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“Leta Miller’s long-awaited study is a tightly woven, fast-paced, and luminous chronicle of San Francisco’s musical coming of age. Her keen insights into Chinese opera, night club jazz, and two international expositions go far to rekindle the era’s spirited mix of talent, taste, patronage, and politics. The groundbreaking work of an accomplished music and social historian, Music and Politics in San Francisco is a most welcome companion to Catherine Parsons Smith’s Making Music in Los Angeles.” —Jonathan Elkus, Lecturer in Music Emeritus, UC Davis “From three disastrous days in April 1906 through the onset of an even greater disaster in 1941, from the San Francisco Conservatory through the performances of the Chinese Opera, Leta Miller traces the musico-political history of ‘the Paris of the West’ in meticulous detail. This important book adds immeasurably to our knowledge of West Coast American music, whilst simultaneously challenging a number of historiographical shibboleths.” —David Nicholls, contributing editor of The Cambridge History of American Music "Leta Miller’s San Francisco’s Musical Life is a pure pleasure to read. Miller manages that rare feat of digesting what must have been many years of digging through newspapers and archives into a fun, lively, highly readable narrative. Each chapter strikes a comfortable balance among factual exposition, colorful anecdote, and historical analysis. Miller brings equal depth and insight to each of her disparate subjects, she writes with charm and clarity throughout, and the whole is arranged in a way that is clear and logical, never monotonous." —Mary Ann Smart, author of Mimomania: Music and Gesture in Nineteenth-Century Opera
This book focuses on the chaos that overtook England on the eve of the First World War. Dangerfield weaves together the three wild strands of the Irish Rebellion (the rebellion in Ulster), the Suffragette Movement and the Labour Movement to produce a vital picture of the state of mind and the most pressing social problems in England at the time. The country was preparing even then for its entrance into the twentieth century and total war.Dangerfield argues that between the death of Edward VII and the First World War there was a considerable hiatus in English history. He states that 1910 was a landmark year in English history. In 1910 the English spirit flared up, so that by the end of 1913 Liberal England was reduced to ashes. From these ashes, a new England emerged in which the true prewar Liberalism was supported by free trade, a majority in Parliament, the Ten Commandments, but the illusion of progress vanished. That extravagant behavior of the postwar decade, Dangerfield notes, had begun before the war. The war hastened everything - in politics, in economics, in behavior - but it started nothing.George Dangerfield's wonderfully written 1935 book has been extraordinarily influential. Scarcely any important analyst of modern Britain has failed to cite it and to make use of the understanding Dangerfield provides. This edition is timely, since the year 2010 has seen a definitive resurrection of Liberal power. Subsequent to the General Election of July 2010 the government of the United Kingdom has been in the hands of a Conservative/Liberal Democrat coalition. The Deputy Prime Minister is the leader of the Liberal Democratic Party - the direct successor of the old Liberal Party examined by Dangerfield. Five Liberal Democrat members of Parliament were appointed to the Cabinet and there are Liberal Democrat ministers in all governmental departments. After decades of absence from government power, Liberalism seems to be back with a vengeance.
This is Mises's classic statement in defense of a free society, one of the last statements of the old liberal school and a text from which we can continue to learn. It has been the conscience of a global movement for liberty for 80 years. This edition, from the Mises Institute, features a new foreword by Thomas Woods. It first appeared in 1927, as a followup to both his devastating 1922 book showing that socialism would fail, and his 1926 book on interventionism. It was written to address the burning question: if not socialism, and if not fascism or interventionism, what form of social arrangements are most conducive to human flourishing? Mises's answer is summed up in the title, by which he meant classical liberalism. Mises did more than restate classical doctrine. He gave a thoroughly modern defense of freedom, one that corrected the errors of the old liberal school by rooting the idea of liberty in the institution of private property (a subject on which the classical school was sometimes unclear). Here is the grand contribution of this volume. "The program of liberalism, therefore, if condensed into a single word, would have to read: property, that is, private ownership of the means of production... All the other demands of liberalism result from this fundamental demand." But there are other insights too. He shows that political decentralization and secession are the best means to peace and political liberty. As for religion, he recommends the complete separation of church and state. On immigration, he favors the freedom of movement. On culture, he praised the political virtue of tolerance. On education: state involvement must end, and completely. He deals frankly with the nationalities problem, and provides a stirring defense of rationalism as the essential foundation of liberal political order. He discusses political strategy, and the relationship of liberalism to special-interest politics. In some ways, this is the most political of Mises's treatises, and also one of the most inspiring books ever written on the idea of liberty. It remains the book that can set the world on fire for freedom, which is probably why it has been translated into more than a dozen languages.