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"It is now become so much the fashion to publish letters, that in order to avoid it, I put as little into mine as I can," Samuel Johnson declared, according to Boswell. And Boswell answered, "Do what you will, Sir, you cannot avoid it. Should you even write as ill as you can, your letters would be published as curiosities." But Johnson's letters are far more than that. Even at their most cursory and casual, they are never less than precious biographical documents, and many of them mirror, define, and re-create a vivid likeness of the most versatile writer of eighteenth-century England. With these three volumes Princeton University Press inaugurates the first scholarly edition of this remarkable material to appear in forty years--the planned five-volume series The Letters of Samuel Johnson. Known as the Hyde Edition, the project will be completed with the fourth volume, covering the years 1782 through 1784, and the fifth, containing the comprehensive index and appendices. The series as a whole will present fifty-two previously unknown letters or parts of letters that have come to light since the publication of R. W. Chapman's three-volume set (Oxford, 1952). Such "new" letters, however, are scarcely more important than those for which only inferior printed texts or copies of varying reliability had previously been recovered. The Hyde Edition offers scores of texts transcribed for the first time from the original documents--a feature of special importance in the case of Johnson's revealing letters to Hester Thrale, many of which have been available only in expurgated form. The Hyde Edition is also the first systematically to record substantive deletions, which can yield intimate knowledge of Johnson's stylistic procedures, mental habits, and chains of association. Furthermore, its ownership credits document the current disposition of the manuscripts, hundreds of which have changed hands during the last four decades. Finally, the annotation of the letters incorporates the many significant discoveries of postwar Johnsonian scholarship, as well as decoding references that had previously resisted explanation. The result is a far richer understanding of Samuel Johnson's life, work, and milieu. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
V. 1. 1731-1772 -- v. 2. 1773-1776 -- v. 3. 1777-1781 -- v. 4. 1782-1784 -- v. 5. Appendices and comprehensive index.
European literary history teems with prejudices. Nowhere perhaps is bias more evident than in the field of Anglo-French relations of the eighteenth century. In England looms the formidable figure of Samuel Johnson, while the French-speaking world is dominated by Rousseau, Voltaire, and Diderot. Samuel Johnson thought little of Voltaire and never mentioned Diderot. That he wanted to banish Rousseau to the American colonies is well known. All three men were, in Johnson's mind, infidels to the Christian order of society. In Samuel Johnson and Three Infidels, Mark Temmer reevaluates dogmatic views and critical commonplaces that have encrusted these relationships by comparing representative works of the three Continental authors to corresponding works and realities embodied and created by Samuel Johnson. After reviewing existing harmonies and dissonances between France and England, Temmer turns to the lives of Johnson and Rousseau, interpreting them as ontological masterpieces made visible mainly in Rousseau's Confessions and in biographies of Johnson by James Boswell and Hester Piozzi, both of whom insist on remarkable affinities between the two men. In the words of Mrs. Piozzi, they were "alike as sensations of frost and fire." Despite their opposing doctrines, Temmer reveals a pietism in Rousseau that often matches in intensity Johnson's otherworldly yearnings. Temmer moves from this comparison into a discussion of Candide and Rasselas, works published within months of each other in 1759. Integrating Voltaire's satire and Johnson's moral tale into the philosophical history of the age, Temmer goes on to uncover shared moments of laughter and music, ringing out against the gray background of a life in which, for both men, "much is to be endured and little to be enjoyed." Finally, exploring Johnson's Life of Richard Savage and Diderot's Le Neveu de Rameau, Temmer suggests the strong possibility that Diderot's masterpiece may have been influenced by Johnson's biography as well as by Savage's own An Author to be Lett. In this book, Temmer moves beyond the boundaries that have traditionally defined eighteenth-century scholarship on either shore of the English Channel. Creating a cross-cultural conversation bounded only by the lives and interests of his subjects, Temmer relates Johnson to Continental literature and defines his innovative role in a tradition that leads to Hegel, Dostoevsky, and Nietzsche.
A one-volume collection of the prose and poetry of eighteenth-century Britain’s pre-eminent lexicographer, critic, biographer, and poet Samuel Johnson Samuel Johnson was eighteenth-century Britain’s preeminent man of letters, and his influence endures to this day. He excelled as a moral and literary critic, biographer, lexicographer, and poet. This anthology, designed to make Johnson’s essential works accessible to students and general readers, draws its texts from the definitive Yale Edition of the Works of Samuel Johnson. In most cases, texts are included in full rather than excerpted. The anthology includes many essays from The Rambler and other periodicals; Rasselas; the prefaces to Johnson’s Dictionary and his edition of Shakespeare; the complete Lives of Cowley, Milton, Pope, Savage, and Gray, as well as generous selections from A Journey to the Western Islands of Scotland. Some parts are arranged thematically, allowing readers to focus on such topics as religion, marriage, war, and literature. The anthology includes a biographical introduction, and its ample annotation updates and enlarges the commentary in the Yale Edition.
Jeffrey Meyers tells the extraordinary story of Samuel Johnson one of the most illustrious figures of English literary tradition. Johnson was famous as a poet, novelist, biographer, essayist, critic, editor, lexicographer, conversationalist and larger than life personality. After nine years of work Johnson's, 'A dictionary of the English Language, was published in 1755. He overcame great adversity to achieve success. 'The Struggle' is a masterful portrait of a brilliant and tormented figure.
The first new biography for a generation of one of the great figures of English literature Poet, essayist, biographer, lexicographer, critic, conversationalist and wit, Dr Johnson is one of the great figures of English literature, perhaps the most quoted English writer after Shakespeare. Our view of Johnson has been overwhelmingly shaped by James Boswell's Life of Samuel Johnson, published in 1791, the most famous biography in the English language. But invaluable as Boswell is as a source, he should not be the last word. This new biography illuminates the Johnson that Boswell never knew: the awkward youth, the unsuccessful schoolmaster, the eccentric marriage, his early years in London in the 1740s scratching a living, the epic struggle to produce the Dictionary. Very much the outsider, rather than the supremely confident dispenser of robust common sense. Using material unknown to previous biographers, Peter Martin describes the psychological knife-edge on which Johnson felt he lived, caused by his severe melancholia and his physical diseases. He explores Johnson's role in the publishing and printing world of the time and he reveals how important women were to Johnson throughout his life. The Samuel Johnson that emerges from this enthralling biography is still the foremost figure of his age but a more rebellious, unpredictable and sympathetic figure than the one that Boswell so memorably portrayed.
In this groundbreaking portrait of Samuel Johnson, Nokes positions the great thinker in his rightful place as an active force in the Enlightenment, not a mere recorder or performer, and demonstrates how his interaction with life impacted his work.