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Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
A cumulative index to biographical material in books and magazines.
"The charter schools, founded in the early eighteenth century, were envisaged by their supporters as the positive side to government policy towards the Roman Catholics of Ireland. The various penal laws sought to restrict power to those with an interest in maintaining the Protestant (Anglican) state, while the charter schools were to open the scriptures to the children of the poor, educating them in the Protestant habits of loyalty to the Hanoverian crown, of industry and of good husbandry." "In 1733-4 the Incorporated Society for Promoting English Protestant Working Schools in Ireland was granted its charter. In the course of a century, over a million pounds in government funding was provided for the establishment and running of these schools. But the results fell far short of expectations." "Chapters on the origins of the schools, on their administration, their everyday routine and their curriculum, will reveal many reasons for their failure. Yet the charter schools were never intended to be the places of horror, the prototypes of Dotheboys Hall, that they so frequently became. How did it happen that, established with such high hopes for advancing the cause of the Reformation in Ireland, they ended by seriously discrediting it?" "This study draws largely on manuscript sources, official and otherwise, in repositories in the England and Ireland. The picture that emerges is of an organisation insufficiently aware of the existence within its own system of those very phenomena central to its purpose: the frailty of human nature and the prevalence of Original Sin!"--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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This history of the Abbey Theatre discusses the plays and the personalities in their underlying historical and political context, to give due weight to the theatre's work in Irish, and to take stock of its artistic and financial development.