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Reproduction of the original: Elizabeth Visits America by Elinor Glyn
These accomplished tales from the pens of great writers are object-lessons in the art of creating a literary masterpiece on a small canvas
Elizabeth Angela Marguerite Bowes Lyon, the youngest daughter of the Earl of Strathmore, was born on 4 August, 1900. Few could have imagined the profound effect she would have on Britain and its people. This official biography tells not only her story but, through it, that of the country she loved so devotedly.
From Anne Barnhill, the author of At the Mercy of the Queen, comes the gripping tale of Mary Shelton, Elizabeth I's young cousin and ward, set against the glittering backdrop of the Elizabethan court Mistress Mary Shelton is Queen Elizabeth's favorite ward, enjoying every privilege the position affords. The British queen loves Mary like a daughter, and, like any good mother, she wants her to make a powerful match. The most likely prospect: Edward de Vere, Earl of Oxford. But while Oxford seems to be everything the queen admires: clever, polished and wealthy, Mary knows him to be lecherous, cruel, and full of treachery. No matter how hard the queen tries to push her into his arms, Mary refuses. Instead, Mary falls in love with a man who is completely unsuitable. Sir John Skydemore is a minor knight with little money, a widower with five children. Worst of all, he's a Catholic at a time when Catholic plots against Elizabeth are rampant in England. The queen forbids Mary to wed the man she loves. When the young woman, who is the queen's own flesh and blood, defies her, the couple finds their very lives in danger as Elizabeth's wrath knows no bounds.
Horror Classics: 560+ Titles in One Edition is an ambitious anthology that transcends the contours of fear, exploring the depths of the human psyche through a mosaic of horror narratives. This collection celebrates the eclectic dimensions of horror literature, spanning Gothic tales, supernatural stories, and psychological thrillers. By weaving together a tapestry of styles ranging from the eerie subtleties of Henry James to the cosmic horrors of H.P. Lovecraft, this anthology underscores the diversity and richness of the genre. Significant works within the collection demonstrate the evolution of horror, charting a course from the foundational terror of Mary Shelley's influence to the nuanced dread of Algernon Blackwood. The anthology represents a comprehensive survey of horror's literary landscape, capturing the zeitgeist of multiple eras and offering a window into the myriad ways that fear manifests in literature. The authors and editors, hailing from diverse backgrounds and epochs, bring with them their unique historical, cultural, and literary perspectives. Collectively, they represent the multifaceted nature of horror writing, aligning with various movements from Romanticism to Modernism, and touching upon themes of imperialism, gender, and existentialism. Their stories offer a rich commentary on the societal fears and anxieties of their times, providing insight into the human condition. This collaborative effort illuminates the shared human experience of fear, binding the collection into a cohesive exploration of horror's thematic richness and depth. Horror Classics: 560+ Titles in One Edition is a seminal compilation that promises to enchant, educate, and provoke thought, appealing to both aficionados and newcomers of the horror genre. This anthology not only serves as a comprehensive guide through the eerie landscapes of terror and the macabre but also as a testament to the enduring power of storytelling in confronting the unknown. Readers are invited to delve into this extensive collection, to unravel the complex tapestry of horror literature, and to engage in a dialogue with some of the most influential voices in the genre. It is a must-read for those seeking to grasp the full spectrum of horrors literary heritage and its evolution across centuries.
He's at her service . . . Though she can't afford the coal to heat her drafty Mayfair mansion, Felicity Langley still clings to her dream of marrying a duke—one she's had since her very first curtsy. After all, she's been promised to the very lofty Duke of Hollindrake for the last four years. Now all she has to do is meet him. But what Felicity doesn't realize is that she has met her duke—he's the altogether too handsome man who Felicity has just mistaken . . . for her new footman! By rights, Thatcher should immediately set this presumptuous chit straight and tell her he has no intention of honoring the arranged betrothal. But he's quickly smitten by Felicity's delightful determination, her irrepressible charm . . . and her breathtaking sensuality. Yes, she'd wed him in an instant were his true identity revealed—but Thatcher's vowed to marry only for love. So begins his deception and his conquest of this uncommon woman who doesn't believe in romance, but is about to find her heart and passion set aflame by the unlikely man she's sworn to resist.
This perennially popular Norton Critical Edition has been revised to reflect the most current scholarly approaches to The Scarlet Letter—Hawthorne’s most widely read novel—as well as to the five short prose works—“Mrs. Hutchinson,” “Endicott and the Red Cross,” “Young Goodman Brown,” “The Minister’s Black Veil,” and “The Birth-mark”—that closely relate to the 1850 novel. This Second Norton Critical Edition also includes: · Revised and expanded explanatory footnotes, a new preface, and a note on the text by Leland S. Person. · Key passages from Hawthorne’s notebooks and letters that suggest the close relationship between his private and public writings · Seven new critical essays by Brook Thomas, Michael Ryan, Thomas R. Mitchell, Jay Grossman, Jamie Barlowe, John Ronan, and John F. Birk. · A Chronology and revised and expanded Selected Bibliography.
"Court Beauties of Old Whitehall: Historiettes of the Restoration" by W. R. H. Trowbridge is a book about Great Britain's history and restoration (1660-1688). The epoch of restauration is one of the most interesting and intriguing topic in English history. It is a subject on which an immense number of books has been written. Of the eight beautiful women whose extraordinary careers are described in the following pages, the names of all are probably more or less familiar to the reader, while some—such as "Madame" and the Duchess of Portsmouth— have provided several historians with themes that have elevated them to the proud height of classical authority. The author's goal is to make an inquiry into the private lives of the great and into the spirit of the society of the past.