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Written during a moment in English history when the political and social structures were in flux and open to interpretation, Leviathan played an essential role in the development of the modern world.
The first novel in a masterful trilogy by #1 New York Times bestselling author Scott Westerfeld that School Library Journal hailed is "sure to become a classic." It is the cusp of World War I. The Austro-Hungarians and Germans have their Clankers, steam-driven iron machines loaded with guns and ammunition. The British Darwinists employ genetically fabricated animals as their weaponry. Their Leviathan is a whale airship, and the most masterful beast in the British fleet. Aleksandar Ferdinand, a Clanker, and Deryn Sharp, a Darwinist, are on opposite sides of the war. But their paths cross in the most unexpected way, taking them both aboard the Leviathan on a fantastical, around-the-world adventure….One that will change both their lives forever.
PETER BLEGVAD's cult comic strip LEVIATHAN ran for seven years in The Independent on Sunday review. It was memorably described by Simpsons creator Matt Groening as "one of the greatest, weirdest things I've ever stared at". Quirky and referential, dark and droll, by turn, Blegvad's cartoons are indeed unlike anything else in print.THE BOOK OF LEVIATHAN assembles the cream of Levi and Cat's adventures in a 160pp hardback - startlingly produced, with flat-bound, mirrored cover boards and full colour printing throughout. It is an object to treasure, and a snip at £12.99
All his life, Philip Hoare has been obsessed by whales, from the gigantic skeletons in London's Natural History Museum to adult encounters with the wild animals themselves. Whales have a mythical quality - they seem to elide with dark fantasies of sea-serpents and antediluvian monsters that swim in our collective unconscious. This book is an investigation into what we know little about -- dark, shadowy creatures who swim below the depths, only to surface in a spray of spume. More than the story of the whale, it is also the story of our own obsessions.
For many years scholars have sought to explain why the European states which emerged in the period before the French Revolution developed along such different lines. Why did some become absolutist and others constitutionalist? What enabled some to develop bureaucratic administrative systems, while others remained dependent upon patrimonial practices? This book presents a new theory of state-building in medieval and early modern Europe. Ertman argues that two factors - the organisation of local government at the time of state formation and the timing of sustained geo-military competition - can explain most of the variation in political regimes and in state infrastructures found across the continent during the second half of the eighteenth century. Drawing on insights developed in historical sociology, comparative politics, and economic history, this book makes a compelling case for the value of interdisciplinary approaches to the study of political development.
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Paris, 1878: Eccentric antiquarian Lord Littleby and his ten servants are found murdered in Littleby’s mansion on the rue de Grenelle, and a priceless Indian shawl is missing. Police commissioner “Papa” Gauche recovers only one piece of evidence from the crime scene: a golden key shaped like a whale. Gauche soon deduces that the key is in fact a ticket of passage for the Leviathan, a gigantic steamship soon to depart Southampton on its maiden voyage to Calcutta. The murderer must be among its passengers. In Cairo, the ship is boarded by a young Russian diplomat with a shock of white hair—none other than Erast Fandorin, the celebrated detective of Boris Akunin’s The Winter Queen. The sleuth joins forces with Gauche to determine which of ten unticketed passengers on the Leviathan is the rue de Grenelle killer. Tipping his hat to Agatha Christie, Akunin assembles a colorful cast of suspects—including a secretive Japanese doctor, a professor who specializes in rare Indian artifacts, a pregnant Swiss woman, and an English aristocrat with an appetite for collecting Asian treasures—all of whom are con?ned together until the crime is solved. As the Leviathan steams toward Calcutta, will Fandorin be able to out-investigate Gauche and discover who the killer is, even as the ship’s passengers are murdered, one by one? Already an international sensation, Boris Akunin’s latest page-turner transports the reader back to the glamorous, dangerous past in a richly atmospheric tale of suspense on the high seas.
With the creation of an unholy beast comes the end of the world in this diabolical thriller from the international bestselling author of Crux and Hunter. On an Icelandic Island, an illegal experiment intended to create the perfect biological weapon has transformed a once-innocent creature into the biblical Leviathan that once terrorized the world. Able to shatter steel and granite as easily as it can melt the strongest containment shields, Leviathan escapes from its pen and is loose in a vast underground chamber harboring soldiers and scientists. The installation cannot allow Leviathan to reach the surface. For if Leviathan reaches the world, it could well be the end of the Earth. They must hold the line, here, and destroy it . . . even if they must detonate a last-chance nuclear failsafe built into the chamber itself. But, first, they must fight with every weapon at their disposal to discover if the beast can be killed at all. It is a battle many will not survive. As soldiers and scientists are vaporized by Leviathan’s hellish flame, or ripped apart by the dragon’s claws and fangs, a lone electrical engineer is forced to join the fight. And in the midst of what might well be the last battle for Mankind, Connor must find a way—any way—to save his family and kill this powerful, bloodthirsty Beast of Legend that has never been killed before. Before it feasts upon the world. Praise for James Byron Huggins “Huggins writes like a man possessed.”—Steve Jackson, New York Times bestselling author “May be the thriller of the year.”—BookPage on Cain “Pure entertainment.”—Publishers Weekly on Hunter