Download Free The Letters Of Mayo Lind Book in PDF and EPUB Free Download. You can read online The Letters Of Mayo Lind and write the review.

Frank Lind was thirty-five years of age in 1914 when The Great War broke out. Even if conscription had been in place, he would have been qualified for an age exemption. However, like many Newfoundlanders of his generation, he quickly volunteered and joined the First Newfoundland Regiment (later to become the Royal Newfoundland Regiment).
His diary ends twenty-two months later on the eve of the Battle of the Somme at Beaumont Hemel, a few days before his death."--BOOK JACKET.
Although the United States did not enter the First World War until April 1917, Canada enlisted the moment Great Britain engaged in the conflict in August 1914. The Canadian contribution was great, as more than 600,000 men and women served in the war effort--400,000 of them overseas--out of a population of 8 million. More than 150,000 were wounded and nearly 67,000 gave their lives. The war was a pivotal turning point in the history of the modern world, and its mindless slaughter shattered a generation and destroyed seemingly secure values. The literature that the First World War generated, and continues to generate so many years later, is enormous and addresses a multitude of cultural and social matters in the history of Canada and the war itself. Although many scholars have brilliantly analyzed the literature of the war, little has been done to catalog the writings of ordinary participants: men and women who served in the war and wrote about it but are not included among well-known poets, novelists, and memoirists. Indeed, we don't even know how many titles these people published, nor do we know how many more titles were added later by relatives who considered the recollections or collected letters worthy of publication. Brian Douglas Tennyson's The Canadian Experience of the Great War: A Guide to Memoirs is the first attempt to identify all of the published accounts of First World War experiences by Canadian veterans.
The first comprehensive examination and comparison of the indigenous peoples of the five British dominions during the First World War.
“In June a few years ago I set out to visit some of the World War One battlefields of Europe – the slope and valley and river and plain that the Newfoundland Regiment trained on, and fought over and through and under.” So begins Michael Winter’s extraordinary narrative that follows two parallel journeys, one laid on top of the other like a sketch on opaque paper over the lines of an old map. The first journey is that of the young men who came from Newfoundland’s outports, fields, villages and narrow city streets to join the storied regiment that led many of them to their deaths at Beaumont-Hamel during the Battle of the Somme on July 1, 1916. The second journey is the author’s, taken a century later as he walks in the footsteps of the dead men to discover what remains of their passage across land and through memory. Part unconventional history, part memoir-travelogue, part philosophical inquiry, Michael Winter uniquely captures the extraordinary lives and landscapes, both in Europe and at home, scarred by a war that is just now disappearing from living memory. In subtle and surprising ways, he also tells the hidden story of the very act of remembering – of how the past bleeds into the present and the present corrals and shapes the past. As he wanders from battlefield to barracks to hospital to hotel, and finally to a bereft stretch of land battered by a blizzard back home, Winter gently but persistently unsettles us – startling us with the unexpected encounters and juxtapositions that arise from his physical act of walking through the places where the soldiers once marched, this time armed with artifacts and knowledge those earlier souls could not have, yet undone by the reality of their bodily presence beneath the earth. In this unusual, poignant and beautiful book, Michael Winter gives us a new way of looking at a powerful piece of history that, he reminds us, continues to haunt our own lives.
As the body of First World War literature continues to grow, women’s experiences of this period remain largely obscure.This innovative collection addresses the invisibility of women in this literature, particularly with regard to Canadian and Newfoundland history. Drawing upon a multidisciplinary spectrum of recent work – studies on mobilizing women, paid and volunteer employment at home and overseas, grief, childhood, family life, and literary representations ?– this book brings Canadian and Newfoundland women and girls into the history of the First World War and marks their place in the narrative of national transformation.
The Fighting Newfoundlander is a vivid history of the Royal Newfoundland Regiment - the "Blue Puttees" - and its heroic contributions to the war effort. Gerald Nicholson details the harrowing experiences of the Newfoundland Regiment (the only Canadian unit) at Gallipoli and later at Beaumont Hamel where 710 of the 801 officers and men who took part in the assault were casualties. He also follows them to the Third Battle of Ypres and Cambrai, for which they were granted the title "Royal" - the only army unit to receive such a distinction during World War I.
A collection of the best journalism from Canada’s wars, from the time of the Vikings to the war in Afghanistan. Fighting Words is a collection of the very best war journalism created by or about Canadians at war. The collection spans 1,000 years of history, from the Vikings’ fight with North American Natives, through New France’s struggle for survival against the Iroquois and British, to the American Revolution, the War of 1812, the Rebellions of Lower and Upper Canada, the Fenian raids, the North-West Rebellion, the First World War, the Second World War, Korea, peacekeeping missions, and Afghanistan. Each piece has an introduction describing the limits placed on the writers, their apparent biases, and, in many cases, the uses of the article as propaganda. The stories were chosen for their impact on the audience they were written for, their staying power, and, above all, the quality of their writing.