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With these two volumes Princeton University Press concludes the first scholarly edition of the letters of Samuel Johnson to appear in forty years. Volume IV chronicles the last three years of Johnson's life, an epistolary endgame that includes the breakup of the friendship with Hester Thrale and a poignant reaching out to new friends and new experiences. Volume V includes not only the comprehensive index but those undated letters that cannot confidently be assigned to a specific year, "ghost" letters (those whose existence is documented in other sources), three letters that have recently been recovered, and translations of Johnson's letters in Latin. Bruce Redford is Professor of English at the University of Chicago and the author of The Converse of the Pen: Acts of Intimacy in the Eighteenth-Century Familiar Letter (Chicago). Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The central theme of this book is an under-studied link between the canon of Francis Bacon’s and Isaac Newton’s scientific and philosophical thought and Samuel Johnson’s critical approach that can be traced in a textual study of his literary works. The interpretive framework adopted here encourages familiarity with the history and philosophy of science, confirming that the history of ideas is an entirely human construct that constitutes an integral part of intellectual history. This further endorses the argument that intermediality can only be of benefit to future research into the richness of Johnson’s literary style. As perceived boundaries are crossed between conventionally distinct communication media, the profile of Johnson that emerges is of a writer of passionate intelligence who was able to combine a pragmatic approach to knowledge with flights of imagination as a true artist.
The author traces his direct ancestors for 40 generations, commencing with Egbert Saxon, king of Wessex in generation 1. King Edward III is described in generation 18. He was the last monarch in the author’s Direct family tree. He and his wife, Philippa of Hanault, are the author’s 21 times great grandparents. The author narrates the history of his direct ancestors up to his grandparents in generation 39, from English royalty to Scottish nobility, ending with the Krio elite in the former British colony of Sierra Leone. This was as a result of the acting governor of Sierra Leone, the Scottish Kenneth Macaulay, the author’s 4 times great-grandfather, having a relationship with a liberated African, which led to the birth of the author’s 3 times great-grandmother Charlotte Macaulay, who was of mixed race. The book is an entertaining, fascinating and accessible piece of family history with a wide-ranging scope and engaging manner of dialogue, which will be of interest, not only to historians and genealogists, but also to non-fiction readers in general.
Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage presents a fresh analysis of the complete theater evening that was available to playhouse audiences from the Restoration to the early nineteenth century. The contributing scholars focus not on the mainpiece, the advertised play itself, but on what surrounded the mainpiece for the total theater experience of the day. Various critical essays address artistic disciplines such as dance and theatrical portraits, while others concentrate on peripheral performance texts, including prologues, epilogues, pantomimes, and afterpieces, that merged to define the overall theatrical event.