifted yet nihilistic London band since The Sex Pistols is told in 'Kids in the Riot: High and Low with the Libertines'. With the complete co-operation of the major players in their gloriously destructive ascent and drawing on his own archive of unseen photographs, Pete Welsh documents the break-ins, break-ups, punch-ups and make-ups in the phenomenal rise of The Libertines....
' ''Poet, young and busy, seeks cheap spacious rooms somewhere. Excellent references available . . .'' so reads a self-penned ad, a very early entry from Pete Doherty's journals. From the early books a fascinating and very entertaining picture emerges of the young poet, broke in London, serving popcorn at the Prince Charles Cinema, ruminating on Britpop, listening to Scott Walker, but dreaming of creating a band infused with 'the spirit of Albion'. The later books reflect Pete's rise to fame, his changing world, and are full of artwork, photographs, notes and thoughts. It is intimate, honest stuff, very readable and very funny in places; pretty dark in others. All in all it's the work of a serious artist, a complete antidote to most things written about Doherty. These twenty-odd books - edited and condensed into one volume - are filled with poems, drawings, personal reflections, lyrics and collages, and is a powerfully compelling collection.
Pete Doherty, erstwhile singer with The Libertines, is a British icon. Whether he is playing impromptu gigs in his front room or performing at Live 8, he possesses a sense of drama and expectation not seen in a performer since Sid Vicious. He is enigmatic, charismatic and thoroughly entertaining. Since leaving The Libertines, his life has become something of a rock 'n' roll soap opera where rumours of crack addiction abound, gossip about his relationship with Kate Moss is rife, and predictions for his future vary wildly. Written by Alex Hannaford, former rock and pop editor on the London Evening Standard, and with a brand new foreword by Pete's mum, Jackie Doherty, this is the definitive biography of Pete Doherty.