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Undeniably one of the modern world's greatest literary figures, Charles Baudelaire (1821-67) left behind a correspondence documenting in intimate detail a life as intense in its extremes as his poetry. This extensive selection of his letters—many translated for the first time into English—depicts a poet divided between despair and elation, thoughts of suicide and intimations of immortality; a man who could write to his mother, "We're obviously destined to love one another, to end our lives as honestly and gently as possible," and say in the next sentence, "I'm convinced that one of us will kill the other"; who courted and then suffered the controversy provoked by his masterpiece, Les Fleurs du mal; who struggled throughout his life with syphilis contracted in his youth, near-intolerable financial restrictions imposed by his stepfather, and conflicting feelings of failure and revolt dating from his school days. Writing to family, friends, and lovers, Baudelaire reveals the incidents and passions that went into his poetry. In letters to editors, idols, and peers—Hugo, Flaubert, Vigny, Wagner, Cladel, among others—he elucidates the methods and concerns of his own art and criticism and comments tellingly on the arts and politics of his day. In all, ranging from childhood to days shortly before his death, these letters comprise a complex and moving portrait of the quintessential poet and his time.
The inner torments of the poet, critic, & translator are revealed in his letters to his mother over the course of 33 years & ending just prior to his death at the age of 46. "The intimate & profoundly moving letters reveal the tragedy of a sensitive mind, reveal the heartbreaking bitterness & hope & struggle of a man unfitted to combat the implacabilities of life."--THE INDEPENDENT.
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
A prolific poet, art critic, essayist, and translator, Charles Baudelaire is best known for his volumes of verse (Les Fleurs du Mal [Flowers of Evil]) and prose poems (Le Spleen de Paris [Paris Spleen]). This volume explores his prose poems, which depict Paris during the Second Empire and offer compelling and fraught representations of urban expansion, social change, and modernity. Part 1, "Materials," surveys the valuable resources available for teaching Baudelaire, including editions and translations of his oeuvre, historical accounts of his life and writing, scholarly works, and online databases. In Part 2, "Approaches," experienced instructors present strategies for teaching critical debates on Baudelaire's prose poems, addressing topics such as translation theory, literary genre, alterity, poetics, narrative theory, and ethics as well as the shifting social, economic, and political terrain of the nineteenth century in France and beyond. The essays offer interdisciplinary connections and outline traditional and fresh approaches for teaching Baudelaire's prose poems in a wide range of classroom contexts.
Baudelaire: poète maudit, enfant terrible, lyric genius, crippling perfectionist. Bereft of a father at age five, he spent his days squandering the former's fortune on prostitutes and paintings, opium and alcohol, finery and laundry bills for his impeccably white dandy's collars. He loved a woman and gave her syphilis. This is her story. Muse, mulatto, mistress, mystery... little was known of Jeanne in her day, and even less remembered since. Yslaire pays tribute to a brimstone-and-hellfire affair from the annals of literature, two misunderstood souls who in their mutual misunderstanding afforded each other what little solace they found in life.