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This volume depicts the life and times of the Mughal emperor Jahangir in the light of his memoirs, Jahangirnama, popularly known as Tuzuk-i Jahangiri. With its fresh treatment of source material and a vivid account of historical events, the book tells the history of Jahangir’s India through his intimate and confessional memoirs incorporated in the genre of Mughal manuscript painting. The work is noteworthy for its historical portraits as well as Jahangir’s visual realism, his remarkable knowledge of natural history, and the perceptive and detailed descriptions of the world around him. Moving away from conventional historical writing, the book is a psychological study of an individual, his innate qualities, behavioural moves and instinctive affinities. Jahangir’s memoirs reveal deeper facets of him as a person as well as a poet, aesthete, connoisseur of painting and a keen observer of nature, both human and that of the natural world. The author also includes other contemporary literature of the period that narrate Jahangir’s life, such as Akbarnama, Ma’asir-i Jahangiri, Iqbalnama-i Jahangiri, Intikhab-i Jahangiri, Tatimma-i Waqi’at-i Jahangiri and Zakhirat-ul Khwanin, as well as Jesuits accounts and travelogues. He further analyses the influence of European Renaissance art on the history of Mughal paintings. A first of its kind, this book will greatly interest scholars and researchers of medieval history, Indian history, Mughal history, art history, popular culture and South Asian studies, as well as the general reader.
This volume depicts the life and times of the Mughal emperor Jahangir in the light of his memoirs, Jahangirnama, popularly known as Tuzuk-i Jahangiri. With its fresh treatment of source material and a vivid account of historical events, the book tells the history of Jahangir's India through his intimate and confessional memoirs incorporated in the genre of Mughal manuscript painting. The work is noteworthy for its historical portraits as well as Jahangir's visual realism, his remarkable knowledge of natural history, and the perceptive and detailed descriptions of the world around him. Moving away from conventional historical writing, the book is a psychological study of an individual, his innate qualities, behavioural moves and instinctive affinities. Jahangir's memoirs reveal deeper facets of him as a person as well as a poet, aesthete, connoisseur of painting and a keen observer of nature, both human and that of the natural world. The author also includes other contemporary literature of the period that narrate Jahangir's life, such as Akbarnama, Ma'asir-i Jahangiri, Iqbalnama-i Jahangiri, Intikhab-i Jahangiri, Tatimma-i Waqi'at-i Jahangiri and Zakhirat-ul Khwanin, as well as Jesuits accounts and travelogues. He further analyses the influence of European Renaissance art on the history of Mughal paintings. A first of its kind, this book will greatly interest scholars and researchers of medieval history, Indian history, Mughal history, art history, popular culture and South Asian studies, as well as the general reader.
Finalist for the 2018 Los Angeles Times Book Prize in History "A luminous biography." —Rafia Zakaria, Guardian Four centuries ago, a Muslim woman ruled an empire. Nur Jahan, daughter of a Persian noble and widow of a subversive official, became the twentieth and most cherished wife of the Emperor Jahangir. Nur ruled the vast Mughal Empire alongside her husband, leading troops into battle, signing imperial orders, and astutely handling matters of the state. Acclaimed historian Ruby Lal uncovers the rich life and world of Nur Jahan, rescuing this dazzling figure from patriarchal and Orientalist clichés of romance and intrigue, and giving new insight into the lives of women and girls in the Mughal Empire. In Empress, Nur Jahan finally receives her due in a deeply researched and evocative biography that awakens us to a fascinating history.
Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
Jahangir was perhaps the most fascinating, and most underestimated, of the Mughal emperors. This compelling, beautifully written biography reveals him to be more than just a great lover of art and nature, ruling alongside his powerful wife nurjahan -
Exam board: OCR Level: GCSE Subject: History First teaching: September 2016 First exams: Summer 2018 Let SHP successfully steer you through the new specification with an exciting, enquiry-based series that invigorates teaching and learning; combining best practice principles and worthwhile tasks to develop students' high-level historical knowledge and skills. - Tackle unfamiliar topics from the broadened curriculum with confidence: the engaging, accessible text covers the content you need for teacher-led lessons and independent study - Ease the transition to GCSE: step-by-step enquiries inspired by best practice in KS3 help to simplify lesson planning and ensure continuous progression within and across units - Build the knowledge and understanding students need to succeed: the scaffolded three-part task structure enables students to record, reflect on and review their learning - Boost student performance across the board: suitably challenging tasks encourage high achievers to excel at GCSE while clear explanations make key concepts accessible to all - Rediscover your enthusiasm for source work: a range of purposeful, intriguing visual and written source material is embedded at the heart of each investigation to enhance understanding - Develop students' sense of period: the visually stimulating text design uses memorable case studies, diagrams, infographics and contemporary photos to bring fascinating events and people to life
A unique blend of Indian, Persian, and Islamic styles, Mughal painting reached its golden age during the reigns of the emperors Akbar, Jahangir, and Shah Jahan in the 16th and 17th centuries. This gloriously illustrated book is the first to examine the Victoria and Albert Museum's remarkable collection of Mughal paintings, one of the finest in the world. Richly detailed battle scenes, scenes of court life, and lively depictions of the hunt were commissioned by the royal courts, along with a remarkable series of portraits, studies of wildlife, and decorative borders. The authoritative text contains much new research, and the beautifully reproduced color illustrations give this stunning volume wide appeal.
Reportedly the largest Empire that has ever existed throughout human history, at its height the British Empire was reported to have ruled over some four hundred and fifty millions subjects, a quarter of the world's population at the beginning of the 20th century and controlled an estimated thirteen million square miles of territory, around 25%% of the world's total land surface. This five hundred page project, tries to take a balanced view of Britain's vast imperial possessions, how they were acquired, how they were lost and their histories, since they gained independence. The publication attempts to take a specific look at some of the more troubling aspects of the Empires past, including those dealing with the Troubles in Ireland, the Transatlantic Slave Trade, the Indian Subcontinent, the European Scramble for Africa, as well as the numerous wars and battles that such imperial expansionism created.
In The Mughal Padshah Jorge Flores offers both a lucid English translation and the Portuguese original of a previously unknown account - probably penned by the Jesuit priest JerØnimo Xavier in 1610-11 - of the court and household of the Mughal Emperor Jahangir, circa 1605-27.
Wheeler Thackstons lively new translation ofThe Jahangirnama, co-published with the Freer/Arthur M. Sackler Gallery of the Smithsonian Institution, presents an engaging portrait of an intriguing emperor and his flourishing empire. The Emperor Jahangir is probably best know in the West as being the father of Shahjahan, who built the Taj Mahal. His reign was one of great prosperity, and his passion for art and nature encouraged a flowering that some say rivaled European art during the rule of the Medicis. In penning his memoirs, Jahangir followed a tradition begun by his great-grandfather, the Emperor Babur. Jahangirs memoirs, however, provide not only the history of his reign, but also his reflections on art, politics, and private details about his familyincluding the suicide of one of his wivesand selections of poetry written by members of his harem. One of Jahangirs stories describes his astonishment at witnessing the fall of a meteorite, an event that so amazed him that he ordered that a dagger be made from its metal. This book includes a selection of exquisite full-color paintings, drawings, and objects that specifically illustrate the passages they accompany--including a photograph of the Emperors treasured dagger. A lover of jewels, nature, hunting, drinking, and opiates, Jahangir carried the Mughal empire to artistic and political heights. Refreshingly candid and frank, this splendidly illustrated edition of Jahangirs memoirs is a thoroughly absorbing profile of an emperor and the zenith of his empire.