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Originally published in 1963 and edited by an authority on Wyndham Lewis (whom he also knew personally) this volume made available for the first time over 500 letters of Wyndham Lewis, who for half a century was a dynamic force among English artists and intellectuals. Culturally, Lewis played the dual role of innovator and iconoclast. Lewis’s letters show the wide range of his interests as well as his great verbal energy and unrelenting intellect. Lewis knew most of the significant artists and writers of his time and some of them – Augustus John, Pound, Eliot and Joyce were his lifelong friends and chief correspondents. Regardless of to whom he was writing, he displayed his intense awareness of the personalities and currents around him.
Originally published in 1963 and edited by an authority on Wyndham Lewis (whom he also knew personally) this volume made available for the first time over 500 letters of Wyndham Lewis, who for half a century was a dynamic force among English artists and intellectuals. Culturally, Lewis played the dual role of innovator and iconoclast. Lewis's letters show the wide range of his interests as well as his great verbal energy and unrelenting intellect. Lewis knew most of the significant artists and writers of his time and some of them - Augustus John, Pound, Eliot and Joyce were his lifelong friends and chief correspondents. Regardless of to whom he was writing, he displayed his intense awareness of the personalities and currents around him.
The friendship of Ezra Pound and Wyndham Lewis began in London in 1909, survived two European wars and the rise and fall of the totalitarian governments both men misguidedly supported, and lasted through Pound's years of confinement at St. Elizabeths, to Lewis's death in 1957. In Pound/Lewis, their correspondence of five decades is gathered for the first time; it proves a revealing reflection of their intense, always professional, mutual regard.
Originally published in 1980 and nominated for the Duff Cooper Prize, this was the first biography of Wyndham Lewis and was based on extensive archival research and interviews. It narrates Lewis’ years at Rugby and the Slade, his bohemian life on the Continent, the creation of Vorticism and publication of Blast, and his experiences at Passchendaele, as well as his many love affairs, his bitter quarrels with Bloomsbury and the Sitwells, the suppressed books of the thirties, the evolution of his political ideas, his self-imposed exile in North America and creative resurgence during his final blindness. Jeffrey Meyers also describes Lewis’ relationships with Roy Campbell, D. H. Lawrence, Katherine Mansfield, T. E Lawrence, Hemingway, Huxley, Yeats, Auden, Spender, Orwell and McLuhan. As the self-styled Enemy emerges from the shadows, he is seen as an independent and courageous artist and one of the most controversial and stimulating figures in modern English art and literature.
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Excerpt from Wyndham Lewis: A Portrait of the Artist as the Enemy The most fascinating personality of our time was T. S. Eliot's description of Wyndham Lewis in The E goist for September 1918, an opinion recently reinforced in the Winter 1955 issue of The Hudson Review where he called Lewis the most distinguished living English novelist. Speaking on the bbc. Just after the last war, Geoffrey Grigson said: If we could have a collected edition of Wyndham Lewis - a collecting of novels, stories, criticism, treatises, essays which have never been collected - we should understand, as perhaps we don't, his immense unity. V. S. Pritchett, on the other hand, denies this unity to Lewis' work; if one looks at the first and last sentences of any of his paragraphs, Pritchett asserts, the two will rarely be found to have any logical connection. The present study attempts to discover that logical connection. It is divided into four parts, roughly on the basis of the interest Lewis has shown in each field. All his writings are covered to date, al though perhaps one point should be mentioned: I have not asked my printer to follow the atomic typography of Blast. The checklist which concludes this work, while it is perhaps the most thorough of its kind to be attempted, does not pretend to be definitive; I know from letters of Lewis I have examined that there is at least one item outstanding. The chronology of this list is only threatened, I believe, when I have been unable to trace month of publication in the usual way and the work in question has been relegated to the end of its year. The secondary sources simply gather a fairly arbitrary selection of works with divergent views on Lewis that seem worth preserving. In this listing the ordinary contemporary review is not included, al though reference to such may be found in the text. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A long overdue biography of the power couple that nurtured and influenced the literary world of early twentieth-century England "I write primarily to pay homage to a beloved friend, but also in the hope that some future chronicler of the history of art and letters in our time may give to Sydney and Violet Schiff the place which is their due." —T. S. Eliot, in a letter appended to Violet Schiff's obituary, Times of London, July 9, 1962 Largely forgotten today, Sydney and Violet Schiff were ubiquitous, almost Zelig-like figures in the most important literary movement of the twentieth century. Their friendships among the elite of the Modernist writers were remarkable, and their extensive correspondence with T. S. Eliot, Katherine Mansfield, Proust, and many others strongly suggests both intimacy and intellectual equality. Leading critics of the day considered Sydney, writing as Stephen Hudson, to be in the same literary league as Joyce, Eliot, and D. H. Lawrence. As for Violet, she was a talented musician who nurtured Sydney's literary efforts and was among the first in England to recognize Proust's genius and spread the word. Sydney and Violet tells the story of how the Schiffs, despite their commercial and Jewish origins, won acceptance in the snobbish, anti-Semitic, literary world of early twentieth-century England, and brings to life a full panoply of extravagant personalities: Proust, Joyce, Picasso, Mansfield, Wyndham Lewis, T. S. Eliot, Aldous Huxley, and many more. A highly personal, anecdote-filled account of the social and intellectual history of the Modernist movement, Sydney and Violet also examines what divides the literary survivors from the victims of taste and time.