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Philip Webb (1831-1915) was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He was an important figure in the literary and artistic world of the late-nineteenth century. Webb had a long association, both professionally and personally, with William Morris and his family as well as becoming treasurer of Morris's revolutionary Socialist League. They first met as trainees in the same architect's practice and remained collaborators throughout their lifetimes. Webb was responsible for the design of the hugely influential Red House, the Morris's first home. It was through Morris that Webb became connected with Dante Gabriel Rossetti and Edward Burne-Jones, amongst others. Webb and Morris were also joint founders of the Society for the Protection of Ancient Buildings (SPAB), the first organization to promote conservation rather than intrusive restoration. This comprehensive selection from Webb's surviving letters includes many important and previously unpublished letters to some of his closest associates. They reveal the wide range of his professional and personal interests. These four volumes will be of interest to art and architecture historians, scholars of Victorian history in general and of William Morris and the wider Pre-Raphaelite and Arts and Crafts movements in particular.
Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris’s first home. Webb's letters will be of interest to art and architecture historians.
This monograph explores the important work of Philip Webb, an influential architect and one of the founding fathers of the arts and crafts movement.
Brian Behnken offers a sweeping examination of the interactions between Mexican-origin people and law enforcement—both legally codified police agencies and extralegal justice—across the U.S. Southwest (especially Arizona, California, New Mexico, and Texas) from the 1830s to the 1930s. Representing a broad, colonial regime, police agencies and extralegal groups policed and controlled Mexican-origin people to maintain state and racial power in the region, treating Mexicans and Mexican Americans as a "foreign" population that they deemed suspect and undesirable. White Americans justified these perceptions and the acts of violence that they spawned with racist assumptions about the criminality of Mexican-origin people, but Behnken details the many ways Mexicans and Mexican Americans responded to violence, including the formation of self-defense groups and advocacy organizations. Others became police officers, vowing to protect Mexican-origin people from within the ranks of law enforcement. Mexican Americans also pushed state and territorial governments to professionalize law enforcement to halt abuse. The long history of the border region between the United States and Mexico has been one marked by periodic violence, but Behnken shows us in unsparing detail how Mexicans and Mexican Americans refused to stand idly by in the face of relentless assault.
Based on reports from American repositories of manuscripts.
Reprint of the original, first published in 1871.
Reprint of the original, first published in 1871.
No more than there can be time without space can there be history without locality. This book takes a road less traveled into a locality that provides fresh insights into our global dilemmas. Bolton-le-Moors was a global center of cotton, coal, and engineering, whose factory engines were the beating heart of the Victorian world. Commanding the widest range of trades of any town in the Empire, it specialized in papermaking, from pawn tickets to banknotes, via newspapers and syndicated fiction. Responsive to locality, yet world-aware, its many independent writers shared a creative forum with authors like Wordsworth, Tennyson, Ruskin, Gaskell, Charlotte Brontë, Tolstoy, Whitman, Thomas Hardy, T. S. Eliot, Virginia Woolf. Other “locals” include mathematician Thomas Kirkman, “father of design theory,” Thomas Moran, painter of the American “New West,” Charles Holden, the Empire’s leading Modern architect. Bolton’s printed culture was founded on traditions that made it a bulwark of parliamentary puritanism in the days of Reformation and Civil War. These traditions increasingly confronted global dilemmas that the town’s own inventiveness and entrepreneurship had helped create: yet its high moorlands also provided a breathing space to generate imaginative spiritual, political, and practical remedies. Global Dilemmas completes the account of Bolton writing initiated in A Kingdom in Two Parishes and continued in Classic Soil: an arc of discourse from Thomas Lever (1521-77), whose social experiments provided the model for the Protestant colonization of the New World, to his kinsman W. H. Lever (Lord Leverhulme), sincere Christian, world capitalist, progressive social thinker, and (pursuing the logic of profit) exploiter of Conrad’s African “heart of darkness.”