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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1906 edition. Excerpt: ... First Series of the Poems, page 54... Don't cry, dear Mary. Let us do that for you, because you are too tired now. We don't '. know how dark it is, but if you are at sea, perhaps when we say that we are there, you won't be as afraid. The waves are very big, but every one that covers you, covers us, too. Dear Mary, you can't see us, but we are close at your side. May we comfort you? Lovingly, Emily. Autumn, 1861. Friend, Sir, --I did not see you. I am very sorry. Shall I keep the wine till you come again, or send it in by Dick? It is now behind the door in the library, also an unclaimed flower. I did not know you were going so soon. Oh! my tardy feet. Will you not come again? Friends are gems, infrequent. Potosi is a care, sir. I guard it reverently, for I could not afford to be poor now, after affluence. I hope the hearts in Springfield are not so heavy as they were. God bless the hearts in Springfield. I am happy you have a horse. I hope you will get stalwart, and come and see us many years. I have but two acquaintance, the ' quick and the dead'--and would like more. I write you frequently, and am much aslnied. My voice is not quite loud enough to cross s? many," fields, which will, if you please, apologize for my pencil. Will you take my love to Mrs Bowles, whom I remember every day? Emilie. Vinnie hallos from the world of night-caps, ' don't forget her love.' January, 1862. Dear Friend, --Are you willing? I am so far from land. To offer you the cup, it might some Sabbath come my turn. Of wine how solemn-full! Did you get the doubloons--did you vote upon ' Robert'? You said you would come in February. Only three weeks more to wait at the gate! While you are sick, we--are homesick. Do you look out to-night? The moon rides like a girl...
The definitive edition of Emily Dickinson’s correspondence, expanded and revised for the first time in over sixty years. Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections—alternately humorous, provocative, affectionate, and philosophical—with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter. The Letters of Emily Dickinson is the first collected edition of the poet’s correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson’s writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time. Dickinson’s letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance.
Part I, "Life" (p.1-105) compiled from unpublished letters and personal recollections; cf. compilers preface.
e-arnow presents to you this meticulously edited collection of the complete poems bu Emily Dickinson, including the extensive illustrated biography of the author: Poems—First Series: Book I.—Life: Success Our share of night to bear Rouge et Noir Rouge gagne Glee! the storm is over If I can stop one heart from breaking Almost A wounded deer leaps highest The heart asks pleasure first In a Library Much madness is divinest sense I asked no other thing Exclusion The Secret The Lonely House To fight aloud is very brave Dawn The Book of Martyrs The Mystery of Pain I taste a liquor never brewed A Book I had no time to hate, because Unreturning Whether my bark went down at sea Belshazzar had a letter The brain within its groove Book II.—Love: Mine Bequest Alter? When the hills do Suspense Surrender If you were coming in the fall With a Flower Proof Have you got a brook in your little heart? Transplanted The Outlet In Vain Renunciation Love's Baptism Resurrection Apocalypse The Wife Apotheosis Book III.—Nature: New feet within my garden go May-Flower Why? Perhaps you 'd like to buy a flower The pedigree of honey A Service of Song The bee is not afraid of me Summer's Armies The Grass A little road not made of man Summer Shower Psalm of the Day The Sea of Sunset Purple Clover The Bee Presentiment is that long shadow As children bid the guest good-night Angels in the early morning So bashful when I spied her Two Worlds The Mountain A Day The butterfly's assumption-gown The Wind Death and Life 'T was later when the summer went Indian Summer Autumn Beclouded The Hemlock There's a certain slant of light Book IV.—Time and Eternity: One dignity delays for all Too late Astra Castra Safe in their alabaster chambers On this long storm the rainbow rose From the Chrysalis Setting Sail Look back on time with kindly eyes A train went through a burial gate I died for beauty, but was scarce Troubled about many things Real The Funeral I went to thank her I've seen a dying eye... Poems—Second Series (160+ poems) Poems—Third Series (160+ poems) The Single Hound (140+ verses) The Life and Letters of Emily Dickinson
A collection of the author's greatest poetry--from the wistful to the unsettling, the wonders of nature to the foibles of human nature--is an ideal introduction for first-time readers. Original.
A New York Times Book Review Editors’ Choice, this engaging, insightful portrayal of Emily Dickinson sheds new light on one of American literature’s most enigmatic figures. On August 3, 1845, young Emily Dickinson declared, “All things are ready” and with this resolute statement, her life as a poet began. Despite spending her days almost entirely “at home” (the occupation listed on her death certificate), Dickinson’s interior world was extraordinary. She loved passionately, was hesitant about publication, embraced seclusion, and created 1,789 poems that she tucked into a dresser drawer. In These Fevered Days, Martha Ackmann unravels the mysteries of Dickinson’s life through ten decisive episodes that distill her evolution as a poet. Ackmann follows Dickinson through her religious crisis while a student at Mount Holyoke, which prefigured her lifelong ambivalence toward organized religion and her deep, private spirituality. We see the poet through her exhilarating frenzy of composition, through which we come to understand her fiercely self-critical eye and her relationship with sister-in-law and first reader, Susan Dickinson. Contrary to her reputation as a recluse, Dickinson makes the startling decision to ask a famous editor for advice, writes anguished letters to an unidentified “Master,” and keeps up a lifelong friendship with writer Helen Hunt Jackson. At the peak of her literary productivity, she is seized with despair in confronting possible blindness. Utilizing thousands of archival letters and poems as well as never-before-seen photos, These Fevered Days constructs a remarkable map of Emily Dickinson’s inner life. Together, these ten days provide new insights into her wildly original poetry and render an “enjoyable and absorbing” (Scott Bradfield, Washington Post) portrait of American literature’s most enigmatic figure.
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