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This collection of the most brilliant and characteristic letters of Niccolò Machiavelli displays the vital and penetrating mind of the man who wrote the first work of modern political science. These letters, which reveal Machiavelli's critical intelligence, sense of humor, and elegant sense, are our chief source of information about his personal life. As such, they will serve as a vivid introduction to the personalities and events of the most turbulent period of the Renaissance, and they will also enlighten people who have been fascinated by the political thinker who wrote The Prince and The Discourses on Livy.
The intimate world of Niccolò Machiavelli comes to life in this first complete collection in English of the letters he wrote and received. Spanning his adult life from 1497 until his death in 1527, these letters to and from his friends and compatriots--some of whom, such as Francesco Guicciardini and Francesco Vettori, were among the most influential thinkers of the day--reveal his personality and present a panorama of life, people, and critical events in Renaissance Italy. The correspondence offers valuable insight into the origins of Machiavelli's ideas on history, politics, literature, and society and the social context from which his achievements arose. Often his correspondence served as a testing ground for ideas he developed more fully in his writing. While the letters taken together show Machiavelli both living within and transcending his own time, on a more intimate level they reveal the human element that helped to shaped his thought. Machiavelli emerges as an individual with multifaceted capabilities and a multitude of roles, among them devoted humanist, political analyst, shrewd rhetorician, and practical joker. Based on Franco Gaets's authoritative critical Italian edition of Machiavelli's correspondence, the collection includes 257 letters written to Machiavelli and 84 letters written by him. Arranged chronologically, correspondence to and by Machiavelli is interwoven so that readers may easily follow discussions between him and his associates. The translators' introduction establishes the political and cultural context of the correspondence, and headnotes introduce each section of letters. Explanatory and historical annotations illuminate people, places, and events mentioned within the letters. Machiavelli's correspondence opens a window onto an important era in Western intellectual history, disclosing the language, thoughts, and preoccupations of some of the key people who shaped the Italian Renaissance. As the definitive edition, Machiavelli and His Friends will interest students of Machiavelli, specialists in political science and Renaissance literature and history, and general readers desiring to know more intimately one of the most fascinating personalities of the Renaissance.
Throughout his life, Niccolò Machiavelli was deeply invested in Florentine culture and politics. More than any other priority, his overriding central concerns, informed by his understanding of his city's history, were the present and future strength and independence of Florence. This volume highlights and explores this underappreciated aspect of Machiavelli's intellectual preoccupations. Transcending a narrow emphasis on his two most famous works of political thought, The Prince and the Discourses on Livy, Mark Jurdjevic and Meredith K. Ray instead present a wide sample of the many genres in which he wrote—not only political theory but also letters, poetry, plays, comedy, and, most substantially, history. Throughout his writing, the city of Florence was at the same time his principal subject and his principal context. Florentine culture and history structured his mental landscape, determined his idiom, underpinned his politics, and endowed everything he wrote with urgency and purpose. The Florentine particulars in Machiavelli's writing reveal aspects of his psyche, politics, and life that are little known outside of specialist circles—particularly his optimism and idealism, his warmth and humor, his capacity for affection and loyalty, and his stubborn, enduring republicanism. Machiavelli: Political, Historical, and Literary Writings has been carefully curated to reveal those crucial but lesser known aspects of Machiavelli's thought and to show how his major arguments evolved within a dynamic Florentine setting.
In Machiavelliana Michael Jackson and Damian Grace offer a comprehensive study of the uses and abuses of Niccolò Machiavelli’s name in society generally and in academic fields distant from his intellectual origins. It assesses the appropriation of Machiavelli in didactic works in management, social psychology, and primatology, scholarly texts in leaderships studies, as well as novels, plays, commercial enterprises, television dramas, operas, rap music, Mach IV scales, children’s books, and more. The book audits, surveys, examines, and evaluates this Machiavelliana against wider claims about Machiavelli. It explains the origins of Machiavelli’s reputation and the spread of his fame as the foundation for the many uses and misuses of his name. They conclude by redressing the most persistent distortions of Machiavelli.
Written in the 16th century, The Prince remains one of the most influential books on political theory. Its author, Niccolo Machiavelli was an Italian diplomat and political theorist, and is considered the father of modern political thought.
"Introduction to Medieval Europe 300-1500 provides a comprehensive survey of this complex and varied formative period of European history, covering themes as diverse as barbarian migrations, the impact of Christianization, the formation of nations and states, the emergence of an expansionist commercial economy, the growth of cities, the Crusades, the effects of plague, and the intellectual and cultural life of the Middle Ages. The book explores the driving forces behind the formation of medieval society and the directions in which it developed and changed. In doing this, the authors cover a wide geographic expanse, including Western interactions with the Byzantine Empire and the Islamic World."--Provided by publisher.
'A wonderfully assured and utterly riveting biography that captures not only the much-maligned Machiavelli, but also the spirit of his time and place. A monumental achievement.' – Jessie Childs, author of God's Traitors. ‘A notorious fiend’, ‘generally odious’, ‘he seems hideous, and so he is.’ Thanks to the invidious reputation of his most famous work, The Prince, Niccolò Machiavelli exerts a unique hold over the popular imagination. But was Machiavelli as sinister as he is often thought to be? Might he not have been an infinitely more sympathetic figure, prone to political missteps, professional failures and personal dramas? Alexander Lee reveals the man behind the myth, following him from cradle to grave, from his father’s penury and the abuse he suffered at a teacher’s hands, to his marriage and his many affairs (with both men and women), to his political triumphs and, ultimately, his fall from grace and exile. In doing so, Lee uncovers hitherto unobserved connections between Machiavelli’s life and thought. He also reveals the world through which Machiavelli moved: from the great halls of Renaissance Florence to the court of the Borgia pope, Alexander VI, from the dungeons of the Stinche prison to the Rucellai gardens, where he would begin work on some of his last great works. As much a portrait of an age as of a uniquely engaging man, Lee’s gripping and definitive biography takes the reader into Machiavelli’s world – and his work – more completely than ever before.
In the four and a half centuries since Machiavelli’s death, no single and unanimously accepted interpretation of his ideas has succeeded in imposing itself upon the lively debate over the meaning of his works. Yet there has never been any doubt about the fundamental importance of Machiavelli’s contribution to Western political theory.The Portable Machiavelli brings together the complete texts of The Prince, Belfagor, and Castruccio Castracani, newly translated by Peter Bondanella and Mark Musa especially for this volume. In addition, the editors include an abridged version of The Discourses; a play, The Mandrake Root, in its entirety; seven private letters; and selections from The Art of War and The History of Florence.
A “provocative” study of sex and sexual identity in Renaissance Italy, explored through major literary works and historical archives (Choice). Machiavelli in Love introduces a complex concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero’s study counters the consensus among historians and literary critics that there was little sense of individual identity and almost no sense of sexual identity before the modern period. Drawing from the works of major literary figures such as Boccaccio, Aretino, and Castiglione, and rereading them against archival evidence, Ruggiero examines the concept of identity via consensus realities of family, neighbors, friends, and social peers, as well as broader communities and solidarities. The author contends that Renaissance Italians understood sexual identity as a part of the human life cycle, something that changed throughout stages of youthful experimentation, marriage, adult companionship, and old age. Machiavelli’s letters and literary production reveal a fascinating construction of self that is highly reliant on sexual reputation. Ruggiero’s challenging reinterpretation of this canonical figure, as well as his unique treatment of other major works of the period, offer new approaches for reading Renaissance literature and new understandings of the way life was lived and perceived during this time.